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DissLimaSer&MovimentoAristotelis 95%

ALEXANDRE LIMA ATO E POTÊNCIA:

https://www.pdf-archive.com/2011/08/26/disslimaser-movimentoaristotelis/

26/08/2011 www.pdf-archive.com

Act 1 94%

“His name is Arlen, he is my brother.” “So he is a treasure hunter as well?” I asked leaning forward towards her.

https://www.pdf-archive.com/2015/06/06/act-1/

06/06/2015 www.pdf-archive.com

Disordering Gender Identity 86%

Journal of Psychology &

https://www.pdf-archive.com/2016/05/15/disordering-gender-identity/

15/05/2016 www.pdf-archive.com

Arlen Levy Artists CV (1) 82%

Arlen Levy 1286 Sanchez St.

https://www.pdf-archive.com/2018/01/17/arlen-levy-artists-cv-1/

17/01/2018 www.pdf-archive.com

Liquid Cinema 79%

A​ ​Drop​ ​of​ ​the​ ​Infinite//A​ ​Shard​ ​of​ ​the​ ​Immanent//​ ​A​ ​Drop​ ​of​ ​the​ ​Immanent//​ ​A​ ​Shard​ ​of​ ​the​ ​Infinite          An​ ​investigation​ ​of​ ​Liquid​ ​(in)​ ​Cinema    Conference,​ ​Spring​ ​2017    5/5/17    Arlen​ ​Levy          ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​an​ ​enormous​ ​undifferentiated​ ​object​.    ​ ​Everything​ ​stops​ ​dead​ ​for​ ​a​ ​moment,​ ​everything​ ​freezes​ ​in​ ​place-and​ ​then​ ​the​ ​whole​ ​process​ ​will  begin​ ​all​ ​over​ ​again.​ ​From​ ​a​ ​certain​ ​point​ ​of​ ​view​ ​it​ ​would​ ​be​ ​much​ ​better​ ​if​ ​nothing​ ​worked,​ ​if​ ​nothing  functioned.​ ​Never​ ​being​ ​born,​ ​escaping​ ​the​ ​wheel​ ​of​ ​continual​ ​birth​ ​and​ ​rebirth,​ ​no​ ​mouth​ ​to​ ​suck​ ​with,  no​ ​anus​ ​to​ ​shit​ ​through.​ ​Will​ ​the​ ​machines​ ​run​ ​so​ ​badly,​ ​their​ ​component​ ​pieces​ ​fall​ ​apart​ ​to​ ​such​ ​a​ ​point  that​ ​they​ ​will​ ​return​ ​to​ ​nothingness​ ​and​ ​thus​ ​allow​ ​us​ ​to​ ​return​ ​to​ ​nothingness?​ ​It​ ​would​ ​seem,​ ​however,  that​ ​the​ ​flows​ ​of​ ​energy​ ​are​ ​still​ ​too​ ​closely​ ​connected,​ ​the​ ​partial​ ​objects​ ​still​ ​too​ ​organic,​ ​for​ ​this​ ​to  happen.​ ​What​ ​would​ ​be​ ​required​ ​is​ ​a​ ​pure​ ​fluid​ ​in​ ​a​ ​free​ ​state,​ ​flowing​ ​without​ ​interruption,​ ​streaming  over​ ​the​ ​surface​ ​of​ ​a​ ​full​ ​body.1       Diagram  of  a  ‘mutual  image’  forming  in  liquid  as  it  flows  across  the  Full  Body  Without  Organs,  Arlen  Levy,​ ​2017    ​ ​Deleuze,​ ​G.,​ ​&​ ​Guattari,​ ​F.​ ​(1983).​ ​Anti-Oedipus:​ ​Capitalism​ ​and​ ​schizophrenia.​ ​ ​Minneapolis:​ ​University​ ​of​ ​Minnesota Press.7-8 1     What​ ​freezes​ ​what​ ​flows?​ ​In​ ​Cinema​ ​2,​ ​The​ ​Time-Image​,​ ​Deleuze​ ​writes,​ ​”To​ ​think​ ​is​ ​to  learn​ ​what​ ​a​ ​non-thinking​ ​body​ ​is​ ​capable​ ​of,​ ​its​ ​capacity,​ ​its​ ​postures.​ ​It​ ​is​ ​through​ ​the​ ​body  (and​ ​no​ ​longer​ ​through​ ​the​ ​intermediary​ ​of​ ​the​ ​body)​ ​that​ ​cinema​ ​forms​ ​its​ ​alliance​ ​with​ ​the  spirit,​ ​with​ ​thought.”(Deleuze,​ ​189)​ ​In​ ​Deleuze’s​ ​invocation​ ​of​ ​‘the​ ​body’​ ​there​ ​materializes​ ​a  foundational​ ​link​ ​between​ ​the​ ​cinematic​ ​mechanism​ ​and​ ​Real​ ​material.​ ​This​ ​motivates​ ​an​ ​inquiry  into​ ​what​ ​occurs​ ​when​ ​a​ ​‘pure​ ​fluid’​ ​is​ ​introduced​ ​into​ ​the​ ​diegetic​ ​space​ ​of​ ​cinema.​ ​What​ ​is​ ​‘the  body’​ ​in​ ​its​ ​most​ ​embodied​ ​form,​ ​but​ ​Deleuze’s​ ​Body​ ​Without​ ​Organs-“In​ ​order​ ​to​ ​resist  organ-machines,​ ​the​ ​body​ ​without​ ​organs​ ​presents​ ​its​ ​smooth,​ ​opaque​ ​surface​ ​as​ ​a​ ​barrier.​ ​In  order​ ​to​ ​resist​ ​linked,​ ​connected,​ ​and​ ​interrupted​ ​flows,​ ​it​ ​sets​ ​up​ ​a​ ​counterflow​ ​of​ ​amorphous,  undifferentiated​ ​fluid.”2​ ​ ​What​ ​does​ ​it​ ​mean​ ​when​ ​we​ ​see​ ​this​ ​primordial​ ​substance​ ​acting​ ​within  a​ ​film?​ ​What​ ​are​ ​the​ ​implications​ ​of​ ​goo,​ ​ooze,​ ​water,​ ​mist?   ‘Pure​ ​fluid​ ​in​ ​a​ ​free​ ​state’​ ​as​ ​it​ ​is​ ​present​ ​within​ ​cinema​ ​allows​ ​one​ ​to​ ​approach​ ​the  recursive​ ​material​ ​Reality​ ​embedded​ ​in​ ​a​ ​‘liquid’​ ​film.​ ​ ​It​ ​is​ ​necessary​ ​to​ ​consider​ ​the​ ​Real  implication​ ​of​ ​the​ ​earthly​ ​materials​ ​invoked​ ​in​ ​a​ ​film,​ ​and​ ​to​ ​follow​ ​the​ ​effects​ ​of​ ​their​ ​properties  as​ ​they​ ​extend​ ​past​ ​the​ ​cinematic​ ​machine.​ ​In​ ​liquid​ ​swims​ ​Bachelard’s​ ​‘mutual​ ​image’,​ ​the​ ​most  intimate​ ​possible​ ​coupling​ ​of​ ​the​ ​virtual​ ​and​ ​the​ ​actual,​ ​in​ ​which​ ​the​ ​limpid​ ​image​ ​is​ ​nose​ ​to​ ​nose  with​ ​the​ ​opaque​ ​image;​ ​each​ ​a​ ​reflection​ ​of​ ​the​ ​other​ ​in​ ​clear​ ​and​ ​muddy​ ​waters​ ​respectively.​ ​It​ ​is  only​ ​through​ ​liquid​ ​material​ ​that​ ​it​ ​is​ ​possible​ ​to​ ​complicate​ ​the​ ​uni-directionality​ ​of​ ​Kant’s  ‘phenomenon’​ ​in​ ​relation​ ​to​ ​the​ ​noumenal​ ​object.​ ​The​ ​object​ ​and​ ​the​ ​phenomenon,​ ​real​ ​and  ​ ​ ​Deleuze,​ ​G.,​ ​&​ ​Guattari,​ ​F.​ ​(1983).​ ​Anti-Oedipus:​ ​Capitalism​ ​and​ ​schizophrenia​.​ ​Minneapolis:​ ​University​ ​of​ ​Minnesota Press.8 2 virtual,​ ​crystalline​ ​and​ ​opaque​ ​are​ ​continuously​ ​switching​ ​by​ ​association​ ​when​ ​mediated​ ​through  the​ ​liquid​ ​mirror.    Diagram​ ​of​ ​‘miraculation’​ ​as​ ​it​ ​functions​ ​through​ ​a​ ​‘falling​ ​back​ ​upon’​ ​the​ ​Body​ ​Without  Organs,​ ​Arlen​ ​Levy,​ ​2017          ​ ​“Heaven​ ​above,​ ​heaven​ ​below,​ ​stars​ ​above,​ ​stars​ ​below,​ ​know​ ​this​ ​and​ ​rejoice.”3     ​ ​Jung,​ ​C.​ ​G.,​ ​Hinkle,​ ​B.​ ​M.,​ ​&​ ​Jung,​ ​C.​ ​G.​ ​(1931).​ ​Psychology​ ​of​ ​the​ ​unconscious:​ ​A​ ​study​ ​of​ ​the​ ​transformations​ ​and symbolisms​ ​of​ ​the​ ​libido​ ​:​ ​a​ ​contribution​ ​to​ ​the​ ​history​ ​of​ ​the​ ​evolution​ ​of​ ​thought​.​ ​New​ ​York:​ ​Dodd,​ ​Mead.​ ​50 3   In​ ​Tarkovsky’s​ ​Solaris​,​ ​we​ ​are​ ​always​ ​surrounded​ ​by​ ​the​ ​mysteriously,​ ​“plasmatic”  sentient​ ​ocean​ ​of​ ​the​ ​planet​ ​Solaris.​ ​Anywhere​ ​that​ ​we​ ​are​ ​confronted​ ​with​ ​an​ ​ocean,​ ​of​ ​any​ ​kind,  an​ ​image​ ​of​ ​the​ ​infinite​ ​is​ ​approached;​ ​the​ ​ocean​ ​causes​ ​the​ ​horizon;​ ​it​ ​causes​ ​the  horizon-forever,​ ​offering​ ​the​ ​potential​ ​of​ ​‘seeing​ ​forever’.​ ​The​ ​ocean​ ​presents​ ​the​ ​eye​ ​with​ ​a  vector​ ​towards​ ​the​ ​immanent​ ​infinite,​ ​that​ ​which​ ​animates​ ​objects,​ ​that​ ​which​ ​allows​ ​a​ ​shadowed  glimpse​ ​of​ ​the​ ​noumenal​ ​object.   Solaris​​ ​pivots​ ​around​ ​a​ ​problem​ ​of​ ​‘visitors’;​ ​revenants​ ​who​ ​appear​ ​to​ ​those​ ​who​ ​have  repressed​ ​their​ ​memories.​ ​Kelvin,​ ​the​ ​the​ ​psychologist​ ​who​ ​we​ ​follow​ ​on​ ​his​ ​journey​ ​from​ ​earth  to​ ​the​ ​planet​ ​Solaris​ ​is​ ​visited​ ​by​ ​his​ ​deceased​ ​wife,​ ​Hari.​ ​Terrified​ ​by​ ​this​ ​simulacra,​ ​Kelvin  lures​ ​the​ ​Hari-Thing​ ​into​ ​a​ ​rocket​ ​capsule​ ​and​ ​launches​ ​her​ ​into​ ​space.​ ​However,​ ​Hari​ ​soon  materializes​ ​at​ ​his​ ​side,​ ​the​ ​visitors​ ​cannot​ ​be​ ​avoided,​ ​cannot​ ​be​ ​killed.​ ​It​ ​is​ ​Solaris​ ​itself,​ ​which  animates​ ​the​ ​visitors--​ ​flowing​ ​into​ ​the​ ​space​ ​typically​ ​occupied​ ​by​ ​the​ ​unconscious,​ ​it​ ​replaces​ ​it  in​ ​the​ ​assembly​ ​line​ ​of​ ​desiring​ ​production,​ ​and​ ​produces​ ​the​ ​Real.    The​ ​ocean;​ ​the​ ​place​ ​where​ ​one​ ​can​ ​see​ ​forever,​ ​perceive​ ​the​ ​edge​ ​of​ ​immanence,​ ​God.   At​ ​this​ ​intensive​ ​space​ ​of​ ​bleeding​ ​between​ ​sea​ ​and​ ​skyline​ ​we​ ​may​ ​imagine​ ​we​ ​see​ ​the​ ​animate  and​ ​inanimate​ ​transfused​ ​into​ ​one​ ​another,​ ​this​ ​is​ ​where​ ​Hari​ ​emerges,​ ​at​ ​the​ ​point​ ​where​ ​the  ocean​ ​of​ ​Solaris​ ​touches​ ​sky,​ ​flickering...   It​ ​is​ ​at​ ​this​ ​seam,​ ​this​ ​place​ ​of​ ​exchange​ ​ ​between​ ​plasmatic​ ​ocean​ ​and​ ​sky,​ ​that​ ​we​ ​may​ ​begin​ ​to  unfold​ ​the​ ​true​ ​spirituality​ ​of​ ​Solaris,​​ ​what​ ​type​ ​of​ ​God​ ​it​ ​proposes,​ ​what​ ​vector​ ​its​ ​God​ ​runs  along.   In​ ​Psychology​ ​and​ ​Alchemy,​ ​Jung​ ​examines​ ​the​ ​nigredo​​ ​[blackness];​ ​a​ ​state​ ​in​ ​alchemical  practice​ ​in​ ​which​ ​all​ ​ingredients​ ​are​ ​cleansed​ ​and​ ​cooked​ ​to​ ​a​ ​uniform​ ​black​ ​matter​ ​in​ ​order​ ​to 

https://www.pdf-archive.com/2017/12/10/liquid-cinema/

10/12/2017 www.pdf-archive.com

Magenhild Keep 78%

“Melonie, Gorack, let’s go, let’s get out of here” he turns back to me, “I’m Arlen, by the way, what about you?” “I can’t remember.

https://www.pdf-archive.com/2014/12/11/magenhild-keep/

11/12/2014 www.pdf-archive.com

18319 68%

https://www.pdf-archive.com/2014/06/27/18319/

27/06/2014 www.pdf-archive.com

Zeroing in on JFK's Fatal Head Shot 67%

Brunson pointed out how, in predictable fashion, showing a pattern that he had already established, Arlen Specter tried to muddy the waters as soon as this sensitive piece of information was being discussed and put into the record.

https://www.pdf-archive.com/2018/04/03/zeroing-in-on-jfk-s-fatal-head-shot/

03/04/2018 www.pdf-archive.com

WilCon Rules & Regulations 2016 64%

Carrie Arlen, or many volunteers will not be responsible for the loss, damage, or theft of any of these items.

https://www.pdf-archive.com/2016/10/20/wilcon-rules-regulations-2016/

20/10/2016 www.pdf-archive.com

Team SG861 Meeting Minutes 091717 64%

Parent Meeting Minutes September 17, 2017 @ Tri Leisure:

https://www.pdf-archive.com/2017/09/23/team-sg861-meeting-minutes-091717/

23/09/2017 www.pdf-archive.com

7 14 2016 01 01tk1407 TalkTown14 PEH.PDF 62%

14 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/07/14/7-14-2016-01-01tk1407-talktown14-peh/

14/07/2016 www.pdf-archive.com

2016 09 22 01 01tk2209 TalkTown14 PEH.PDF 61%

14 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/09/22/2016-09-22-01-01tk2209-talktown14-peh/

22/09/2016 www.pdf-archive.com

8 25 2016 01 01tk2508 TalkTown22 PEH.PDF 60%

22 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/08/25/8-25-2016-01-01tk2508-talktown22-peh/

25/08/2016 www.pdf-archive.com

7 21 2016 01 01tk2107 TalkTown14 PEH.PDF 60%

Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/07/21/7-21-2016-01-01tk2107-talktown14-peh/

21/07/2016 www.pdf-archive.com

6 30 2016 01 01tk3006 TalkTown18 PEH.PDF 59%

18 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/06/29/6-30-2016-01-01tk3006-talktown18-peh/

29/06/2016 www.pdf-archive.com

septcal 59%

https://www.pdf-archive.com/2015/09/11/septcal/

11/09/2015 www.pdf-archive.com

6 23 2016 01 01tk2306 TalkTown18 PEH.PDF 59%

Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/06/23/6-23-2016-01-01tk2306-talktown18-peh/

23/06/2016 www.pdf-archive.com

7 28 2016 01 01tk2808 TalkTown18 PEH.PDF 59%

18 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/07/28/7-28-2016-01-01tk2808-talktown18-peh/

28/07/2016 www.pdf-archive.com

2016 11 03 01 01tk0311 TalkTown14 PEH.PDF 59%

14 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/11/03/2016-11-03-01-01tk0311-talktown14-peh/

03/11/2016 www.pdf-archive.com

2016 10 13 01 01tk1310 TalkTown14 PEH.PDF 58%

Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/10/13/2016-10-13-01-01tk1310-talktown14-peh/

13/10/2016 www.pdf-archive.com

8 4 2016 01 01tk0408 TalkTown14 PEH.PDF 58%

14 Talk of the Town ADVERTISING / NEWSDESK:

https://www.pdf-archive.com/2016/08/04/8-4-2016-01-01tk0408-talktown14-peh/

04/08/2016 www.pdf-archive.com