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FOCUS-CODC 00 24.09.2009 Emesso Revisione Data Descrizione IA-Cammarota Preparato IA-Pensato Verificato Q-Mariani Approvato MUFFOLA PER CAVI OTTICI FOCUS-CODC 6909 This document is OPTOTEC S.p.A.’s ownership that reserves all rights MD.Q.4200-00 23.01.2001 File:
FOCUS-CODC 00 24.09.2009 ISSUED Revisione Data Descrizione IA-Cammarota Preparato IA-Pensato Verificato Q-Mariani Approvato OPTICAL DISTRIBUTION CLOSURE FOCUS-CODC 6517 This document is OPTOTEC S.p.A.’s ownership that reserves all rights MD.Q.4200-00 23.01.2001 File:
EDWARD VIJAYAVARGIYA ASSISTANT CAMERA | CAMERA DEPARTMENT Date Title Type Production Position DoP Equipment December 2015 Instrument Documentry Edition Worldwide Camera Operator Sam Goldwater November 2015 ODO Jeans Online Promo Independent Gaﬀer Natalja Safronova Red Epic Dragon, Scarlet Dragon Red Scarlet Dragon October 2015 Aidan Cocker - Get Money Music Video GrayScale Productions Focus Puller Anthony Dias Red Epic Dragon September 2015 Rugby Union Series Documentry Vice Media Focus Puller Sam Goldwater Red Scarlet Dragon July 2015 Samsung Rugby Promo Commercial Vice Media Focus Puller Sam Goldwater Red Scarlet, Phantom Flex July 2015 The Banksy Job (Dailies) Feature Daylight Robery Focus Puller Anthony Dias Red Epic Dragon July 2015 The Guitar Short Film Eye to Eye Productions Clapper Loader Sam Goldwater Arri Amira July 2015 Glue (Dailies) TV Series Eleven Film DIT Angus Hudson F55, Scarlet Dragon, Alexa July 2015 Aidan Cocker - Been There Music Video GrayScale Productions Focus Puller Anthony Dias Red Epic Dragon June 2015 Taya - Got me Wondering Music Video Agile Films Camera Assistant Craig Bilham Canon 5D MK III March 2015 Goodmans Radios Promo Commercial Black Dog Films RSA Clapper Loader Alberto Balasz Arri Alexa January 2015 Nikon Picture Perfect Series Documentry Vice Media Camera Assistant Sam Goldwater Red Scarlet December 2014 Wok TV Pilot TV Pilot Focus Puller Anthony Dias Arri Amira December 2014 Fast Lane - Wastes Music Video Running Films Clapper Loader Scott Sanford Red Epic November 2014 Kasper Bjork - Apart Music Video Caviar Content Clapper Loader Andrew Fletcher Arri Alexa XT November 2014 Darkside - Gone Too Soon Music Video Independent Clapper Loader Alberto Balasz Red Epic Dragon October 2014 Julius Short NFTS Focus Puller Krzysztof Trojnar Arriflex SR3 September 2014 Dr.
JIRA and Micro Focus Agile Manager Product Reviews and Buyer's Guide March 2018 JIRA and Micro Focus Agile Manager Contents Overview Top Review by Topic of JIRA and Micro Focus Agile Manager Vendor Directory Top Application Lifecycle Management (ALM) Suites Vendors, Weighted 3 4-6 7 8-9 Top 5 Solutions by Ranking Factor 10 About This Report and IT Central Station 11 © 2018 IT Central Station To read more reviews please visit https://www.itcentralstation.com/products/comparisons/jira_vs_micro-focus-agile-manager?tid=pdf_comp_20594-28947 2 JIRA and Micro Focus Agile Manager Overview SOLUTION OVERVIEW JIRA Micro Focus Agile Manager JIRA has multiple deployment options to provide the flexibility your organization needs.Cloud is a fully hosted service for customers who want to iterate quickly and have us take care of managing the infrastructure.For customers who need to run our applications behind their firewall, we have Server and Data Center options.
(VON ADAMON VON EDEN) * ES HAT EINEN SINN, WARUM DIE SINNESORGANE DES MENSCHEN AUF EINEN GEWISSEN "MITTLEREN FOCUS"
However, if your focus remains only on others, you may begin to rely on them for your own sense of happiness in an unhealthy way, or may become overly concerned with how others view you or think about you.
Canon 600D Video Guide The Canon 600D is a well rounded DSLR ideal for shooting video. It features an 18MP CMOS sensor granting the ability to shoot Full HighDefinition video as well as a handy flip out screen that can be angled to suit your personal shooting style. Getting Started To start up the camera simply insert a charged battery and SD card into the camera. The battery port can be found on the right hand side of the camera base and the SD card slot on the right hand side of the camera body. Once you have inserted the battery and SD card simply find the camera’s power switch which is located on the top, right hand side of the camera body, and flick it to the ‘ON’ position. The camera should power on. Next turn the mode dial, located adjoining the power button to Video Mode, denoted by a video camera symbol. The screen should then display an image of your targeted frame. To start recording straight away, ensure the camera is set to auto focus, via the AFMF switch on the camera lens. Switch the camera to the AF position, point it at your targeted subject, half press the shutter button to focus your subject. When you are happy with the focus, simply press the record button which can be found on the back of the camera, denoted by an image of a two tone camera. The camera will then begin recording as shown by a red circle displayed on the top right hand side of the screen. To stop recording, simply press the record button a second time. Focus The Canon 600D boasts a range of features to help improve the sharpness and user control when shooting video. To get a more dynamic experience using the autofocus, you can use the directional control buttons on the rear of the camera body to move your AF point around the frame, giving you freedom to focus your subject automatically without requiring them to remain in the centre of the frame. This gives you more control when it comes to framing your shots. Alternatively, Manual Focus can be selected by moving the focus switch on the lens to MF. This mode gives you much more control over the focus and is ideal for making minor tweaks to the sharpness of the image. To use the manual focus, simply point the camera at your subject and using the focus ring located on your lens, turn it until you reach the required focus depth. The location of the focus ring may vary dependant on the specific lens you are using although in the case of the standard 1855 kit lens that is often sold with the camera, the focus ring can be found on the very end of the lens. When using manual focus, it can often be helpful to implement the digital zoom feature to ensure a clear sharp image. To do this press the digital zoom buttons which can be found in the far top right corner on the rear of the camera body. Zoom into the maximum depth to ensure the image is sharp, making adjustments where necessary until you are happy with the image, then simply press the digital zoom button again to return to your original framing. Exposure The Canon 600D as standard is set to implement automatic exposure when shooting video. However to gain more control over this feature, press the menu button to bring up a number of video shooting options. Select the first option of ‘Movie exposure’ and using the directional and ‘SET’ buttons, change this setting from Auto to Manual. Once this option is set, press the menu button again to return to the viewfinder screen and notice the exposure meter featured at the bottom of the screen. Half pressing the shutter will give you an exposure reading between 3 to +3. Ideally you should aim to get your exposure market directly between these two values at 0, unless you intend to shoot with a darker image although this often isn’t recommended. Using the Aperture, ISO and Shutter Speed settings, you can adjust the exposure of the shot to suit your desired needs. On the top of the camera, the selection wheel can be used to cycle through the various shutter speeds to dictate how long your camera will allow light into the sensor while you shoot. A higher shutter speed means your sensor is exposed longer and the shot becomes brighter whereas a lower shutter speed gives an adverse effect. Alternatively, to change the Aperture simply turn the selection wheel whilst holding the aperture button found on the rear of the camera body, denoted by the letters AV. The aperture dictates the size of the iris. I higher aperture means a smaller iris and in turn, less light being allowed to enter the find the sensor, making the image darker. The ISO settings can be changed by pressing the ISO button located on the top of the camera, which will then let the operator choose an ISO setting between 100 or 6400. The ISO dictates the sensitivity of the sensor to light. A higher ISO will mean brighter images but also carries the side effect of more grain, where as a lower ISO will develop a darker yet clearer image. Alternatively, AUTO may be selected to let the camera decide the best ISO setting for the scene. Frame Rate and Resolution The Canon 600D features full HD video recording and a selectable frame rate between 24fps and 50fps. The current settings can be found on the left side of the display when in video shooting mode. If the current settings aren’t showing, the INFO button will cycle through display information until the various settings are displayed. To select your desired shooting mode, simply press the Q button to bring up the selection tool. Using the directional buttons, cycle through the options until you reach the second from bottom setting displayed in the image. Press the set button to select the option and using the selection wheel, cycle through the various settings until you reach the desired option and press the SET button to select it. The most common setting to use would be 1920 25 as this shoots in full HD with at 25 fps which is the best standard for common PAL recording. However 1920 24, 1280 50 and 640 25 is also available for NTSC regions, higher speed HD recording and SD recording respectively. The Canon 600D’s sensor shoots video in progressive format in keeping with it’s Full HD standard. This feature cannot be changed. Audio The Canon 600D features limited audio settings using it’s internal microphone which can be overridden by an external mic, using the 3.5mm mic on the left side of the camera’s body. As standard, the camera records audio levels automatically but a manual feature is accessible via the settings menu. When opening the settings menu using the MENU button, use the directional buttons to navigate to the second tab and down to sound recording. From this menu, you may select sound recording to Auto, Manual or Disable. When using Manual, sound levels must be adjusted from this menu using the Rec. level setting and the Level meter at the bottom of the screen. External Hardware The Canon 600D records directly onto an SD card which can be inserted and removed as necessary. Due to the high write speeds of the camera only SD cards rated class 6 or higher will be functional alongside the camera. Canon 600D’s use a standardised EF lens fitting, meaning a number of lenses are available for use with the camera. Zoom lenses are considered more versatile however true focal lenghth lenses provide a cleaner, more high quality image.
Thomas Ludwig KEEP THE FOCUS How Meditation-Techniques can improve your Street Photography 1 Keep the Focus doing will have a positive effect not only on your photography, but also on your daily life.
For example, if we look at a broad focus such as the Sun, it produces behind objects shadows and penumbras, as light rays are fully covered by the object (shadow) or only part of these rays (penumbra).
NETWORK NE 5MP 4K SNB-9000 • 12MP @ 20fps / 4K @ 30fps • Simple Focus • H.264, Day &
– “Sponsored” – “Sponsored” presentations presentations willwill bebe given given – “Sponsored” – “Sponsored” presentations presentations willwill bebe given given within within specific specific non-CME non-CME sessions sessions designated designated within specific specific non-CME non-CME sessions sessions designated designated aswithin as “Industry “Industry focus”.
Muffola Compatta FOCUS-CODC FOCUS-CODC Compact Closure 00 21/07/2010 Emissione Pensato Pensato Mariani Revisione Data Descrizione Preparato Verificato Approvato Muffola Compatta FOCUS-ODC This document is property of OPTOTEC S.p.A., all rights reserved MD.Q.4200-00 23.01.2001 File:
Intuition + Logic Type Damage Magician Charisma Weapon Focus By Weapon (CHA instead of STR) Spirit Force Watcher 1 Spirit Services Unbound Combat Use Power Physical Task Remote Service Note 1 Service per fight No cost if already in Combat Magic * 100 meters away is final service Bound Note Aid Alchemy/Sorcery/Learning Add Force to Dice Pool Spell Binding Sustain for -1 Spirit Force per day Spell Sustaining Sustain your spell for Force Rounds Common Tests Pool Test Spellcasting + Magic [Force] Cast Spell 2 * Potency [Potency] Use Preparation Tradition Attribute + Willpower Drain Resistance Alchemy + Magic [Mental] = 1 Dram per 2 Hits Scavenge Reagents Assensing + Intuition [Astral] Assense Perception + Intuition [Mental] (Magic Skill Rating - Force or 6 - Force) Notice Magic Arcana + Intuition [Mental] (0) Spot Preparation Perception + Intuition (+ 2 if Awakened) [Mental] (4) Notice Astral Assensing + Magic [Astral] (3) Read Signature Assensing + Intuition [Astral] (5, 1 Hour) Astral Tracking Astral Combat + Willpower [Astral or Accuracy] vs.
To make a special attack a steamjack must have a special rule enabling it to do so , be affected by a drive enabling it to do so or spend a point of focus.
Future Retail - Autumn 2015 Introduction Economic Research Social Research Culture Research Shaping Culture Through Retail Group Research Initial research exploring the core drivers for an interesting and relevant retail experience, leading to the identification of retail themes for group focus.
When the pamphlet is closed, you’ll see a place to write your character’s name, descriptor, type, and focus, along with space to include an image.
high quality materials ensure that you can enjoy your planner, ideas, memories, and reflections for years to come weekly and daily focus sections allow you to target and focus on what is most important Manage your time.
__________________ emotion can help you focus on what you want.
Executive Summary As a member of the crowded pub marketplace in the city of Calgary, the Kilkenny Irish Pub finds itself in a challenging position. With a local population made up largely of post secondary students, management at the Kilkenny need to consider the potentially unique needs of this market, and their opinions of the products and services offered by the pub. In our analysis, we take a look at the current comment card offered by the Kilkenny. This is a comment card which can only be found online and not in the restaurant itself. We administered this card in person to a small convenience sample, and examined the results. Some of the key findings were that patrons typically visited the establishment during the evening, that they found the music choice was sub‐par and that these patrons did not necessarily order food to accompany their drinks. Following our analysis of these comment card results, we used the information to structure moderators’ guides for a set of focus groups. Based on the market examined, our focus group participants were Kilkenny patrons aged 18‐25. Our focus groups were asked a series of questions regarding their experiences as Kilkenny clientele. The general consensus of our two focus groups was that people have a fairly low expectation regarding the quality of both food and service. Although some of these characteristics caused people some concern, in general, people visited the bar to spend time with their friends and thus cared less about the service. With information gained from the customer comment card and focus groups, we were able to create a survey to obtain more detailed data. The survey was developed in order to understand certain attitudes and perceptions regarding pubs and how this information related to Kilkenny specifically. The majority of respondents were of a similar age as our focus group participants with a large portion of them currently attending the University of Calgary. A total of 61 surveys were collected with the majority of respondents being male. In addition, we did not bias based on income, race or age, but we were looking for a relatively even split of people 22 and over and 21 and under. This was to answer our research question of whether more experienced patrons had higher expectations regarding service and product quality. Additionally, we studied some of the differences between males and females regarding expectations of the service and products of pubs. In general, those 21 and under and those 22 and over had similar expectations and attitudes toward Kilkenny, and pubs in general. Similarly, males and females had similar expectations towards their dining experience with pubs and Kilkenny. For the two different age groups, some differences occurred such as those 21 and under placing a higher emphasis on being able to find available seating. Regarding gender, females placed a higher emphasis than males on customer service. Overall, expectations regarding pubs and Kilkenny were fairly low. Some differences occurred between the different groups that we tested, but people saw these establishments as a social setting not a formal one. That said, there are some characteristics that management of Kilkenny should look into in order to ensure that they are maximizing service and product expectations.