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His assemblages deconstruct the domestic environment, calling to question the relationship of the object to the viewer and its environs.
Analogous phenomena were documented also among tribal populations of incipient agriculturists and hunter-gatherers, and also in some assemblages of prehistoric art.
This book explores these assemblages of nature and difference not as fixed phenomena but rather as contested articulations that are made and broken, remade and transformed, through the complex and passionate politics of everyday life.