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Yu Wenyan EGE BN .pdf


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glamour.com

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activity
What is sculptural language?

NANJING
UNIVERSITY
OF THE
ARTS

annual
exhibition

one of the six major arts
colleges in China

THE BEST ART MAGAZINE

May 2016

All the photos were taken by Yu Wenyan

ART MAGAZINE

SCULPTURE

What is sculptural language? Sculpture language is a visual art language, is a
sculptor temporary art theory composition, although vary from person to person, but
also has a distinct personality.
Because the sculpture art is the three-dimensional space in the plastic
arts, its basic concept is "carving, engraving, plastic three kinds of
manufacturing methods collectively, with a variety of plastic (such
as clay, light, flour) or carving (such as various stone , Wood, etc.)
information, to create a variety of abstract with real volume ".
Sculpture in the field of art, sculpture speech since ancient times
have to emphasize the concept of space and volume.

rt
A
e
r
u
t
p
Scul
Gypsum
resin
clay

S

culpture art, is a kind of plastic arts, also known as sculpture, carving,
engraving, plastic three kinds of creation methods collectively. Refers
to the use of a variety of plastic materials or can be carved, carved
hard material, to create a space with a visual, touchable artistic image,
in order to reflect the social life, to express the artist's aesthetic feelings,
aesthetic feelings, aesthetic ideal art .
Sculpture is through the material entity, in the three-dimensional space to
shape the image of art.

wood
stone
metal
jade block
agate

If painting is imaginary three-dimensional imagery created by imaginary
means in the illusory space, then the sculpture is to create the true threedimensional image in the real space through the form of the entity. The
carrier of the former is mainly paper, cloth and pigment, and the nonmaterial virtual image is created. The carrier of the latter is mainly iron,
copper, wood, stone and so on.

Sculptors create sculpture in the process is to choose one or more
kinds of sculpture materials, create a space to occupy a certain
form, and to feel the art and performance to achieve the desired
artistic effect. In the sculptor's theory of creation from time to time,
more and more familiar with the nature of the sculpture material,
select the sculpture is good at the performance of the image to
stop the performance of the techniques and techniques used to
pass from generation to generation, thus forming a set, a series Of
the sculptor's unique "habits of action." This includes a look at ways,
performance, performance techniques and so on.
In order to strengthen the sense of volume of their works,
emphasizing the shape of the whole, in the sculpture of the work
helpless in the shape of the body to make when the contours of the
body to do the same, Can become clear, in
space with the help of shapes to outline
the outline of condensed lines, making the
sculpture of the various pieces of a certain
relationship between the surface tension,
in all angles can view the sculpture of
the space to get the maximum level of
stretch; Sculpture of the material and
texture with plenty of performance, so
that sculpture becomes more touch ......
These "habits of action" are based on the
nature of sculpture itself constitutes,
attached to the fundamental
concept of sculpture art, is the
most original sculpture language.

SCULPTURE

t h ou g h t s a n d f eel in g s t h rou g h a cer t a in
w a y a n d con t en t t o rev ea l .

The
Importance
of
Sculpting
Language
and
Feeling

S c u l p t u re l a n g u a g e a n d fe e l i n g s i n t e rms of
s c u l p t u re c re a t i o n i s t h e m o s t p ri m i t i v e, t h e
m o s t ba s i c .
A s c u l p t u re , a w o rk o f a rt , t h e i n h e re n t w a y
i s v e ry i m p o rt a n t , bu t c a n m o v e p e o p l e is it s
physical extension. That is, how to stop the
d e e p e r u n d e rs t a n d i n g o f t h e i n n e r fl e s h is a n
i m p o rt a n t s u bj e c t i n fro n t o f e v e ry s c u l pt or.
S c u l p t u re a s a s p e c i a l a rt w a y, t h ro u g h t h e
m a t e ri a l , t e x t u re , c o l o r a n d m o d e l i n g , m od el in g
t e c h n i q u e s a n d o t h e r e l e m e n t s i n t h e th reed i m e n s i o n a l a bs t ra c t e x p re s s i o n o f e m o t ion in
o rd e r t o l i m i t t h e i n fi n i t e p e rfo rm a n c e . In t h e
p ro c e s s o f p e rc e p t i o n o f fo rm , t h e “ p h y s ica l ”
fe e l i n g a s a p re re q u i s i t e , t o g i v e p h ys i ca l
m e a n i n g a n d i m a g i n a t i o n a s a p ro c e s s , t h e
a bi l i t y t o c o n t i n u e t o e x t e n d i n t h e s c u l pt u re.
“ Art c o m e s fro m l i fe ”, t h a t i s t o s a y, a r t is t ic
c re a t i o n i s i n t h e a rt i s t ’s v i e w o f n a t u re, f eel
t h e fo u n d a t i o n o f n a t u re , t h e g ro u p e m ot ion s ,

Th u s , precis el y, a r t is “ d er iv ed f rom t h e
a r t is t ’s v iew of l if e a n d u n d er s t a n d in g . ”
“ Feel in g ” is t h e l if e of a r t , w it h
t h e em ot ion a l f eel in g t o a rou s e t h e
a es t h et ic t h em e of t h e id eol og ica l
res on a n ce, m a kes t h e s ou l s t ir r in g , f rom
w h ich t o ob t a in a es t h et ic f eel in g .
A r t a s t h e ex pres s ion of em ot ion a n d
f eel in g , reg a r d l es s of t h e s u b ject f rom
t h e ph y s ica l m in d , or f rom t h e con t en t
of a r t , t h e f eel in g s in t h e w or ks of a r t
h a s a v er y im por t a n t rol e. No em ot ion
w il l n ot h a v e f eel in g s , t h ere is n o
f eel in g t h ere w il l b e n o a r t . A r t is t h e
ph y s ica l h om e b ey on d t h e m a t er ia l
l if e of m a n . Th e s cu l pt u re, is a l s o
in v en t ed b y h u m a n b ein g s is d iff eren t
f rom ot h er a r t is t ic v a r iet ies a n d h a s a
com m on ch a r m of a r t , a f t er t h ou s a n d s
of y ea r s of ev ol u t ion a n d d ev el opm en t ,
con s t it u t e a d is t in ct iv e f ea t u re of
s peech .

ART MAGAZINE


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