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Easy Problem
by
Lukáš Horák & Andrew Thompson

INT. DAY AT A CAFé TABLE
 
A young man and a woman are sitting a table in a café, near
a window, so we can see what looks like a college campus
oustide, swarms of students walking by. The woman is
drinking coffee, watching the man scribbling on a piece of
paper. A golden bracelet sits next to her cup as she putsit
down, enscription on it saying: Liz # Sam
 
SAM
You don't like it.
 
LIZ
It's nice
 
SAM
(not looking at Liz,
scribbling)
I can just take it back and..I
don't know how you return this
stuff.
 
Liz drinks her coffee, looking out of the window at people
laughing.
 
LIZ
It's about you.
 
SAM
It has two names on it, Liz.
 
LIZ
Yeah, but nothing about you loving
me or how I'm great or anything.
You just want reassurance.
 
Sam stops scribbling for a little while, tense silence
hangs in between them as Liz sips her coffee. We cut to
what seems like later in the conversation.
 
 
LIZ (CONT'D)
You can't just let people walk all
over you like that.
 
SAM
(scribbling)
I'm not letting people walk over
me.
 
LIZ
You should have published

2.

 

 

 

SAM
(putting the pen down,
annoyed)
Nobody would read it, Liz.
LIZ
I read it. It's good. Maybe
unfocused a bit.
SAM
You're not in the commitee. His
fucking friends are.
LIZ
Doesn't mean you shouldn't get any
credit at all.

 
 
Sam picks up the pen again.
 
SAM
I don't care.
 
LIZ
Yeah, but now he gets to act like
it's his own work.
 
Sam ignores Liz for a while, then turning his scribblings
to her. It looks mostly like sharp wavy lines with numbers
and works like "theta" state written over them.
 
SAM
Fuck him and fuck working with
epileptics. This is the new thing.
 
LIZ
(not looking at the
paper)
What's wrong with working with
epileptics?
 
SAM
No offense, Liz, but you're
wasting time.
 
LIZ
I'm trying to help people
 
SAM
That's great, you know I think
that. But you're getting no real
results. It's like counting
flashes in a storm or something.

3.

 

 

 

 

LIZ
(turning her eyes to the
paper)
Sleep?
SAM
It's rhytmical. You can get a
feedback loop going and lock it,
get a clear picture.
LIZ
You would fry someone's brain, you
realize that?
SAM
I'm not talking ethics right now,
I just wanna know your honest
opinion.
LIZ
I think it's creepy. I don'want
you coming up with stuff like
that.

 
Sam goes stone faced, folding up the paper and putting it
into his pocket, not looking at Liz.
 
SAM
Yeah, because what you want is to
save the fucking world using my
notes.
 
LIZ
(visibly hurt)
You're gonna scream?
 
SAM
No.
 
LIZ
Because other people would see it?
 
SAM
I'm not crazy.
 
LIZ
Not all the time, no.
 
Long silence
 
SAM
You wanna say something?

4.
LIZ
I want to go.

 
Sam picks up his bag
 
LIZ (CONT'D)
Alone.
 
SAM
You want me to tell you I'm sorry?
I thought you said you don't
believe that.
 
LIZ
I don't want to hear anything.
 
Liz stands up and walks away. Sam is watching her walk out
of the Café, the normal sounds is slowly replaced by a
staticy sounding hum. As the doors close, the scene fades
to black, with wavy lines morphing into the title.


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