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If you agree to be a sponsor, no sponsorship refunds will be made for the conference if you cancel your exhibition space on or after March 1, 2017.
Education UK Exhibition Saturday, 7 March 2015 Application Form Key Details Saturday, 7 March 2015, from 10.30am to 6.00pm Date, time and venue Marina Bay Sands Expo &
Wolfe Waves Bill Wolfe Table of Contents Introduction.......................................................................................................................................
2 DATA PROTECTION The information from your application will be retained by Farnborough International Limited to facilitate your participation in the Exhibition.
n 2017 SUNY (State University of New York) Art Exhibition:
Entrance to this exhibition is open to a limited number of artists on a first come basis.
2017 Solo Exhibitionist and Publication Fellow, Peripheral Vision Arts 2016 Raven Halfmoon Solo Exhibition, Ihloff Salon, Norman, Oklahoma, United States Group Exhibitions:
The Reaper “Exodia” 2013 Spring Travel Grant ($300) – Department of Cinematic Arts, University of Iowa5 Fall Travel Grant ($300) – Department of Cinematic Arts, University of Iowa6 Finalist, 33rd Annual College Photography Contest – Photographer’s Forum Magazine SELECTED EXHIBITION HISTORY:
(1) Any exhibition fees paid shall be retained by LHBA as liquidated damages, (2) any outstanding payments as outlined in the Payment Section are due and payable in consideration for LHBA having reserved space and provided services to the Exhibitor until the date the Exhibitor is cancelled.
Form of Graduate Letter Agreement To be signed and submitted NO LATER THAN [Fri 19 June 2015] Dear Student, We are very pleased that you have agreed for your Degree work (your “Work”) to be considered for the Central Saint Martins ‘The Intelligent Optimist’ exhibition in the CSM Lethaby Gallery for the London Design Festival 2015, opening on Saturday, 19 September 2015 and closing on Saturday, 17 October 2015 (“The Intelligent Optimist exhibition”).
Call to Artists Demographically Speaking, a Figurative Exhibition Lexington Art League firstname.lastname@example.org The Lexington Art League is seeking submissions for Demographically Speaking, a Figurative Exhibition, curated by Daniel Pfalzgraf, of the Carnegie Center for Art &
ALLOCATION PROCEDURES &
Eko Bambang Wisnu email@example.com ekobambangwisnu.blogspot.com.au Education Indonesian Institute of The Arts Yogyakarta Exhibition (last 5 years) Solo Exhibition 2015 This Is (Not) Still Life, Mils Gallery, Sydney, Australia 2014 Sigh, Mils Gallery, Sydney, Australia 2014 Letter Never Sent, Penaga Hotel, Georgetown, Penang, Malaysia 2012 Tuhanku Sinetron, Kersan Art Studio, Yogyakarta, Indonesia Collaboration 2015 Lingam (with Adriano Rosselli), Ruang Gerilya, Bandung, Indonesia 2013 Goodnight Uncle John (with Ida Lawrence), Sculpture by The Sea, Bondi, Sydney, Australia 2013 Time Machine (with Ida Lawrence), Sculpture by The Sea, Bondi, Sydney, Australia 2013 Nge-Kost (with Ida Lawrence), Slot Gallery, Sydney, Australia Group Exhibition 2015 In Defence of Self, Mils Gallery, Sydney, Australia Outline!, Indonesia Drawing Festival, Gedung Indonesia Menggugat, Bandung, Indonesia Lucho!
The Tower of David Museum will host the main Biennale2105 exhibition, Jerusalem.Passages, showcasing five large scale projects by five leading Israeli and international artists.
Anthony Reamer (he/him) https://anthonydrz.com firstname.lastname@example.org 612-381-7527 Education 2019 B.F.A., studio art (May 5 , 2019), University of Minnesota, Duluth, MN th One Person Exhibitions 2019 Framing Effect, Top Down Gallery, Roscoe, Chicago, IL 2019 Little Dark Age, Tweed Museum of Art, University of Minnesota, Duluth, MN Group Exhibitions 2019 Annual Student Exhibition, juried exhibition, Tweed Museum of Art, University of Minnesota, Duluth, MN 2019 Body in Flux, Herter Art Gallery, University of Massachusetts, Curated by Chaehee Yoon and Jessica Scott.
o supervision and production of online and print content for temporary exhibitions (press releases, scholarly descriptions of artworks and artists for exhibitions, gallery books and pamphlets), requiring extensive scholarly research o curator of “Das Werk,” the Summer 2017 exhibition featuring Gustav Klimt collotypes and masterpieces of early 20th century Austro-Hungarian art ceramics manage and revise the permanent collection database and inventory.