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lovely secret-keeper
(2016)
for solo violin
and an open instrumentation of six or more
edward ryan
part
lovely secret-keeper (2016)
for solo violin and an open instrumentation of six or more
edward ryan
duration approx. 8'30''
written in los angeles, CA
|| what notes do i play?
The violinist may only play the notes on his or her staff.
All others may play any note on either treble or bass staves, given that one plays approximately in the correct register.
Try to coordinate with others such that all pitches get played.
It is okay to sometimes leave some notes doubled and others unplayed.
|| how does rhythm work in this piece?
Play at any speed that feels slow. There is no common pulse between players.
The attack and duration of a particular note is inexact, determined in part by the notes around it,
and in part by a your own sense of how the music should go.
|| how loud am i relative to everyone else?
Try to make sure everyone can be heard. Use mutes as appropriate.
The solo violin should be a little more prominent than the others.
|| how about terminology and accidentals?
Solo means only one person plays. Soli means only two people play.
When used, these terms apply to a single staff only.
Accidentals do not persist.
edward ryan © 2016
15ryane@gmail.com - edoryan.com
lovely secret-keeper
score in C
for solo violin and an open instrumentation of six or more
edward ryan (2016)
without vibrato
treble
slow and very gentle
ppp
weak and distant, sul tasto, without vibrato
n
A
violin
ppp
n ppp
p
n
n
ppp
ppp
pp
without vibrato
bass
ppp
n
2
ppp
n
soli
pp
tutti
solo
ppp 3
B
ppp
n
ppp
n
ppp
n
vln.
mp
pp
ppp
C
n
pp
f
ppp
n
f
f
pp
sub. p
n
ppp
n
add vibrato gradually - - - -
remove vibrato
vln.
mf
n
pp
ppp
n
(quarter flat)
mf
ppp
n
ppp
3
p
n
n
D
II
III
becoming intense
cooling off
vln.
f
p
ppp
E
p
n
n
pp
n
vln.
p
pp
pp
pp
n
(three-quarter sharp)
pp
n
pp
n
ppp
n
4
ppp
n
ppp
solo
F
ppp
n
pp
tutti
n
ppp
n
pp
n
G
vln.
ppp
ppp
n
ppp
n
pp
n
ppp
soli
p
ppp
n
H
ppp
quite upset
rebow as needed
vln.
pp
ppp
5
ff
n
mf
mf
n
p
n
n
soli
I
becoming expressive, with vib.
without vib.
strained
p
mf
J
pp
becoming relaxed
vln.
pp
mf
p
tutti
K
without decrescendo
pp
n
ppp
without decrescendo
vln.
mf
ppp
n
n
p
6
ppp
LSK_part_mod3.pdf (PDF, 195.29 KB)
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