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'the best road race in the country' WitchHunt The Story of Florence Newton www.bai.ie TV/Radio Funding Recommended Percent Funding Recommended Format Language Genre Number of programmes Duration of Programmes Radio 4,366 80 Entertainment English Arts/Culture 6 0:30:00 Radio 6,000 91 Drama English Contemporary Society 1 0:46:00 Radio 10,000 90 Education English Children's 12 0:15:00 Radio 16,500 95 Education English History/Heritage 52 0:10:00 Radio 6,100 85 Drama English Children's 3 0:20:00 Radio 3,200 95 Documentary English Contemporary Society 1 0:55:00 Radio 4,000 95 Education Bi-lingual Children's 6 0:20:00 Radio 6,000 95 Drama English Arts/Culture 1 0:46:00 Radio 6,500 95 Drama English Arts/Culture 1 0:46:00 Today FM Radio 3,500 88 Documentary English Arts/Culture 1 0:52:00 Community Radio Youghal Radio 2,257 95 Documentary English Contemporary Society 1 0:56:00 Community Radio Youghal Radio 2,330 95 Documentary English History/Heritage 1 0:39:00 Community Radio Youghal Radio 3,600 95 Documentary English Contemporary Society 1 0:56:00 Community Radio Youghal Radio 4,350 94 Drama English History/Heritage 1 0:40:00 Channel RTÉ Radio 1 Extra Shannonside 104FM RTÉ Junior/Chill Athlone Community Radio RTÉ Junior/Chill Athlone Community Radio Athlone Community Radio Newstalk 106108FM Newstalk 106108FM Broadcasting Authority of Ireland 2016 Applicant Project Name Channel TV/Radio Funding Recommended Percent Funding Recommended Format Language Genre Number of programmes Duration of Programmes 15 Community Radio Youghal Addicted Community Radio Youghal Radio 7,700 95 Documentary English Contemporary Society 4 0:56:00 16 Conor McGinnity Escape from Dundalk Gaol LMFM Radio 4,200 95 Documentary English History/Heritage 1 0:50:00 Kildare's Wild Places KFM Radio 9,500 95 Documentary English Science/ Nature/ Environment 6 0:20:00 The Professor Newstalk 106108FM Radio 4,250 95 Documentary English Contemporary Society 1 0:46:00 Talking to Mr.
• • • Creative Director – BAFTA and EMMY winning Executive Producer Colin Barr Founder – BAFTA winning Director Morgan Matthews We originate and produce documentary, drama and feature films A multi award-winning independent film and television production company WHO WE ARE • MINNOW FILMS • • • • Colin is a BAFTA and Emmy-winning Executive Producer/Director who works across Documentary and Drama.
THE CULTURE OF FILM IS TRAVELLING FROM THE SOUTH ALL OVER THE WORLD THROUGH THE INTERNATIONAL DOCUMENTARY FESTIVAL OF IERAPETRA.
Couples Guides A Couples Guide To Documentary Style Wedding Photography By Simon Donnelly Documentary Style Wedding Photography Often coupled with natural and traditional styles, documentary wedding photography is also known as Reportage or Photo-journalistic Wedding Photography.
Dash Documentary Introduction Cryptocurrencies are rapidly emerging and starting to have an impact on our financial systems. There is a surge of global interest in cryptocurrency and its potential is becoming apparent to investors, technical specialists and, even large corporations are starting to see the opportunities. New currencies are arising every week and the market is becoming increasingly competitive. Dash itself has gained huge momentum in its lifetime, as Ryan Taylor, Dash’s CEO has stated: Dash “has outgrown Bitcoin by at least double for the last 4 years” and Dash is proving to the world that it is more than capable of growing substantially within the digital currency arena.
She aspires to create documentary works for the web and broadcast that address complex issues and illuminate human stories.
To show a passage of time or even just a short and light break for the audience from the often heavy subject of the documentary.
DOCUMENTARY EVALUATION – RYAN PEEBLES Working on the documentary project with my group was a valuable experience given the skills and techniques I learned throughout the project and the way I was able to input into the group and the overall final project. One of the best points about working within the group was the idea generation throughout the conception, and production phase of the documentary project. Every member of the group were constantly challenging ideas from each other with the overall goal of pushing the project to be the best possible incarnation of itself. This also kept ideas fresh and helped each member of the group see the project from different perspectives to aid in their own personal opinion of it and forced them to think outside of the box when it came to the development of the project. One part of the project that I feel could have been better was the overall organisation of the schedule and the group being able to work within the deadlines set. Often times I would find the group had spent sessions working on the project yet accomplishing very little to push it towards the finished product and I found myself having to give them regular pushes to go out filming or to organise interviews with prospective subjects. One of the main problems we faced was in regards to our chosen subjects dropping out of the project and a lack of contingencies on our part to fill their space so it at times felt as if the documentary had changed vastly from its original pitch to the final product. Which given a simulated industry setting would be a completely unacceptable way to operate. However I felt the group reacted to the situation professionally and worked with what they had available to them to be able to create the documentary. Given the opportunity to reattempt the documentary product I pay more focus towards the group’s ability to work in a timely fashion with the overall deadline firmly in mind at all times in order to avoid any situations where an extension of the deadline may need to be granted. Also I would ensure we went into the project with stronger contingency plans in regards to subjects and participants potentially dropping out of the project in order to cover ourselves in that specific scenario. Overall I found the general experience of the documentary project was a great learning experience in regards to finding potential flaws in our group’s filmmaking skills that can be addressed before tackling more industry standard projects.
Production responsibilities Internships FOX 10 KIDY May - August 2008 Intern (Animation) Created a motion graphics commercial for Kelly Services (Fortune 500 company) and a documentary on San included budgeting, production schedules, talent booking, scripting, shooting, editing and creative direction.
Application Package We are currently looking for three backpackers from varying backgrounds and experience levels to star in an upcoming travel documentary.
ADAM COOK email@example.com t 07427656356 http://cargocollective.com/standardbeing/ EDUCATION University of Gloucestershire Graduate 2013 1st BA (Hons) Film Production Weston Sixth Form Photography A* Biology C Environmental Science B Graduate 2010 Critical Thinking C Physics C Extended Project B FILM EXPERIENCE Director / Cinematographer / Editor ‘Lawnmower men’ ‘Single Crew Documentary - BBC midlands.
Course Related FILM CATALOG BUSINESS | COMMUNICATIONS | DOCUMENTARY | FILM NOIR | FOREIGN LANGUAGE | HISTORY LITERATURE | PHILOSOPHY | PSYCHOLOGY | SOCIOLOGY MOVIES BY ACADEMIC DEPARTMENT Bring the academic experience to life with the #1 resource for feature films sought by academic departments.
Not all expenditure qualifies, but the Offset can be worth up to 20 per cent of Australian spend in the case of television, and up to 40 per cent in the case of film including feature documentary.
12 Jools Holland InConversation 17.00-19.00 10.00-12.00 Family Mary and the Witch's Flower 14.00-16.00 Shorts The Silent LGBTQ Child Cold Breath deaf inclusive screening Coming Soon Independent Feature Prejudices Against Shadows Documentary Sea of Life UK Premiere Independent Documentary Documentary Chinese Feature A Family The Opium A Better It's a Flawed Love Story War Tomorrow Circle Fri 30th March Sports To Valhalla Kayabike 12.00-14.00 16.00-18.00 Sports A Prayer 18.00-20.00 Before Dawn Indian Om Puri Retrospective:
SARAH HAGER Vancouver, BC | firstname.lastname@example.org | (604) 996-0723 WORK EXPERIENCE Scriptastic Transcription Services Transcriptionist | November 2015 – April 2016 Telecommute position to transcribe, format and deliver transcriptions for reality television, court deposition and documentary interviews, frequently working with classified material.
Edited 2 0 1 5 The Busker Arri Alexa Short Film [ P R O F E S S I O N A L E X P E R I E N C E ] Freelance Filmmaker Various employers 2011 to Current Wilton Baking Goods Enterprises - Produced 8-minute and 1-minute historical documentary films chronicling the company’s history for their 85th Anniversary.
February 2012- Production Assistance for Suisse TV documentary about the Childs dream Foundation in Chiang Mai 2 and a half week shoot in the north of Thailand.
In April 2012 Mike will also be part of a documentary about ocean conservation in Seashells, one of the last unspoiled region of the planet, with the same purposes.
Editor Film (Documentary short) Meet Me at the Market University of West London 2015 Camera Assistant Film (Documentary short) Retention Documentary W5 Productions (Research commissioned:
ELECTION ASSISTANCE COMMISSION TO ADD DOCUMENTARY PROOF OF CITIZENSHIP REQUIREMENTS ON THE FEDERAL VOTER REGISTRATION FORM INSTRUCTIONS FOR ALABAMA, GEORGIA &
“….It all started with an idea of a Hungarian exchange student in Madrid who decided to ride back home to Budapest on his fixed gear bike after finishing his semester in the Spanish capital.” RICKSHAW RUSH http://www.dokweb.net/en/documentary-network/east-european-docs/rickshaw-rush-5846/ Documentary by Gergő Somogyvári: