LSK part mod3 .pdf

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lovely secret-keeper
(2016)

for solo violin
and an open instrumentation of six or more

edward ryan

part

lovely secret-keeper (2016)
for solo violin and an open instrumentation of six or more
edward ryan

duration approx. 8'30''
written in los angeles, CA

|| what notes do i play?

The violinist may only play the notes on his or her staff.
All others may play any note on either treble or bass staves, given that one plays approximately in the correct register.
Try to coordinate with others such that all pitches get played.
It is okay to sometimes leave some notes doubled and others unplayed.

|| how does rhythm work in this piece?

Play at any speed that feels slow. There is no common pulse between players.
The attack and duration of a particular note is inexact, determined in part by the notes around it,
and in part by a your own sense of how the music should go.

|| how loud am i relative to everyone else?
Try to make sure everyone can be heard. Use mutes as appropriate.
The solo violin should be a little more prominent than the others.

|| how about terminology and accidentals?
Solo means only one person plays. Soli means only two people play.
When used, these terms apply to a single staff only.
Accidentals do not persist.

edward ryan © 2016
15ryane@gmail.com - edoryan.com

lovely secret-keeper

score in C

for solo violin and an open instrumentation of six or more
edward ryan (2016)

without vibrato
treble

slow and very gentle

ppp

weak and distant, sul tasto, without vibrato

n

A

violin
ppp

n ppp

p

n

n

ppp

ppp

pp

without vibrato
bass
ppp

n

2

ppp

n

soli

pp

tutti

solo
ppp 3

B

ppp

n

ppp

n

ppp

n

vln.
mp

pp

ppp

C

n

pp

f

ppp

n

f

f

pp

sub. p

n

ppp

n
add vibrato gradually - - - -

remove vibrato

vln.
mf

n

pp

ppp

n

(quarter flat)

mf

ppp

n

ppp

3

p

n

n

D

II
III

becoming intense

cooling off

vln.
f

p

ppp

E

p

n

n

pp

n

vln.
p

pp

pp

pp

n

(three-quarter sharp)

pp

n

pp

n

ppp

n

4

ppp

n

ppp

solo

F

ppp

n

pp

tutti

n

ppp

n

pp

n

G

vln.
ppp

ppp

n

ppp

n

pp

n

ppp

soli
p

ppp

n

H

ppp

quite upset
rebow as needed

vln.
pp

ppp

5

ff

n

mf

mf

n

p

n

n

soli

I

becoming expressive, with vib.

without vib.

strained

p

mf

J

pp
becoming relaxed

vln.
pp

mf

p

tutti

K

without decrescendo

pp

n

ppp

without decrescendo

vln.
mf

ppp

n

n

p

6

ppp


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