story of my eye a chapbook .pdf

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A
AA
A

CHAPBOOK
CHAPBOOK
CHAPBOOK
CHAPBOOK

!M!!
E
MCUME
O
CLLCO
L
WEWEWEL

we started this THING (this THING
being the THING you just witnessed)
because it was a THING that i was
interested in starting and it, initially, had all the THING-NESS inherent
in the THINGS that i’ve done before (at
least the ones with THINGS that were THINGS
that i wanted to put in other THINGS), the THINGS
i’ve done before being all of THINGS that have preceded this THING, which is the THING that you have
just seen, and it is also, of course, the THING
that you are currently reading; all THINGS being
their own THINGS, however, this THING that you’ve
just seen and/or are currently reading is not the
THING that this THING was initially intended to be
(and what THING ever is the same THING it was in
its inception?); no, it’s a markedly different
THING and that is a good THING that it is a markedly different THING;it no longer has, necessarily,
all of the THINGS from the THINGS i’ve done before
that were THINGS that i wanted to put in other
THINGS (it does have tvs though and tvs are a THING
that have often appeared in other THINGS) but one
of the new THINGS that this THING has is me and
that is a new THING for me to put me in my THING
and so too because i have put me in this THING is
jenni in this THING for all the obvious reasons
that a THING that has me in it would also have her
so all of this to say that this THING is a new
THING and isn’t it a funny THING (and maybe that’s
because making a funny THING is the only way i
could take myself seriously enough to make a THING
with me in it); while this THING started as an adaptation of georges bataille’s THING (story of the
eye), it became my THING as its THING-NESS manifested more THINGS, and so story of the eye became
story of my eye and the only THING that really remains a THING in this new THING is bataille’s trinity of THINGS (the eye, the egg, the holy testicle), but, of course, those are not the only THINGS
that bataille has lent our new THING because i have
long had a certain attraction to many of the THINGS
which are also the THINGS about which bataille was
philosophically obsessed (like the THINGS of sanctity, excess, vulgarity, eroticism…) and so of
course these THINGS are present in this THING but
only in so far as these THINGS are my THINGS and i
have put me into this THING and so these THINGS are
in this THING with jenni and me.

oh, and also, we call ourselves GOATPIG
because we are pigheaded and
we eat indiscriminately.
meet GOATPIG; GOATPIG has met you.
-z.trebino, april 2016

“but, mom, i saw it on TeeVee!”
televisions

say painfully,
directly –

“BUY NEW HANDS!

MARCH,

BLEEDING
IN YOUR UNIFORM,
LOOKING

SMART!”

8. They’re called lips for a reason!

1. The average length of the labia minora is less than ¾ inch. Only 1.8% of
women have labia longer than 1 ½ inches. But remember, if you’re one of
that lucky 1.8%, you can do amazing things! Take DJ Diddles’ advice: “Put
your thumb in your mouth, inflate your cheeks, and rapidly flex your pelvic
floor muscles. Practice this for at least 30 minutes, 3 times a week, and
soon you’ll have propellers for labia! You can scoot around pools like a
motorboat or, if you’re strong enough, even hover like a week old balloon!”
5. Vaginal farts (some call them "queefs" or "varts") happen to almost all
women at one time or another, especially during sex or weekly genital
vacuuming. So don't be embarrassed if your hooha lets out a toot.

10. Vaginas have something in common with sharks! Both
contain squalene - a substance that exists in shark livers
and acts as a natural vaginal lubricant. Better watch out for
teeth beyond those lips!
11. You are what you eat! Cardamom, celery, pig feet,
curries, wheatgrass, berries, eggs, and parsley will all make
a vagina smell and taste sweeter! Soon, they’ll be calling
you sugar lips!
13. The average vagina is 3 to 4 inches long. But don’t
worry! Just like a penis, a vagina expands when aroused (by
almost 2000%), so you CAN shoplift that expensive wheel of
cheese but only if cheese turns you on, too.
15. The vagina doesn't connect to the lungs.Though it can
expand, the vagina is not an open conduit to the abdominal
cavity. While microscopic sperm can swim through a tiny hole
in the cervix, a tampon simply won't fit. So if you lose
something in there, just reach in all the way and pull it out. But
do not go hunting for whatever you've lost with a pair of pliers.

anal-eyes me please

“RELAX!”
...the last dreams i’ve had
have been about roses
with human eyes for thorns
stuck under a car suffering
the full weight of a glance...
“well, those eyes would be impinged by
the florist who uses rectums for vases.
ah! such reverie when the anus is lit with gold!”
...a wandering eyeball pokes out of my sphincter,
surveying the follicular
filigree that covers
up its final stare.

that little death
someone else couldn’t swallow oxygen – a nasal canula
pushed O2 against a recalcitrant passage;i’d been there
before – my cut chest loving morphine while fruit baskets
piled up on unobserved nightstands and the disturbance of
haunches when that nurse came in with the crash cart. it was
the first time i jerked off while watching someone die.

LACAN’S
D
E

TRAJECTORY
S
I
R

OF
E

guidelines to engaging in (a) performance
1. name circumstances so they can
always be known.
2. question the ability of plastic
while screaming obscenities at heart
attacks.
3. achieve indulgent intimacy with
first-person narratives about third
person ownership.
4. tag blue phrases across derelict
buildings with the ink of tangled
neurons.
5. mention headlines which render the
disappeared in neat typeset in the
hopes of coaxing an appearance.
6. dream a black dress that seizes
upon the bodies of the dead.
7. ask a thousand painters to paint my
likeness in egg yolk on your astral
projected ass every night for the next
nine years.
8. say that litigation is your ambition in this situation.
9. perfect difference and disagree
with everyone.
10. come with a performance.
11. perform and allow all that which
will happen to happen as it happens.
12. record the possibilities with a
camera that captures all divergent
realities.
13. turn a moment of panic into an
event that shapes all your intentions.
14. what is happening is all that’s
happening but somehow it puts all
other events in jeopardy.

warnings manifest problems
sprouting irretrievable primitive
resolutions from roof tops,
those damned canaries choked each
other on their solutions
for problems that they only
thought they had made up.

suburban strip malls
your nostalgia for tradition is only for spectators – an ironic
fetish for managers of desire. tradition’s a preventable disease but
all those damn anti-vaccers are propagating their recidivist philosophies through pyramid schemes so i’m relegated to peddling my
cure from a broom closet in back alley abortion clinics and behind
the receptionists’ counters at nail salons with highway billboards
advertising $5 pedicures.

p a w - l i c k - t i c s
i will define boundaries of dissent based on
my political stance (arms akimbo, supine in
repose, or uncle-sam salute). i will have
boundaries so only we can exist in an “outside” art. communities guide protocols and
voices that “free” speak till free speech
equals rudeness exercised via the constitution (and i don’t exclude myself from that).
a protest against upholding the tax scoffed
at idiotic bumper stickers stuck in effigy on
cars overflowing streets built for horses –
with swearing supporters of public outrage
demanding – at the very least – clever bumper
stickers that make puns and meta-ironically
comment on the fact that they are, in fact,
clever bumper stickers. genuine ignorance is
more respectable than educated ass-sniffing
(and, by golly, i do love the smell of some
anus).if contemporary liberals, progressives, socialists, etcetera, opened expression to compassion they’d see that pussyfooting is problematic and political correctness
is a horse with no legs (you know, it might
be fun to sit on and you can now correctly and
proudly announce that you own a horse but
it’ll never get you anywhere and you could
eat it except that it’s been treated with all
those chemicals that render the meat poisonous). less obvious tongues ban a censor’s
expression to foment more vitriol. we have
two shouts but our chords have been snipped
and our larynxes filled with silicone so
nothing we try to say gets out. still, our
efforts can actually fool pundits and make
them put their ears to the ground to hear the
sounds
our
voices
are
making.

if i can feel
myself when i’m
dead, i’m confident i’ll still
be hungry
doesn’t hunger
multiply when i’m
buried?
can i resurrect to
get some liquor
and bitter meat,
so i might stiffen
for eggs who may
eat my leftovers
for breakfast?

DEEP THOUGHTZZZ
I’D LYKE 2 WATCH AYNCHENT CIVILIZAYSHUNS PREY 2 MY
BOWELLS 2 PREEVENT IBS.
STARVAYSHUN IZ GR8 4 YR FIGURRS.
TEKNIKLLY SPEEKING, IZ IT BEESTEEALITEE IF I FUCK SUM1
LYKE AN ANIMAL?
WEN WEE WURR CUMMING IN THE RAYN, IT TAYSTED LYKE MUSTARD.
MY HISKOOL GURLFREND WUZ A GORGUN SO I SPENT MOST
OF HISKOOL STONED.
DETH IS THE NOO DEAD.
TRADISHUN IZ A PREEVENTABULL DIS-EASE.
I WOOD SAY THAT I AM A PALLIMPSEST IF I NEW WAT THAT
MENT.
A HOWSE DOZN’T NO WAT IT SHOOD B WITHOWT A REEL
ESTAYT AYGENT.
SLEEP SMELLED FAYNTLEE LYKE I IMAGINND IT WOOD.
IF TREES COOD THINK, WOOD U IMAGINN THAT THAY WOOD
DEEVALYOO DECIJOOUSNESS?
A WOOM REMINDZ ME OF MY PARENTZ GRAVE BONDING WITH THE
NEXT GENERAYSHUN.
WEN I IMAGINN NOTHINGNESS, I THINK OF BEEING SURROWNDED
BY A WARM CREEM-BASED SOOP STRETCHING OWT INFINITLEE IN
ALL DIREKTSHUNS
IF HALF OF MEE IZ MAN, HOW MUCH OF MEE IS LUNCH MEET?
MY HOME CUNTREE IZ A CUNT, OBVEEUSLEE.

so couple is like the final stage
“The
co me
ng
ha ve be
yt hi
the
great
of an
n be in gs
ma
ea
hu
- social debacle. It’s the
id
th e
s of
rs on alin
the middle of the human
n: peoasis
, th at
re ac ti on
io
es
ct
lv
te
om
ra
se
ma
fr
m desert.
ab st
th em
in ti
do
e
to
ee
st
em
Under the auspices of
fr
mo
tr
en
d
ex
ev
e
an
“T he
in
th
d,
h
ie
et
ly
in
if
on
re
e te
“intimacy,”
we come to it looking for
is in g
ng wh it
su rv iv es
ad ve rt
en ti re ly
li
em
zz
of
th
da
h
of
to
an
that has so obviously
tr iu mp
um er s everything
mo re th
pe cu li ar
is th e
e as
by co ns
s ha rd ly
ns . Th at
re co gn is deserted contemporary social
it at io n
it y me an
, th ey
si ve im
d em ot io
me
ul
an
ti
mp
or
co
relations:
warmth,
simplicity, truth,
me
e sa
: th e
bo dy od
NM EN T
h, at th
GH TEwithout
in du st ry
a LI
life
theater or spectator.
ie s wh ic
OF EN
cu lt ur e
it
C
od
TI
mm
EC
co
But once the romantic high has
E DI AL
cu lt ur al
im er , TH
passed, “intimacy” strips itself
x Ho rk he
fa ls e” .
no & Ma
or
Ad
r
bare: it is itself a social inven- Th eo do
tion, it speaks the language of
glamour magazines and psychology;
like everything else, it is bolstered
with so many strategies to the point
of nausea. There is no more truth
here than elsewhere; here too lies
and the laws of estrangement
dominate. And when, by good fortune,
one discovers this truth, it demands
a sharing that belies the very form
)
of the couple. What allows beings
to
l y makes
love each other is also what
t
,
them lovable, and ruins the
of
e n utopia
ea
autism-for-two.”
ec us
d
a
- The Invisible Committee,
n THE COMING
i n INSURRECTION
o
is l
le cia e
h
o
op
pe a s f t
o
,
st
mo ion ure
t
t
r
ea
ga
fo
f
,”
li
y
to
.
ob ary
da
or 75)
to an
ss
Ab
9
ce
,
of
l’ , 1
ne
on
m
ro
19
a
ti
do
nt
y
ee ven y,
Co uar
t
n
fr

e
o
al a c nxi fe. ono Jan
a
xu
“S n,
li
se nly al
.
a
f
he y o oci y o ini Mil
l
(
a
s
l
“T
w
so
a
a
al
Pa Ser
’s
,
re
ty mer lo
o
la
u
du
Pa del
ns
co er
i
re
- P rie
r
Co

g
in
tt
ge ng
i
h
er
ng ovid hic .
w
lo
y
r
a
no t p in o s
em
is , bu nce g t m
o
e
th
m
n
e
fr ce
le ves sil hi
t
av
l
e
r
ob
e
h
pr mse and som opl fo to
g
e
, min
,
he e
p
g
r
he
d
f
“T s t tud fin op the lie hin fra ght
t
t
a
e
i
es li
s
o
pr so lly ’t ut r a r y n e of t m
ex of
b
ua on
t
ha
sa nc
t
a
d
to ps
s, Wh to cha ng t
en s
ve .
ev ce
le ga
t
l
a thi
s
e
t
e
op e
or
gh
pe ttl igh e f hems elv ri here he
m
s
t
v
e
t
t
m
li y
e
,
si
th
g
s
e
h
r
s
th pre sin s t ay, n i are
S
s
e
s
r
s
e
Re re
OR
th
r
r
o
p
p
AT
ex ex g t nly eve ”
DI
.
o
ME
in
to
or ng
h
e
t
us e, ayi ze,
no
a
u
s
c
ar
le
be e r th
De
r
th wo es
be ill
-G
ES

:A

“C
wh an
in ile one
kn ter sti pos
in ow nal ll ses
po tes “eve org pre s t
h
sa ssi tine ryt ans ser e s
hi
p
s
a vi
w me bl
e
n
n
o
a
d ng eed
be rds time to nd g”
h
,
ge ab stil ome of
i
- M ng
is , p be
li
no ou
s
l
MA ikh wit it res inf me, t o en ick ght
n
o
j
e
NI
t
a
FE il hout pos rve rma and her oy ess or
?
t
t
S
s
s
N
t
T
a
h
C
O
um one ibl a f iona sti , i he
t an e m
e
n
e
o
l
v
ič sup to eli lly l b clu ouc we obi
h
d
l
v
tr e
Ėp pre be ng
i ing by iew ity
št
f of ans n
e ss
a
j
n, ing ull mys par lov the not fat of
TH th y a ter ent e w de her ce a w
ta
av
i
e
E
l
y
e
TR ot mac
a to th t ils bei ls
AN he hi nd
ot
o ng in
n
r
S
h he
?
s
F
t
OR ?” e a ham ers m? f t
h
nd
Is he Can e
MA
e
TI
we
fu ? I and, it ir
V
n
l
E
a
o
a the t th
hu r
e
ma
n
HU

M

AN
I

TI

ly

parts
when
n
o
i
t
time.
sensa
irst
the f
to
inary
d
r
x
r
o
e
o
f
s
a
extr
ched
from
u
n
o
s
a
t
n
o
s
e
i
“It’
dy ar
ensat
ur bo
the s
r
of yo
g of
n
i
l
k
o
n
H ze
hi
enny
J
I’m t
ry.”
surge

N OR T d
t CI
hs is
HoE EsG G a
ug r
g
( b e s d eF I L MS
la wa din

e

sn o

LA

y s
n
od hi ce

“A widespread taste for pornography means that nature
is alerting us to some threat of extinction.”
- J.G. Ballard, "News from the Sun," in MYTHS OF THE
NEAR FUTURE

“All i
s eggs
,
The wo
rld is
The wo
an egg
rld is
.
yolk,
born o
the su
f the
n.
And th
great
e bell
y of a
white.
wave i
A heap
s
of egg
g
t
n
Dust o
shells
hi g –
f eggs
, tuh
c
É
e
hells,
All, d
o e i n m AoR Io n .
t
e
- Marc
t
a
h
d eggs
el Bro
s eb s
I Pr s
” ta
odthae
.”
rs, EV
.
ie of h. SS
OLUTIO
.
he

m

r

“Mo
s
des t ofte
ire
; I n I am
an
e
k
bet vil to now n in th
e v
wee
ot
me
e
n b
w
las
low , ever hat i ry da
. B
rkn
s,
t
ut
y
alo
t
wa
hi
ess
m
som
n
eti y head ng re nts,
rol e, in
goo of my
m
s
e I
e
oun
a p
r
s
i
d i
,
n
ds
abo
o
g
ass
too
u
ign sture
, i ing: e , I l tself
int t the
t
ove
o
s
is
m
f
t
ys
is
e
o
ano oy en
mea rpreta ther, elf?) medita
t
t
,
h
nin
t
ini
tio
er
as
io
I
g;
kne
des n; I e the o think n (per Night ebss
:
ire
the
h
is
nte
q
a
u
wan
p
ite
r i
s a
tr
r
co
t t
s;
cal
o g anslum ntinu into
of
I
m
t
l
r
e
s
ino
he
y
ura subtle asp;
us) s to
nig uspen
s:
t
I a , invi his i , but vibrat ht of d any
dar
m
s t
e (
sib
the
k i
he
the nonle
re
nte here,
ni
ex
i
d
rio
r o sittin pendi ght o s noth arkf n
f l
tur
i
g
ng
s
onove
e:
imp
I
pr
.
e
ly
and stoy a ofit,
cal
mly oscin
the

b t es a
t
s t ,
mv
no
d
I lao l e d
e a n d r u m , c o n w a sg s t oi c h c e
l
n
n o w e i t .i”t
c a it n
n
k
h
a
,
w
a l l ul h
de
lo
y o u k n o wt
ss
a l i m n , t a si r e a s i m W i ta s i fh b e t h a td e v im a y o n e
u
nle s you
.
u
c
a g
n e
i
me
o
i
a
ME q
ove
s u Bral d o n l y g h i n o n e ,g w h a r t t y a. O n n s o
r l e even R/MADA e he
i
u
o
e
l
u
t
n
o
l
e
w
h
y
e m MOTHE
“ I o t t h e gteh es a r eu t l al s i v y t h i s i m i r e a e d ae r w
ant
lov
Y
t w
t o aol r, y o u s o o n v u . A n e n , f i n a u g hu g h t
on’ e, and lle, M
d
d
t
i
“I
t s Gr eer u m , u r s a c t i o n b i d e l i e b e l l a
iv
MAN
ata
uls
b s ta or b d
i ac
to
rep rges B E DEAD
s -u l o d y h a p v i r f u r u l i n
i
o
o
H
n
m
th si ryb per i e o , o sh sts
- Ge RDA/T
e
A
l, a eve or en cen ver at bur
EDW
e wh
ea is
ES
sc s
s

an

d

er

,

ob

w
ob Ho is

on

e



OG

I

.
t
a hi ,
y
s
h e r e a l aN O Lman,
t m u g h a n i t h . which
“Morality is the straightjacket
I
m
u
H
ut v
r
:
y: ay acr la o cru dea Tr e e s r EC
a
T
e
s
interested in a “known
order,
imposes
upon
i
w k la r
S
. er
ul o
ut im ell jo mu x o ene wh his NEW
B
s y s h s i e s c are
t the
himself (what he aknows–these
consee
E
d di f o s ob tur e, TH
u ,
t e unknown
a n i l r othe
quences of his acts);
breaks the
ul r
ch de ngs mor c s t ard
a i ll
o r l o a r f one
straightjacket, abandons
i to disastrous
be f m o his dr
““ Us e me
,” an d th
is ea : t Bau
consequences.”
r
is me an s:
it y is no
s n
d
y
t th e qu
Th er e is
ea
s a Jno
es ti
th e pl ea
- to
Georges
Bataille,
INNER
EXPERIENCE
on of sl
me ….
Th

e qu es ti
av
be do mi na
ne it he r
on of pa
te d. Th er er y, th e qu es ti
He
ss iv is
on of de
e is no
La ca n, bo ge l’ s no r th e di
pe nd en cy
hat
di al ec ti
al ec ti c
th pr es up
no tl s e s . T
c
of
writ
th e sl av
of th e hy
sp ac e of
po si ng th
s
u
e
p
e,i m
st er ic ac
do mi na ti
in
e pe rm ut
our
on . Th is
st at em en
co rd
at io n of
e sgt to t h o s e l
s
n
in
a
i
f
t of ve rt
is al l ma
ro le so uon
r th
e
them
ead
ig in ou s
ma te ri al
ch o bu ll
se w
e r.
si mp li ci
is t. Le t
wee inrsi deo gof
n i zae
h tit
“U
n
ecau
e n me
u g sh
ty
me be yo
or if ic es
w hse
ra e c
s l ais
”:
r ow
ed b
e st
ur su rf ac w,e it
u
l
d
h
no
an d my pa
t
o
f
n
c
my
i
a
a
,
ic
le av e th
ral , bu tw e s t
lm s an d
r tur
d a y e an
d
te
gets
wers
sue
e ayo
y me
e po we r
my
o
a
h
r
ti
e
p
h
m
e
ss
h
c
a
v
mb
iu ma
an d th“
re de mp ti
n
wn
tra ne
e Esq ua
o fcoaul d o t ss,w hyo
elf,
on .”
y rbeo my n , w h e
e dg eju sth as,
n d we
w li
hims
a
n ou
h o lo se eouirs
e if ic at
why
r n sof
ry m
with
ive
v es,
iee vdi .elEve
n d eio
y th
r
t
l
e
b
th
e
s
e
t
d
e
b
n
alyec ti c
t
he
te
ll
hon
to
“Se
beau
as t
he
We a
e l yof
ith

x i
t t
and
s n
hs.
erat
e fa
own,
per
ow
abou
v
trut
desp
ruth
d th
a
all
Sex ersion
tery
und
mes
of t
acke
,
s
o
o
l
ual
s t concep
n
y
f
c
n
o
m
o
e
o
en
i
r
hat
tua
sug
per
he b
teri
l a
o op
reat
s no
ng p
g
v
w
t
c
i
i
n
r
e
ct, c r i
y
f
e
e
h
tri estion ersion e can
l
o
r
t
w
ler,
n
e
t
i
l
o
t
h
u
,
ed
s
m
t
i
r
T
t
o
a

M
e
a
f
e
f p
v
p
.
o
are
usi
sex
s y c a r e m o k e c oq
u
o
n t a p r op
enry
e ha
all
urce
b aabb l e
horal
H
w
o
e
s
c
l
;
r
a
- J. al per ut of
p
l
t
y
s
c wit
ath
o
.”
ver
G.
We a
sna m e
o l o y ni
e ust
cian
sio date.
Bal
gy
here
e a c l y i nn g s .
a l thh e
ns
lar
musi
- irr
dy t
jus We nee
d,
ms a l l
f n o m , c u to offh toht hie r t esr ,
t t
THE
lrea
of
a
o k d t o i f agci
t
t
n
f
a
ATR
,
t
t
s
e
f r oo
hi
eep
al
OCI
m
o nrvie n t a m oas l
t lo p
.t e
our
TY
n y w hla
f t ear
EXH
f e eg s , s e
hve
IBI k i
i essc o
one
T I O n l i n g s dr i
o
s
N
f
o
a
I
t
liv
e.” imagin ’ve
up,
ary

SEXU

S


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