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Ney Jean Julien portfolio 2019 english .pdf



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Jean-Julien Ney

//Statement

Most of my production is based on a tangle of sculpture and photography.
The consequence is a quest of analogies between haptic space of volume
and optic space of picture.

This quest produces installations hybridizing materials and pictures from functional field,
borrowed from both archaic and contemporary elements.
These sculptural systems fragment and divert their original models as well as their codes,
in order to reformulate them in newly coded shapes, to decipher.
I am interested in studio tools used to build the picture,
from the capture till the final production to be shown,
for their capacity to record and defer the materiality by capturing it.

I use corruption processes of information: transposition, function disabling, hybridization.
I try to dismantle the logic of the objects so as to be able to rebuild them in a different way
using sculpture and photography. And to make assemblies oscillating between absurd
and encryption, transcription and inefficient functionality.

These hybrid installations combining sculpture and picture contain their own organization,
codes and logic. They suggest systems without showing their internal mechanism.
Then they are open, like keys without locks.

“Dyslexies de surfaces”, overwiew of the sculptures, 2019

aluminium structures, photographic printing on plexiglas, acrylic resin casts, tinted plexiglas,
ink and powder from printer’s toner, 8mm film, oil paint, variables dimensions

“Dyslexies de surfaces”, 2019

aluminium structures, grey mdf wood, photographic printing on plexiglas,
ZipTM floppy disk boxes , oil binder and powder from printer’s toner (CMYK), white acrylic paint
130 x 198 x 110cm

(details, paint based on Cyan, Magenta, Yellow and Black powder from printer’s toner)

“Dyslexies de surfaces”, 2019

aluminium structures, grey mdf wood, photographic printing on plexiglas,
orange tinted plexiglas, steel LCD frame
196 x 210 x 55cm

(details, steel LCD frame, orange tinted plexiglas on
photograph)

(details, photographic printing on plexiglas)

“Dyslexies de surfaces”, 2019

aluminium structures, grey mdf wood, orange tinted plexiglas, black acrylic resin casts,
photographic printing on plexiglas, oil binder and powder from printer’s toner (CMYK), 8mm film
350 x 198 x 180cm

(details)

(details, photographic printings on plexiglas inside LCD camera
frames)

“Dyslexies de surfaces”, 2019

aluminium structures, grey mdf wood, photographic printing on plexiglas
orange tinted plexiglas, 8mm film, black acrylic resin casts, oil paint
160 x 198 x 176cm

(details, oil paint on mdf)

(details, black acrylic resin casts, 8mm film, photographic printing on
plexiglas)

“Opérateur aveugle (transcrire les roches)”, 2018

aluminium structure, red plexiglas, video recorder, VHS tape in loop (180min), LCD screen,
photographic printing on vinyl laminated on pvc board
1,8 x 2,1 x 2m

VHS video in loop (180min) of a fixed point of view on an achaemenid tomb
(500 years B.C., Persian Empire and actual Iran). In this film, recorded from a pause of a video recorder,
appeared alterations and parasitic signal.

The picture laminated on the pvc is issued from a 3D photogrammetric scan of the LCD screening the videotape.

“Opérateur aveugle (échos internes)”, 2017

tripod and aluminium bars, blue plexiglas, ten fluorescent tubes on dibond sheet, orange tinted silicone,
pvc board on aluminium structure, photographic printing on vinyl laminated on pvc board
3,5 x 2,2 x 2m

Production: 40mcube/Self Signal

The picture laminated on the pvc is issued from a 3D photogrammetric scan of the fluorescent tubes.
Production: 40mcube/Self Signal

“Opérateur aveugle (hiérachies des flous)”, 2017

tripod and aluminium bars, red plexiglas, if wood, lighting system with fluorescent tubes,
orange tinted silicone, photographic printing on vinyl laminated on pvc board,
grey tinted synthetic plaster, engine (1 rotation per minute)
180 x 60 x 60cm and 2,3m x 1,6m x 1,6m

Detail of the column, composed by five plaster copy from a part of a degraded mold.

The column made of plaster revolves at 1 rotation per minute.
The picture laminated on the pvc is issued from a 3D photogrammetric scan of the degraded mold.
Production: 40mcube/Self Signal

“Concentric_Circle_Crosshair_Grid_Target_A1-52.jpg”, 2017

tripod and aluminium bars, black and white polyurethane resin
180 x 70 x 70cm

Production: 40mcube/Self Signal

“L’ordre des mues (Palissy)”, 2017

inkjet printing laminated on dibond, aluminium structure, 3D printing in ceramic sandstone
135 x 20 x 20 cm and 150 x 40 x 40cm

Original model scanned in 3D (art piece belonging to Musée Adrien Dubouché à Limoges):
Fragment of the cave of Tuileries realised by Bernard Palissy (1510-1589) for Catherine de Médicis.
Production: ENSA Limoges

“Interlace:Noise”, 2016

inkjet printing, polypropylen rope, black gouache, 150 x 160cm

“Bump key”, 2014

inkjet printing, cement, acrylic paint, 150 x 130cm

“Intervalles des arbres entre les arbres”, 2014

mixed media (tinted plexiglas screen, plasterboard, acrylic paint, barrel PEHD, engines,
sand, tree trunk and sawdust, tripod, green paper, fluorescent tubes, polystyrene),
variable sized installation

View of the sculptures through the screen

Every barrel revolves at its own speed

“à vide ”, in situ installation (at eye level), 2014

window of 20 x 55cm, randomly operated rotation speed of the tyre,
mixed media (tinted plexiglas screen, random engine speed, fluorescent tubes, tyre)

“Sans serrures”, 2014, modular installation (variating from 2 to 15 modules)
mixed media (inkjet printing, wood, glue)

“Ocelles”, 2013

mixed media (burnt wood - 6x8cm rafter, assemblies),
4,5 x 1,80 x 1,2m

Born in Nice (France) in 1989
Solo exhibition
2019

. Dyslexies de surfaces [II] , Art school of Boulogne-sur-Mer

programmed in the Triennale Gigantisme - Art & Industrie supported by Frac Grand Large Hauts de France

. Dyslexies de surfaces [I] , Ecole d’art du Calaisis, Calais

programmed in the Triennale Gigantisme - Art & Industrie supported by Frac Grand Large Hauts de France

. Agents des leurres, Circa Art Actuel, Montréal, Canada (to come)

Group exhibitions
2020
2018
2017

2015
2014

2013

. Frac Grand large - Hauts de France

. Mélina Mélina, Les abords, Brest (France)
. Extempo, Galerie HLM (Hors-Les-Murs) with La Balnéaire, Marseille (France)

. Jeune Création 67e édition, Galerie Thaddeus Ropac, Paris (France)
. A l’aide des étoiles et du soleil, FRAC Limousin, Limoges (France)
. L’extension des ombres, Zoogalerie, Nantes (France)
. Ce sont des mirages en chemises, Galerie Art & Essai, Rennes (France)
. Vol en formation, Musée Adrien Dubouché, Limoges (France)
. Tourbillons ascendants, Galerie LAC & S – Lavitrine, Limoges (France)

. Spoilers, Bazaar compatible program #107, Shanghai, (China)
.The Upturn show (The Talking Room – episode 1), Galerie des Projets
in partnership with program Résonance at the 13th Biennale of Lyon

. Prix de Paris, École nationale supérieure des beaux-arts de Lyon
. Les Apartés #4, Domi Nostrae gallery, Lyon, (France)
. Les Apartés #3, Appartement, Lyon, (France)
. In lusio MC, at 6 rue Jouffroy d’Abbans, Lyon, (France)
.Waterproof, Urgent Paradise gallery, Lausanne, (Swiss)

Residency/Education
2018/19

2016/17
2015/16
2014

Contact

. Résidency at «RAVI» Résidences - ateliers Vivegnis International, Liège (Belgium)
. Résidency «Archipel» coordinate by the FRAC Grand large, Dunkerque (France)
. «Generator» production residency program organised by 40mcube, Rennes (France)
. Post diploma at ENSA Limoges (France) including a residency program from
september to december 2015 at the Jingdezhen Ceramic Institute, Jiangxi (China)
. Master of Fine Art (DNSEP Art) at École nationale supérieure des Beaux-Arts de Lyon +

Ney jean-Julien
296 corniche de magnan
06000 Nice (France)
Phone : (+33)6 12 95 80 12
Mail : ney.jej@gmail.com
Web: jeanjulienney.com
Instagram: jeanjulienney