CBR 03 Peter Greenaway .pdf

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Van  Wert,  W.F.  1990.  Review  of  “ The  cook,  the  
thief,  his  wife,  and  her  lover”  by  Peter  
Greenaway.  Film  Quarterly  44  (2):  42-­‐50.  

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

“The  best  film  of  the  year  
[1989]…  more  perverse  and  
graphically  daring  than  
anything  you’re  likely  to  see  
on  the  screen…  Lust,  
murder,  dessert,  a  delicious  
black  comedy  by  Peter  
Greenaway.  Bon  Appebt!”    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

Cribcism  of  Greenaway:  too  intellectual,  too  
vulgar,  too  sensabonalisbc,  too  explicit,  too  
eclecbc,  too  controversial    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

“Greenaway  has  proved  more  erudite  than  any  of  
his  interviewers/reviewers  (I  won’t  be  an  excepbon  
here”—the  Bribsh  director  as  a  Renaissance  man:  
author,  painter,  art  historian,  linguist—concept  of  
cinema  as  “a  total  work  of  art.”  

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

Interprebng  Bribsh  culture  
via  cinema—fact  versus  
ficbon—the  meaning  of  
culture  in  the  world  today—
culture  versus  
mulbculturalism—
modernism  versus  
postmodernism—Smith  
meets  Greenaway  

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

Pornography  versus  art—reproducbve  
versus  excretory  organs—opbmism  
versus  realism—glorificabon  of  the  
vulgar—rejecbng  the  X  rabng  in  favor  
of  NR  (Not  Rated)—an  affront  to  
tradibonal  morality—parallel  to  
eighteenth-­‐century  pornography—
sensabonalism  or  social  commentary    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

Oversimplificabon  of  most  reviews—vomibng,  
urinabon,  cannibalism,  gratuitous  violence—
controversy  as  a  strategy  for  social  and  
personal  introspecbon—the  French  
Enlightenment’s  concept  of  goodness—
mulbple  levels  of  meaning  or  non-­‐meaning—
cinema  as  a  game  rather  than  a  moral    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    

Character  names  those  of  the  originally  
intended  actors—ficbon  imitabng  fact—
obsessive  use  of  names—“Mr.  Spica”  as  a  
means  of  expressing  contempt—use  of  
Richard,  Richie,  Ricky,  Boarst  to  strip  the  cook  
of  his  Frenchness—use  of  names  is  
antagonisbc,  obsessive,  rhythmic,  rhythmic,  
and  finally  emblemabc  of  the  way  language  
overall  is  used  in  the  film:  stabng,  restabng,  
inverbng,  following  asserbons  with  rhetorical  
quesbons    

HIN  4312-­‐15  Cultura  Británica,  Dr.  Jason  Kendall  Moore,  Universidad  de  Playa  Ancha,  Campus  San  Felipe,  Segundo  Semester  2013    


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