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London Itinerary 100%

(Optional) Sunrise/Sunset Photo Ideas Events Architectural Photo Ideas Shopping Richmond Half Day Objective Royal Botanic Gardens (Chiswick House) Time 180m (10am-6:30pm) Transport Metro - 45min Sights Kew Castle (Richmond Park) 60m (10am-6pm) Old Vic Tunnels Palm House Hampton Court (Bushy Park) Windsor Half Day Objective Windor Castle 120m (10am-6pm) Time 180m (9:30am-6pm) Rail - 60min Transport Rail Sights St George's Cathedral Fudge Kitchen Isabella Plantation Great Vine Diana Fountain Ham House Hampton Maze Bushy House Treetop Walkway Kent Full Day Objective (Rochester) Canterbury Time 120m 240m Transport Rail (40m) Sights (Windor) Mary's Doll House Masonic Hall Semi-State Room Food Bath Full Day + Night Dover Objective Salisbury Stonehenge (Stourhead) Bath 150m Time 5m (25m) 60m (120m) 90m 180m Rail (130m) Rail (20m) Transport Rail (100m) Bus (70m) Bus Rail (70m) Rochester Cathedral (Greyfriars Gardens) Dover Castle Sights (Salisbury Cathedral) (Old Sarum) Gardens Roman Baths Guildhall Museum Canterbury Cathedral White Cliffs of Dover Lake Pulteney Bridge Rochester Castle Westgate Gardens Houses Bath Abbey Restoration House St Augustine Chapel Fudge Kitchen (Catham Dockyard) Canterbury Castle Royal Crescent (Eton College) (Thames Side) 60m 10m Photo Spot Assembly Room West End Full Day + Night Objective National Galllery Britisth Museum King's Cross (Regent's Park) Camden Town Time 75m (120m) (10am-6pm) 60m 120m (10am-5:30pm) 30m 30m 60m Transport Charing Cross Station Walk Tottenham Station / Walk Metro Metro Sights Charles I Statute (St Paul's Church) British Museum King's Cross Station (Admiralty Arc) Covent Garden Market (Bedford Square) Trafalgar Square Food Canada House Royal Opera House (Covent Garden) Greenwich Half Day (Oxford Street) Objective (Canary Wharf) Greenwich (Etham Palace) 60m (10am-8pm) Time 60m 180m 45m Camden Town Station Oxford/Tottenham Transport Metro DLR (10m) Etham Station (60m) Park Square Food Oxford Street Sights Canary Wharf Cutty Sark Etham Palace Platform 9 3/4 University London (Camden Lock) Liberty London Crossrail Roof Naval College St Pancras Station Rose Garden Camden Markets Food Chapel Open Air Theatre University St Martin in the Fields Observatory Natoinal Gallery (National Portrait Gallery) East End Full Day Objective St Paul's Cathedral (a) London Bridge (Leadenhall) (b) Globe Time 150m 45m 20m 10m ( 90m) Transport Metro Monument Station Monument Station Walk - Millennium Bridge Sights Temple Bar Great Fire Monument Market Shakespeare's Globe Borough Markets (St Magnus Church) Diagon Alley (Tate Modern) (Old Billingsgate) Food London Bridge (Borough Market) (The Shard) Queen's Walk Tower Bridge (St Katharine) Tower of London(Trinity Square) (Sky Garden) 25m 20m 40m 120m (10am-5pm) (Hays Galleria) Tower Bridge Girl + Dolphin Crown Jewels London Wall View (HMS Belfast) (Butler's Wharf) Starbucks/Food Royal Armouries All Hallows (Dinner @ Fenchurch) Traitor's Gate Trinity Square Monument Station View London City Hall The Royal Mint 10pm - Ceremony of the Keys Westminster Full Day Objective (Kensington Palace) Victoria &


Pontiffs Guide to New York 95%

Patrick’s Cathedral!* THURSDAY, SEPTEMBER 24 5:00 p.m.


thesublimecity 94%

  Towards an Urban Sublime: Expressing the Inexpressible in Urban Romantic Poetry  As the industrial revolution brought about the rapid urbanization of cities throughout  Europe, writers who were previously concerned with the aesthetics of nature and the countryside  found themselves grappling with an entirely new set of poetic and philosophical concerns. The  teeming crowds, towering structures and spectacular sights that they encountered in the novel  environment of the city incited in them feelings of overwhelming terror and awe akin to those  typically associated with the romantic “sublime.” However, as we look more closely at the  city­focused works of poets like Baillie, Wordsworth and Hood, we begin to see that there is a  fundamental difference between the “natural” sublime of earlier romantic poetry and the “urban”  sublime of the city poem. Whereas the poet’s sublime experience in nature is typically associated  with some sort of catharsis or transcendence, forcing man to come to terms with the limitations  of his own humanity, the urban sublime instead incites a feelings of wonder and disgust at the  incredible potential of that humanity itself, or—as Anne Janowitz put it in her essay ​ The  Artifactual Sublime​ —it forces man to confront “the self as if it were not the self; to experience  the madeness of the human world as if it were different stuff than the labour of persons.”   While it is true that, as Janowitz notes, this “mis­recognition” of the sublime object often  resulted in the experience of “romantic alienation,” I argue that the use of sublime language and  natural imagery also acted as a sort of coping mechanism for their writers. Through the  experience of the “urban” sublime is of course intrinsically linked to feelings of terror and  isolation, the fact that these poets were describing particularly urban experiences in terms of  something formerly associated with nature helped them to bridge the gap between the urban  world and the natural one. This technique, therefore, served the dual purpose of expressing the        unfamiliarity of this new landscape and familiarizing it, allowing these poets to discover, as  Wordsworth put it, that the underlying “spirit of Nature” was still upon them, even in this “vast  receptacle.”   In Thomas Hood’s delightfully erratic ​ Moral Reflections on the Cross of Saint Paul’s​ , we  find a perfect example of the struggle many poets faced to familiarize the sublimely  overwhelming urban environment. Hood’s speaker—who is presumably a tourist visiting  London for the first time—is hilariously unable to produce any original or insightful  “reflections” about the complex cityscape he sees spread out before him, and resorts instead to  stringing together a bizarre collection of references and metaphors that don’t seem to fit together  into a cohesive vision.   The speaker’s numerous allusions to “classic” works of literature suggest that he feels a  longing to express the “profound” nature of the landscape he is viewing, but even these  references come off as disjointed and confused. In the poem’s first stanza, the speaker compares  the ball of Saint Paul’s cathedral to Mount Olympus, the home of the gods in Greek mythology.  He then immediately moves on to reference a figure from Roman mythology, when he proclaims  that he is sitting “Among the gods, by Jupiter!” The speaker’s thoughts turn again towards the  literary in the third stanza, when—looking down at the city crowds beneath him—the speaker  feels the need to question the nature of man. “What is life?” He asks himself, and answers with  an apparent reference to a now cliche line from William Shakespeare's ​ As You Like it​ : “And what  is life? And all its ages— / There’s seven stages!” Before he is able to offer any sort of “real”  philosophical inquiry into what he means by this, however, the speaker distracts himself by  naming off the seven neighborhoods of London, and never returns to the subject.         While this random misfiring of half­baked references helps develop the speaker’s  delightfully zany personality, it also gestures at the bewilderment he feels upon taking in the  sprawling landscape of London from above. Though the speaker cannot adequately express the  profound emotional impact of this landscape in his own words—and it is clear that he does not  have the educational background to substantiate even an insightful literary comparison—he still  feels the urge to grasp for images and analogies that he associates with grandiosity and power.  This attempt—and failure—to express the inexpressible is a common struggle in the literature of  the sublime, and in Joanna Baillie’s poem ​ London​ —which was written around the same time as  Hood’s piece—we are introduced to yet another speaker who cannot quite find the right words to  describe the overwhelming urban landscape. The difference here is that Baillie’s speaker is more  familiar with the concept of the natural sublime, and she uses the language associated with it to  explore the ways that the experience of urban sublime is both related to and separate from the  experience of the sublime in nature.  The poem’s initial description of the city—in which we find the city viewed again from  above, from the hills of Hampstead “through the clear air”—presents the urban space as a rather  innocuous, almost quaint vision. The London skyline seems to the speaker a “goodly sight,” and  its structures are rendered in relation to familiar human figures. The spires of St. Paul’s cathedral  flank the structure “in kindred grace, like twain of sisters dear,” the “ridgy roofs” of the city’s  buildings sit amicably “side by side.” The entire vision is “softly tinted” by the distance of the  viewer, _____. However, as the air begins to grow denser, and “moistened winds” prevail, the  city’s landscape transfigures into something far more menacing. The “thin soft haze” of the  poem’s first section becomes a “grand panoply of smoke arrayed,” and the dome of St. Paul’s        Cathedral—which is now surrounded not by quaint spires, but by “heavy” clouds that sail around  its imposing dome—seems “a curtain gloom / Connecting heaven and earth,—a threatening sign  of doom.” The shifting weather strips the humanity from the city’s landscape, and the language  of the speaker quickly shifts to the language that references the natural sublime. The combination  of almost ethereal    However, this use of sublime language also allows the speaker to articulate the  differences between the urban world and the natural one. Though the speaker seems compelled  to compare the structure to prodigious natural figures (she states that the cathedral “might some  lofty alpine peak be deemed”) it becomes apparent that these metaphors are not quite sufficient  to describe the sight she is witnessing. Because its form reveals “man’s artful structure,” (and by  extension the “artful structure” of man’s society), the cathedral cannot be viewed as totally  natural. Instead, it is referred to as “more than natural,” and seems to transcend the boundaries of  both humanity and nature as it first “connects heaven and hearth” and then, a few lines later  seems “far removed from Earth.”   This somewhat confused description demonstrates the speaker’s complex feelings about  the urban landscape. Though she knows one thing for certain about this cathedral—“She is  sublime”—the speaker cannot quite find the language she needs to describe the sense of the  particularly “urban” sublime she is experiencing. She knows the cathedral is a product of  mankind, and that the power that it is imbued with is intrinsically linked with the oppressive  church that it represents and the often corrupt society that it is a part of. Part of the reason that  the church looks seems to her so terrifying is certainly the fact that entering the streets of the city  means succumbing to the dominance of the church, the government, and society as a whole.         Language has always failed to fully express the sublime experience, however, and the  speaker’s attempts to conflate the urban sublime of the city with the natural sublime simply  demonstrates a desire to give a recognizable form to the terror she is experiencing—in order to  truly become what Lyotard calls an “expressive witness to the inexpressible,” the speaker must  carry thought and rationality to their logical conclusions, and for a romantic poet the world can  best be rationalized and understood in terms of the rural. In contrast to Hood’s speaker, whose  manic metaphor­hopping was a symptom of a mind unprepared to grapple with the urban  landscape’s complexities, Baillie’s speaker logically considers the unfamiliar in terms of her own  experience, and makes the urban feel, in a way, like an extension of nature.   This blending of the natural and the urban is epitomized in the final portion of Baillie’s  poem, when the viewpoint shifts to the perspective of a “distant traveller.” From afar, this  traveller is able to view the London in its entirety, and finds himself awestruck by the stars in the  “luminous canopy” above the city that seem to be “cast up from myriads of lamps that shine /  Along her streets in many a starry line.” The “flood of human life in motion” creates a noise that  sounds to the traveller like the “voice of a tempestuous ocean,” and he finds his soul filled with a  “sad but pleasing awe” upon hearing it. These magnificent sights, which seem at once human  and natural, express the rich suggest that the city is capable of igniting in the human soul the  same complex emotions that a sublime natural splendor might.  Wordsworth took this idea to its ultimate conclusion as he navigated the ​ bacchanalian  chaos that is St. Bartholomew’s fair at the conclusion of ​ The Prelude, Book Seven. ​ In  Wordsworth’s poem, we are not viewing London from above, but from the very trenches of the  city, and the sublimity he is experiencing comes not from the contemplation of the urban


Notre Dame Program 91%

Concert, Christ Church Cathedral, Derry Thursday, May 24:


Dubrovnik and Dalmacija travel guide 91%

Old City Walls, Dubrovnik Stradun, Dubrovnik 8 10 Rector’s Palace, Dubrovnik 14 Kor¦ula Town 16 Trogir 18 Krka National Park 20 Diocletian’s Palace, Split 22 Kornati National Park 26 Cathedral of St James, Ëibenik 28 Zadar Old Town 30 The information in this DK Eyewitness Top 10 Travel Guide is checked regularly.


OrthodoxAnglicanUnity1914to1921 90%

The visiting prelate was received at the west end of the cathedral, with the customary greeting to an Eastern Bishop, "Is polla ete, Despota."


londonitineary2 89%

午餐後前往坎特伯雷大教堂(Canterbury Cathedral)是英國最古老、最著名的基督教建築之 一,它是英國聖公會首席主教坎特伯雷大主教的主教座堂,坎特伯雷大主教還是普世聖公宗 的精神領袖。教堂的正式名稱是坎特伯雷基堂和大主教教堂 基督教會在坎特伯雷) 。教堂位 於英國東南的肯特郡郡治坎特伯雷市,已被列為世界文化遺產。 Canterbury Cathedral in Canterbury, Kent, is one of the oldest and most famous Christian structures in England.


Gala:ChristmasRecital 87%

I am going to ask cooperation of this Christmas Holly Concert Project to Major Church/Cathedrals or Trinity Church (Manhattan) or Notre-Dame de Paris and those cites' News Media-companies as a spacial gift in 2017 however I can only provide Bel Canto Performance to One Church/Cathedral (i.e.


11248HomePlaceBrochure 86%

Wonderful open great room boasts a cathedral ceiling, lighted ceiling fan and pass‐through window to the kitchen.


Elisa Jue 2015 worksample press 86%

Project Designer The new, 13-story Cathedral Hill Hospital, designed to accommodate 304 beds for adults and women/ children, will occupy a full city block along Van Ness Avenue, a major San Francisco arterial.


Goodie Bags 86%

Albans Cathedral.


Cosmetics List - Patch 2.4.1 86%

PATCH 2.4.1 COSMETICS LIST WINGS COSMIC WINGS - Rainbow Goblin Portal - Whimsydale - Find and kill Princess Lilian FALCON WINGS - Act 4 - Gardens of Hope Teir 1 - Mysterious Chest PORTRAITS RAINBOW PORTRAIT - Staff of Herding - Old Ruins - Whimsyshire - Find and kill Sir William PETS MENAGERIST GOBLIN LIV MOORE - Galthrak the Unhinged - Overseer Lady Josephine - That Which Must Not Be Named - Humbart Wessel - Lady Morthanlu - Charlotte - Lamb - Queen of the Succubi - The Mimic - Ms Madeleine - The Stomach - Buddy - Grunk - Act 1 - Weeping Hollow - Find and kill Ravi Lilywhite RCHC19 RCHC19GAMING - The Bumble - Friendly Gauntlet - Haunting Hannah - Malfeasance - Unihorn - Blaze PATCH 2.4.1 COSMETICS LIST ITEM TRANSMOGS STAR HELM - Orlash (Rift Guardian) REAPER’S KISS - Infernal Maiden (Rift Guardian) AMBERWING - Erethon (Rift Guardian) MAN PRODDER - Lord of Bells - Cow Rift STAR SHOULDERS - Uber Diablo FLAIL OF CARNAGE - Butcher - Rakanoth TEMPLAR’S CHAIN - Act 1 - Cathedral Level 2 - Mysterious Chest QUE-HEGAN’S WILL - Act 1 - Halls of Agony 3 - Nevas (Rare Monster) SUNGJAE’S FURY - Act 1 - Drowned Temple - Mysterious Chest HELM OF THE CRANIAL CRUSTACEAN - Grey Hollow Island - Tidal Cave - Succulent PANTHER CLAWS - Eternal Woods - Mysterious Chest CROSSBOW OF CORVUS - Blood Marsh - Mysterious Chest GOD’S BUTCHER - Act 5 - Zakarum Cathedral - Mysterious Chest UNFOUND ITEMS - Aidan’s Revenge - Mace of Crows - Ghoul King’s Blade - King Maker - The Spirit of the Zakarum HANDS OF DESPAIR QUINQUENNIAL SWORDS - Act 1 - Cemetary of the Forsaken - Look for 4 doors - Development Hell - Jay Wilson (1 Sword) - Josh Mosqueira (1 Sword) RCHC19 RCHC19GAMING


CFriel Obscurity 86%

"Glasgow Cathedral in Fog"


NCL VOL 01 NO 01 082517 83%

The NCL’s other 2016 playoff team, regional finalist Notre Dame-Cathedral Latin, travels to Willoughby South to begin their hunt for a post-season spot in Division III after making the grade in Division IV the last two years.


MasterofRings 82%

Near the first short cut at the Cathedral of the Deep behind the big Crystal Lizard.


Regensburg Info Sheet.docx 82%

● Legend:​ ​the​ ​bridge's​ ​crafty​ ​builder​ ​promised​ ​the devil​ ​the​ ​first​ ​soul​ ​to​ ​cross​ ​the​ ​bridge​ ​if​ ​he​ ​let​ ​him beat​ ​the​ ​cathedral-builder​ ​who​ ​had​ ​bet​ ​on completing​ ​his​ ​church​ ​first.​ ​The​ ​bridge-builder​ ​won and​ ​hoodwinked​ ​Satan​ ​too,​ ​for​ ​the​ ​first​ ​to​ ​cross​ ​the bridge​ ​were​ ​a​ ​dog,​ ​a​ ​cat​ ​and​ ​a​ ​chicken Altes​ ​Rathaus ● The​ ​seat​ ​of​ ​the​ ​Reichstag​ ​(parliament) from​ ​1663​ ​to​ ​1803 ● now​ ​home​ ​to​ ​Regensburg's​ ​three​ ​mayors, the​ ​tourist​ ​office​ ​and​ ​the Reichstagsmuseum ● richly​ ​decorated​ ​Reichssaal​ ​(Imperial​ ​Hall) where​ ​the​ ​delegates​ ​convened ● ​ ​stomach-turning​ ​torture​ ​chamber​ ​in​ ​the basement,​ ​dungeon​ ​and​ ​interrogation room Schloss​ ​Thun​ ​und​ ​Taxis ● In​ ​1500,​ ​Franz​ ​von​ ​Taxis​ ​(1459-1517)​ ​set up​ ​the​ ​first​ ​European​ ​postal​ ​system, which​ ​remained​ ​a​ ​monopoly​ ​until​ ​1900 ● His​ ​family​ ​was​ ​given​ ​a​ ​new​ ​palace,​ ​the former​ ​Benedictine​ ​monastery​ ​St Emmeram,​ ​henceforth​ ​known​ ​as​ ​Schloss Thurn​ ​und​ ​Taxis ● among​ ​the​ ​most​ ​modern​ ​palaces​ ​in Europe​ ​(luxuries​ ​like​ ​flushing​ ​toilets, central​ ​heating​ ​and​ ​electricity) Basilika​ ​St​ ​Emmeram ● a​ ​masterpiece​ ​built​ ​by​ ​the​ ​Asam​ ​brothers ● here​ ​are​ ​two​ ​giant​ ​ceiling​ ​frescoes​ ​and, sheltered​ ​in​ ​its​ ​crypt,​ ​the​ ​remains​ ​of​ ​Sts Emmeram,​ ​Wolfgang​ ​and​ ​Ramwold,​ ​all Regensburg​ ​bishops​ ​in​ ​the​ ​early​ ​days​ ​of Christianity Schottenkirche​ ​St.​ ​Jakob ● the​ ​12th-century​ ​main​ ​portal​ ​is considered​ ​one​ ​of​ ​the​ ​supreme​ ​examples of​ ​Romanesque​ ​architecture​ ​in​ ​Germany ● Its​ ​reliefs​ ​and​ ​sculptures​ ​form​ ​an iconography​ ​that​ ​continues​ ​to​ ​baffle​ ​the experts.


17B Shotwell Rd - Brochure 021618 81%

groove cathedral ceiling and wall of windows… streaming light onto the beautiful hardwood floors and floor-to–ceiling wood-burning stone fireplace.


Anglican structures need updating, says Archbishop 81%

UK WORLD Persecution Poverty CHURCH MISSION MORE ▼ Search Conflict Anglican structures need updating, says Archbishop Published 21 October 2013 | Chris Sugden Email Print More Share Tweet 12 Like 8 Recommend this In All Saints Cathedral Nairobi on Sunday, the Archbishop of Canterbury, the Most Reverend Justin Welby spoke of his long held conviction that the structures of the Anglican Communion needed updating for the 21st century from the sinful power patterns of colonialism.


MasterofMiracles 81%

Dropped from the mimic, near the first giant in Cathedral of the Deep.


Outreach Tebi20161106 80%

I N the small town of Ruteng in Manggarai regency, Flores, East Nusa Tenggara (NTT), there is an imposing cathedral, with its European architecture.


Voyage - David Hurst''s feature 79%

Once in Spain we soon realised the roads are infinitely better than in Britain – less crowded, of course, because the country is much bigger and with a smaller population, but also smoother and with much better Summer 2015 | VOYAGE | 29 Explore 1 Cimbarra Falls in Andalucia 2 The Santander coastline 3 Salamanca’s New Cathedral facilities such as large lay-bys with playgrounds and shaded picnic areas.


Scottish Rite News May 2017 79%

5/25/2017 7PM at the Cathedral Continuing Masonic Toll Free 1 (866) 222-9293 INTERNET:


Scottish Rite News July 2017 78%

To The Scottish Rite Cathedral Venerable Master of Kadosh, San Antonio Consistory Oscar Flores, 32º, KCCH Almoner James W.