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Total: 110 results - 0.08 seconds

alltunings 100%

open chords.

https://www.pdf-archive.com/2011/05/31/alltunings/

31/05/2011 www.pdf-archive.com

Skill Share eh 99%

Look at major chords first (happy chords) 3.

https://www.pdf-archive.com/2017/05/03/skill-share-eh/

03/05/2017 www.pdf-archive.com

Barry Harris Bebop Line Concepts 96%

                 1 3 5 b7 3 The chords they make are G7 5 5 b7 2 5 b7 Bm7♭5     V7 viim7b5 2 4 b7 2 4 Dm7 FMaj7     iim7 IVMaj7 6 In Bebop, it's important to resolve your lines to chord tones (1, 3, 5, or 7) on the beat.

https://www.pdf-archive.com/2018/02/11/barry-harris-bebop-line-concepts/

11/02/2018 www.pdf-archive.com

Still You Turn Me On 94%

x - a - b - c ( 2x ) x - a - b - c - b - a - x repeat tab 2x CHORUS I haven't made up my mind yet how to play the Chorus chord sequence Greg Lake is hybrid picking the Ebmaj7 chord and strumming the two ( Dm and Am7/D ) chords on the upper frets That makes sense on a 12-string acousic guitar, but is no good option on a concert model Take a look at the video and decide for yourself, how to deal with them ||:

https://www.pdf-archive.com/2019/11/07/still-you-turn-me-on/

07/11/2019 www.pdf-archive.com

1481236060-DM Workbook v4 106 94%

06 TURNING MELODIES INTO ARRANGEMENTS DEADMAU5 TEACHES ELECTRONIC MUSIC PRODUCTION It’s all just derived from sustained chords, which is all fucking music is really.

https://www.pdf-archive.com/2017/02/17/1481236060-dm-workbook-v4-106/

17/02/2017 www.pdf-archive.com

Luigi Russolo - The Art of Noise 93%

the assonant com- mon chord was followed by chords enriched with some random dissonances, to end up with the persistent and complicated dissonances of contemporary music.

https://www.pdf-archive.com/2014/01/23/luigi-russolo-the-art-of-noise/

22/01/2014 www.pdf-archive.com

Very Special Chords 90%

G G F# F E Tamani wa naite mo ii ja nai C D# Dakishimete ageru Guitar solo played over chorus chords (without fast descending chord break) Repeat Guitar Riff Bridge, play C chord leading into it F A D A# Sekaijuu ga matsuge hitotsu ugokasazu GC F A Kono shunkan wo mitsumeteru A# C Ima koso te wo tsunagou A D A# Honto no koto wa koko ni aru hazu C F E D# D C# D# Zutto mae kara Chorus G F Very special wo kimi ni E D# F G Kimi wa dare ni?

https://www.pdf-archive.com/2017/12/01/very-special-chords/

01/12/2017 www.pdf-archive.com

Learn the Guitar and Play Some Songs-1 90%

At the end of the course, which should take about 5 months, you will have learned fourteen different songs, in a variety of styles, and lots of chords and melodies that you can play for the rest of your life.

https://www.pdf-archive.com/2018/03/09/learn-the-guitar-and-play-some-songs-1/

09/03/2018 www.pdf-archive.com

03152016 Chopin-Prelude-Paper-Midterm FINAL-COPY 88%

While a case can be made that the majority of sonorities in No.4 do not resolve as we expect them to, these resulting chords specifically highlight chromatic voice-leading as Chopin’s primary compositional method, as the Roman Numeral analysis of the chords result in V7/III and v7/III—a functioning secondary dominant and minor v7 of the diatonic mediant which is never realized.

https://www.pdf-archive.com/2016/03/15/03152016-chopin-prelude-paper-midterm-final-copy/

15/03/2016 www.pdf-archive.com

POPGUN EP CHORDS 83%

Here are the lyrics and chords to the Popgun EP, by The Polyorchids.

https://www.pdf-archive.com/2017/05/28/popgun-ep-chords/

28/05/2017 www.pdf-archive.com

Broomstick Bass v1.0.0 81%

Play chords that suit your song and BROOMSTICKBASS will deliver bass lines.

https://www.pdf-archive.com/2017/03/25/broomstick-bass-v1-0-0/

25/03/2017 www.pdf-archive.com

Double stop chords.v3 78%

Major chords – Seven patterns (one for each root position) Root under 1st finger Root on “left” string Root on “right” string L1 R1 1 1 1 Root under 1st finger 2 3 3 4 R2 L2 0 Root under 2nd finger 2 2 1 2 Root under 2nd finger 3 4 4 L3 R3 0 0 0 1 Root under 3rd finger 3 3 2 3 4 L4 0 1 2 Root under 4th finger 4 R4 = L1 (same root, octave lower) Root under 3rd finger Extensions – Shifting to 3rd position and 7th chord patterns L1 L2 L3 0 0 1 1 2 Major 3 L1 3rd Pos.

https://www.pdf-archive.com/2016/12/23/double-stop-chords-v3/

23/12/2016 www.pdf-archive.com

1481235932-DM Workbook v4 102 76%

Joel says the classic deadmau5 sound was born when he put dark Nine Inch Nailsstyle chords together with pulsing house drum beats.

https://www.pdf-archive.com/2017/02/17/1481235932-dm-workbook-v4-102/

17/02/2017 www.pdf-archive.com

Platinum Report 73%

This song also was where I first experimented with rich chords in the melody in the chorus in earnest (like in the style of Kalafina, as they have 3 vocalists that song together in harmony), which many people in my family were impressed by when they heard it.

https://www.pdf-archive.com/2018/03/29/platinum-report/

29/03/2018 www.pdf-archive.com

Ballad of a Dying Man 73%

so far, so I figured I'd take a minute to transcribe the chords.

https://www.pdf-archive.com/2017/02/07/ballad-of-a-dying-man/

07/02/2017 www.pdf-archive.com

C'est La Vie 66%

CHORUS ( same tab and lyrics as above ) INSTRUMENTAL It follows an instrumental part, where Keith Emerson plays Musette on an accordion, accompanied by Lake on guitar The song changes from 4/4 time to 3/4 time Greg Lake plays some chords in the upper fret positions that are hard to analyse but who cares?

https://www.pdf-archive.com/2019/11/07/cest-la-vie/

07/11/2019 www.pdf-archive.com

fromthebeginning 65%

( 2x ) ¼ CHORUS ( The three strummed chords that follow can be played in different ways ) ...

https://www.pdf-archive.com/2019/11/07/fromthebeginning/

07/11/2019 www.pdf-archive.com

songbirds tab 61%

SONGBIRDS – THE WOODEN WINGS Intro picking E|-------7-------7-------7-------7-------7-------7-------7-------7B|---8-------8-------8-------8-------8-------8-------8-------8----G|-----9-------9-------9-------9-------9-------9-------9-------9--D|-9-------9-------7-------7-------9-------9-------7-------7------A|----------------------------------------------------------------E|----------------------------------------------------------------- E|-------7-------7-------7-------7-------7-------7-------7-------7B|---8-------8-------8-------8-------8-------8-------8-------8----G|-----9-------9-------9-------9-------9-------9-------9-------9--D|-9-------9-------7-------7-------9-------9-------7-------7------A|----------------------------------------------------------------E|----------------------------------------------------------------- E|-------7-------7-------7-------7-------7-------7-------7-------7B|---8-------8-------8-------8-------8-------8-------8-------8----G|-----9-------9-------9-------9-------9-------9-------9-------9--D|-9-------9-------7-------7-------9-------9-------7-------7------A|----------------------------------------------------------------E|----------------------------------------------------------------- E|-------7-------7-------7-------7-------7-------7-------7B|---8-------8-------8-------8-------8-------8-------8----G|-----9-------9-------9-------9-------9-------9-------9--D|-9-------9-------7-------7-------9-------9-------7------A|--------------------------------------------------------E|--------------------------------------------------------Strumming begins E|-------------------------------------------------------------------B|-8-8-8-----8-8-8-----8--8--8-----8-----8-----8--8--8-----8-----8---G|-9-9-9-9-9-9-9-9-9-9-----------------------------------------------D|-9-9-9-9-9-9-9-9-9-9-9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9A|---------------------10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10 E|-------------------------------------------------------------------E|-------9-9-----------9-9---B|---------------------------G|---------------------------D|-9-9-9-9-9-9-9-9-9-9-9-9-9-9 A|-9-9-9-9-9-9-9-9-9-9-9-9-9-9 E|---------------------------E|--------------------------------------------------------------------B|-8-8-8-8-8-8-8-8-8-8-8--8--8-----8-----8-----8--8--8-----8-----8----G|-9-9-9-9-9-9-9-9-9-9------------------------------------------------D|-9-9-9-----9-9-9-----9--9--9--9--9--9--9--9--9--9--9--9--9--9--9--9-A|---------------------10-10-10-10-10-10-10-10-10-10-10-10-10-10-10-10E|--------------------------------------------------------------------- E|-------9-9-----------9-9---B|---------------------------G|---------------------------D|-9-9-9-9-9-9-9-9-9-9-9-9-9-9 A|-9-9-9-9-9-9-9-9-9-9-9-9-9-9 E|---------------------------Singing begins, with these chords for the rest of the song:

https://www.pdf-archive.com/2011/10/24/songbirds-tab/

23/10/2011 www.pdf-archive.com