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John’s Wood 44 Edgware Road 7 Marylebone Royal Oak Hanger Lane Swiss Cottage South Hampstead 15 Paddington 16 13 Finchley Road Kensal Green Queen’s Park 55 West Hampstead Walthamstow Central 24 23 67 20 13 16 15 Brondesbury Park 16 Stoke Newington 20 18 Stamford Hill Finsbury Park Holloway Road 14 Harlesden 50 59 Kentish Town West 38 Arsenal Blackhorse Road 35 19 Tottenham Seven Hale Sisters 15 10 Kentish Town 16 21 16 Stonebridge Park 13 10 17 17 Manor House 19 Tufnell Park Dollis Hill Willesden Green 31 Upper Holloway 28 South Tottenham 23 21 12 Gospel Oak 25 19 Harringay Green Lanes 28 Harringay Crouch Hill Archway Hampstead 16 22 Highgate 25 Northumberland Park Bruce Grove Turnpike Lane Hornsey 23 Hampstead Heath 27 22 East Finchley 18 15 North Dulwich 21 19 21 32 Tooting Broadway Tulse Hill 26 Colliers Wood 16 61 West Norwood 15 32 West Dulwich 3 23 16 Sydenham Hill 20 23 18 Sydenham Catford Catford Bridge 23 Bellingham 26 Gipsy Hill 20 Crystal Palace 26 Streatham Hill Tooting Key to symbols South Wimbledon Interchange stations Streatham 41 35 Mitcham Eastfields Key to lines 17 37 Bakerloo Metropolitan London Overground Central Northern Chiltern Railways London Midland Riverboat services Circle Piccadilly c2c Southern Victoria Coach Station District Victoria Great Northern Southeastern Hammersmith &
MARISSA MACCIOLI MARISSAMACCIOLI@GMAIL.COM 781-290-7874 21 SCOTT DRIVE HAMPSTEAD, NH 03841 ___________________________ STONEHILL COLLEGE 320 WASHINGTON STREET EASTON, MA 02357 EDUCATION STONEHILL COLLEGE AUGUST 2011 – MAY 2015 | Easton, MA Candidate for Bachelor of Arts in Visual and Performing Arts Major:
Borehamwood Cockfosters 5 Bushey Canons Park Ruislip Bakerloo South Ruislip Northwick Park Preston Road Wembley Park Metropolitan Northolt Park Northolt Northern 3 Harringay Alperton Kensal Rise Brondesbury 2 Queen’s Park Camden Road Kilburn Park Kilburn South High Road Hampstead Maida Vale Warwick Edgware Avenue Road Marylebone South Greenford Chiltern Railways 6 Heathrow Connect ZONE ZONE 5 4 Drayton Green Southern 3 Southern (limited service) West Drayton Hayes &
Hampstead NC 28443 email@example.com Breakfast Egg Plates Served with Grits or Home Fries, Toast or Biscuit.
Οι Δύο Χορδές Αφιέρωμα Η Κόκκινη Χελώνα Τετάρτη 12-7 Neruda Pete’s Dragon Κινηματογραφική Λέσχη Πέμπτη 13-7 Neruda Pete’s Dragon Βαϊανα / Passengers Παρασκευή 14-7 Hampstead Ημέρα Ηρώων Βαϊανα / Passengers Σάββατο 15-7 Hampstead Ημέρα Ηρώων Colossal Κυριακή 16-7 Hampstead Ημέρα Ηρώων Colossal Δευτέρα 17-7 Rock Dog John Wick 2 Trolls Τρίτη 18-7 Rock Dog John Wick 2 Trolls Τετάρτη 19-7 Moonlight Ozzy (Τρεχάτε ποδαράκια μου) Κινηματογραφική Λέσχη Πέμπτη 20-7 Moonlight Ozzy (Τρεχάτε ποδαράκια μου) Transformers 5 / Ares (Κίνδυνος Στο Παρίσι) Παρασκευή 21-7 Lion A Monster Calls (7 λεπτά μετα τα μεσάνυχτα) Transformers 5 / Ares (Κίνδυνος Στο Παρίσι) Σάββατο 22-7 Lion A Monster Calls (7 λεπτά μετα τα μεσάνυχτα) Αντιρρησίας Συνείδησης Κυριακή 23-7 Lion A Monster Calls (7 λεπτά μετα τα μεσάνυχτα) Αντιρρησίας Συνείδησης Δευτέρα 24-7 Στρουμφάκια 3 Αφιέρωμα Πολικός Αρκούδος Τρίτη 25-7 Στρουμφάκια 3 Αφιέρωμα Πολικός Αρκούδος Τετάρτη 26-7 Elle A Dog’s Purpose (Ο Καλύτερος μου φίλος) Κινηματογραφική Λέσχη Πέμπτη 27-7 Elle A Dog’s Purpose (Ο Καλύτερος μου φίλος) Η Μπαλαρίνα &
Because we find out a little snippet of information and we grow that information and we turn it into an opportunity.” Transaction record (2017 examples) ■ 1 Portsoken Street, E1 Advised low-profile New York-based investor Abraham Schwartz on £97m acquisition of 193,450 sq ft building with consent for the 400,000 sq ft “Butterfly building” ■ Mill Street Estate, SE1 Warehouse acquired for Northill for £19.5m from Westbrook ■ 194 Westbourne Grove, W11 Notting Hill retail asset acquired for £8.5m for a private overseas investor from Enstar Capital ■ 49-65 South End Road, Hampstead NW3 Retail parade in Hampstead sold for Dorrington to DTZ Investment Management for £9.25m ■ 1-2 Cranwood Street, EC1 advised CBRE Global Investors on the sale of the former school at Hertford House and Napier House to LBS Properties for around £25m Quick-fire questions Preferred place to do deals?
910.296.0819 Toll Free:1-800-537-2908 www.carolinaeast.org Need - A - Tow - Call - Boe 11215 Hwy 117 S., Rocky Point, NC Hampstead, NC Serving 7 Counties:
Regent's Park, Chiswick, Camden, Putney, St John’s Wood, Ealing, Swiss Cottage, Hammersmith, Islington, Fulham, Westminster, Wandsworth, Chelsea, Shepherd’s Bush, Hampstead, Holland Park, Notting Hill Gate, Highgate, Richmond, Harrow, Stanmore, Kingston, Surbiton, Wimbledon, Clapham, Battersea, Streatham, Barnes, East Sheen, Merton, Mitcham, New Malden, Twickenham.
John's Wood Station 22:18 Swiss Cottage 22:20 Finchley Road 22:21 West Hampstead 22:23 Kilburn 22:25 Willesden Green Station Pieszo Około 6 min , 0,3 mi Zachowaj ostrożność – trasa może zawierać błędy lub przebiegać przez miejsca nienadające się do przejścia pieszo Skorzystaj z wyjścia 46 ft Kieruj się Walm Ln/A407 na południowy zachód w stronę Chatsworth Rd 187 ft Skręć w lewo w Chatsworth Rd 0,1 mi Skręć w prawo w Lydford Rd 0,1 mi Skręć w lewo w Willesden Ln/A4003 Miejsce docelowe będzie po prawej stronie 269 ft 22:31 Palmers Lodge Hillspring 233 Willesden Lane, London NW2 5RP, Wielka Brytania Bilety i informacje Transport for London Te wskazówki służą tylko do planowania podróży.
Filmography L.O.V.E Contact Director, May 2016 (8mins, Anglia Ruskin Productions) You’ve Got The Music In You Director, May 2015 (7mins, 23secs, Anglia Ruskin Productions) Experience Oasis Connell Guides Cambridge Film Festival Watersprite Film Festival Cambridge School of Art Sales Assistant February 2011 - March 2016 Welcomed and engaged with customers Engaged with customers in order to secure a sale Opened VIP Cards to build loyalty and sales Provided a Personal Shop Service to increase sales lilybruce.com firstname.lastname@example.org 07725175818 Skills Film and TV Production Intern August 2015 - December 2015 Check videos and help plan interviews and shoots Market research and benchmarking Assisted Production team in adminstrative tasks Production Operations Intern June - August 2015 Reviewed all entries to film festival Organised acceptance communications Maintained database and time sheets for events Communication Production Assistant March 2015 Managed team of film crew and runners Planned and executed production schedule Ensured crew had all necessary equipment Youtube and social media Film and TV Produttion Student Ambassador September 2014 Education Cambridge School of Art, Anglia Ruskin University September 2013 - Present BA Honours Film and TV Production Cadbury Sixth Form College September 2010- June 2012 A Levels in Theatre Studies (B) Film Studies (B) English Lit (C) Swanshurst School for Girls 102 Sumatra Road West Hampstead London NW6 1PG September 2005 – June 2010 GCSEs in Art (A), Drama (A), IT (A), RS (A) Science (A), Add.
We will be seeing this when we watch Hampstead Stage’s performance of Alice in Wonderland (or if they have already seen the play -remind them about poems like The Jabberwocky which has a lot of nonsense words) - Who is the real life girl that some believe was the inspiration for Alice in Alice in Wonderland?
“They can pull young people, who are already quite desperate about themselves, into greater depths of negativity.” Following last week’s inquest into the suicide of West Hampstead schoolgirl Tallulah Wilson, for which her online activity was deemed a signiﬁcant factor, the Ham&High has used part of its special young readers’ supplement to let 11 to 18-year-olds have their say on issues related to social media and teenage apprehensions.
Australian Capital Territory Australian Defence Force Academy Campbell Park Offices Russell Offices Tuggeranong Headquarters Joint Operations Command (HQJOC) New South Wales Defence Establishment Myambat Defence Plaza, Sydney Victoria Defence Plaza, Melbourne Swan Island Victoria Barracks, Melbourne Australian Army Australian Capital Territory Royal Military College, Duntroon New South Wales Holsworthy Barracks – Holsworthy, Liverpool Military Area, Sydney Steele Barracks – Moorebank, Liverpool Military Area, Sydney Blamey Barracks – Kapooka, Kapooka Military Area, Wagga Wagga Randwick Barracks, Sydney Victoria Barracks, Sydney Lone Pine Barracks, Singleton Timor Barracks, Ermington, Sydney Bullecourt Barracks, Adamstown (Newcastle) Lancer Barracks, Parramatta, Sydney Northern Territory Larrakeyah Barracks – Darwin Robertson Barracks – Darwin Queensland Victoria Barracks – Brisbane Borneo Barracks – Darling Downs Military Area, Cabarlah Kokoda Barracks – Canungra Gallipoli Barracks – Enoggera Lavarack Barracks – Townsville Army Aviation Centre – Darling Downs Military Area, Oakey South Australia Hampstead Barracks Keswick Barracks Warradale Barracks Woodside Barracks RAAF Base Edinburgh Tasmania Anglesea Barracks, Hobart Derwent Barracks, Glenorchy Paterson Barracks, Launceston Youngtown Barracks, Launceston Kokoda Barracks, Devonport Warrane Baracks, Warrane Buckland Military Training Area, north of Richmond, Tasmania Victoria Latchford Barracks, Bonegilla – Albury/Wodonga Military Area Gaza Ridge Barracks, Bandiana – Albury/Wodonga Military Area Wadsworth Barracks, Bandiana – Albury/Wodonga Military Area Tobruk Barracks, Puckapunyal – Puckapunyal Military Area Hopkins Barracks, Puckapunyal – Puckapunyal Military Area Bridges Barracks, Puckapunyal – Puckapunyal Military Area Simpson Barracks, Watsonia – Melbourne Maygar Barracks, Broadmeadows – Melbourne Oakleigh Barracks, Oakleigh South – Melbourne Ringwood Barracks, Ringwood East – Melbourne Western Australia Campbell Barracks – Swanbourne Irwin Barracks – Karrakatta Leeuwin Barracks – Fremantle Royal Australian Air Force Australian Capital Territory RAAF Base Fairbairn (disbanded) New South Wales RAAF Base Glenbrook RAAF Base Richmond RAAF Base Wagga RAAF Base Williamtown Northern Territory RAAF Base Darwin RAAF Base Tindal Queensland RAAF Base Amberley RAAF Base Scherger RAAF Base Townsville South Australia RAAF Base Edinburgh RAAF Woomera Range Complex RAAF Base Woomera Victoria RAAF Base East Sale RAAF Base Williams – Point Cook RAAF Base Williams – Laverton Western Australia RAAF Base Curtin RAAF Base Learmonth RAAF Base Pearce Royal Australian Navy Australian Capital Territory HMAS Harman – Canberra HMAS Creswell – Jervis Bay Territory New South Wales HMAS Albatross – Nowra HMAS Kuttabul – Garden Island, Sydney HMAS Penguin – Balmoral, Sydney HMAS Waterhen – Waverton, Sydney HMAS Watson – Watsons Bay, Sydney Northern Territory HMAS Coonawarra – Darwin Queensland HMAS Cairns – Cairns NHQ South Queensland – Brisbane South Australia NHQ South Australia – Adelaide Tasmania NHQ Tasmania – Hobart Victoria HMAS Cerberus – Crib Point Western Australia HMAS Stirling – Garden Island [EOF] End Of File .
Design, Trent Nottingham University, UK 8/1985 – 7/1987 Marplan London 3/1984 – 7/1985 Perfect Pizza, Hampstead London Gastdozent für Kurz- und Trickfilm Media- und Sozialforschung Pizzabäker Ausbildung 1987 – 1990 Central Saint Martins College of Art &
She was in the interior design program, which every year usually has about 30 new Hampstead Heath.
I mainly did work on a house in which every year usually has about 30 new women Hampstead Heath.
She was in the interior design program, which every year usually has about 30 new Hampstead Heath.
Most of Australian Defence Force bases are equipped withEveryman's Welfare Service recreation centres. Contents 1 Australian Defence Force (Joint) 1.1 Australian Capital Territory 1.2 New South Wales 1.3 Victoria 2 Australian Army 2.1 Australian Capital Territory 2.2 New South Wales 2.3 Northern Territory 2.4 Queensland 2.5 South Australia 2.6 Tasmania 2.7 Victoria 2.8 Western Australia 3 Royal Australian Air Force 3.1 Australian Capital Territory 3.2 New South Wales 3.3 Northern Territory 3.4 Queensland 3.5 South Australia 3.6 Victoria 3.7 Western Australia 4 Royal Australian Navy 4.1 Australian Capital Territory 4.2 New South Wales 4.3 Northern Territory 4.4 Queensland 4.5 South Australia 4.6 Tasmania 4.7 Victoria 4.8 Western Australia 5 References Australian Defence Force (Joint) Australian Capital Territory Australian Defence Force Academy Campbell Park Offices Russell Offices Tuggeranong Headquarters Joint Operations Command (HQJOC) New South Wales Defence Establishment Myambat Defence Plaza, Sydney Victoria Defence Plaza, Melbourne Swan Island Victoria Barracks, Melbourne Australian Army Australian Capital Territory Royal Military College, Duntroon New South Wales Holsworthy Barracks – Holsworthy, Liverpool Military Area, Sydney Steele Barracks – Moorebank, Liverpool Military Area, Sydney Blamey Barracks – Kapooka, Kapooka Military Area, Wagga Wagga Randwick Barracks, Sydney Victoria Barracks, Sydney Lone Pine Barracks, Singleton Timor Barracks, Ermington, Sydney  Bullecourt Barracks, Adamstown (Newcastle) Lancer Barracks, Parramatta, Sydney Northern Territory Larrakeyah Barracks – Darwin Robertson Barracks – Darwin Queensland Victoria Barracks – Brisbane Borneo Barracks – Darling Downs Military Area, Cabarlah Kokoda Barracks – Canungra Gallipoli Barracks – Enoggera Lavarack Barracks – Townsville Army Aviation Centre – Darling Downs Military Area,Oakey South Australia Hampstead Barracks Keswick Barracks Keswick Barracks Warradale Barracks Woodside Barracks RAAF Base Edinburgh Tasmania Anglesea Barracks, Hobart Derwent Barracks, Glenorchy Paterson Barracks, Launceston Youngtown Barracks, Launceston Kokoda Barracks, Devonport Warrane Baracks, Warrane Buckland Military Training Area, north of Richmond, Tasmania Victoria Latchford Barracks, Bonegilla – Albury/Wodonga Military Area Gaza Ridge Barracks, Bandiana – Albury/Wodonga Military Area Wadsworth Barracks, Bandiana – Albury/Wodonga Military Area Tobruk Barracks, Puckapunyal – Puckapunyal Military Area Hopkins Barracks, Puckapunyal – Puckapunyal Military Area Bridges Barracks, Puckapunyal – Puckapunyal Military Area Simpson Barracks, Watsonia – Melbourne Maygar Barracks, Broadmeadows – Melbourne Oakleigh Barracks, Oakleigh South – Melbourne Ringwood Barracks, Ringwood East – Melbourne Western Australia Campbell Barracks – Swanbourne Irwin Barracks – Karrakatta Leeuwin Barracks – Fremantle Royal Australian Air Force Australian Capital Territory RAAF Base Fairbairn (disbanded) New South Wales RAAF Base Glenbrook RAAF Base Richmond RAAF Base Wagga RAAF Base Williamtown Northern Territory RAAF Base Darwin RAAF Base Tindal Queensland RAAF Base Amberley RAAF Base Scherger RAAF Base Townsville South Australia RAAF Base Edinburgh RAAF Woomera Range Complex RAAF Base Woomera Victoria RAAF Base East Sale RAAF Base Williams – Point Cook RAAF Base Williams – Laverton Western Australia RAAF Base Curtin RAAF Base Learmonth RAAF Base Pearce Royal Australian Navy Australian Capital Territory HMAS Harman – Canberra HMAS Creswell – Jervis Bay Territory New South Wales HMAS Albatross – Nowra HMAS Kuttabul – Garden Island, Sydney HMAS Penguin – Balmoral, Sydney HMAS Waterhen – Waverton, Sydney HMAS Watson – Watsons Bay, Sydney Northern Territory HMAS Coonawarra – Darwin Queensland HMAS Cairns – Cairns NHQ South Queensland – Brisbane South Australia NHQ South Australia – Adelaide Tasmania NHQ Tasmania – Hobart Victoria HMAS Cerberus – Crib Point Western Australia HMAS Stirling – Garden Island References 1.
1 Patriot Groups in Geographical Locations with Populations Under 25,000 Alabama Attalla Gadsden Minutemen Arizona Thatcher Sovereign Citizen Resource Center California Studio City Sunset Beach Truth in Taxation We the People Colorado Golden Johnstown Colorado State Defense Force Reserve American Freedom Network Connecticut Terryville Connecticut 51st Militia Georgia Lawrenceville Militia of Georgia Idaho Kamiah Post Falls Police Against the New World Order Constitution Party Illinois Benton Monmouth Smithshire Southern Illinois Patriots League Western Illinois Militia Midwest Patriots Indiana Bloomfield Perry County Rochester Shoals Worthington Southern Indiana Regional Militia Indiana Citizens Volunteer Militia, 7th Brigade Patriots for Liberty Constitution Party Greene County Militia Iowa Randall Constitution Party Kentucky Clarkson Edmonton Lebanon Nicholasville Take Back Kentucky United States Citizens’ Militia Free Kentucky Kentucky State Militia Maine Belfast Spruce Head Maine Militia Constitution Party Maryland Taneytown Westminster Constitution Party Save A Patriot Fellowship 2 Michigan Alanson Bancroft Benzonia Dexter Gaylord Harrison Mount Pleasant Tustin Northern Michigan Regional Militia Michigan Militia Corps Wolverines, 6th Division Michigan Militia Corps Wolverines, 3rd Division Patriot Broadcasting Network Michigan Militia Corps Wolverines, 4th Division Michigan Militia Corps Wolverines, 5th Division Michigan Jural Society Lawful Path Mississippi Ocean Springs Perkinston Mississippi Militia Patrick Henry Foundation for Common Law Studies Missouri Grain Valley Granby Missouri 51st Militia 7th Missouri Militia Montana Elmo Noxon Constitution Party Militia of Montana Nebraska Minden Army of the Union of States Nevada Sandy Valley Center for Action New Hampshire East Hampstead First Granite State Irregulars New Jersey Shamong New Jersey Committee of Safety New York Central Square Constitution Party North Dakota Casselton Constitution Party Ohio Ashtabula County Ohio Unorganized Militia Assistance and Advisory Committee E Pluribus Unum Unorganized Militia Assistance and Advisory Committee Grove City Lebanon Oklahoma Panama Present Truth Ministry Oregon Boring Eagle Point Klamath Falls Scappoose Stayton Christian Patriot Association Southern Oregon Militia Freedom Bound International Constitution Party Embassy of Heaven 3 Pennsylvania Allison Park Shillington Wildwood American Nationalist Union Sons of Liberty Militia Northern Voice Bookstore South Carolina Liberty Taylors Palmetto State Guard South Carolina Militia Tennessee Brentwood Jefferson County Lynnville Mount Juliet Wartrace Constitution Party Militia of East Tennessee Constitution Party Constitution Party Constitution Party Texas Brenham Burleson Cleburne El Campo Waxahachie White Oak Constitution Party Constitution Party Buffalo Creek Press People’s Court of Common Law (Gulf Coast Districts) Church of God Evangelistic Association Republic of Texas Vermont South Burlington Constitution Party Washington Ellensburg Jural Society Wisconsin Watertown Constitution Party 4
Decorative Window Films Residential•Commercial•Auto•Marine•RV 16581 Highway 17 #400 Hampstead, NC 28443 www.SPFtint.com Facebook.com/GlassTintingbySPF Phone:
The hill summit has a clear view of central London, as well as Hampstead and Belsize Park to the north and is adorned by an engraved quotation from William Blake.
Le autorità riferiscono di uno scenario agghiacciante che si è presentato davanti ai loro occhi nella villa di loro proprietà vicino Hampstead Heath.
Towards an Urban Sublime: Expressing the Inexpressible in Urban Romantic Poetry As the industrial revolution brought about the rapid urbanization of cities throughout Europe, writers who were previously concerned with the aesthetics of nature and the countryside found themselves grappling with an entirely new set of poetic and philosophical concerns. The teeming crowds, towering structures and spectacular sights that they encountered in the novel environment of the city incited in them feelings of overwhelming terror and awe akin to those typically associated with the romantic “sublime.” However, as we look more closely at the cityfocused works of poets like Baillie, Wordsworth and Hood, we begin to see that there is a fundamental difference between the “natural” sublime of earlier romantic poetry and the “urban” sublime of the city poem. Whereas the poet’s sublime experience in nature is typically associated with some sort of catharsis or transcendence, forcing man to come to terms with the limitations of his own humanity, the urban sublime instead incites a feelings of wonder and disgust at the incredible potential of that humanity itself, or—as Anne Janowitz put it in her essay The Artifactual Sublime —it forces man to confront “the self as if it were not the self; to experience the madeness of the human world as if it were different stuff than the labour of persons.” While it is true that, as Janowitz notes, this “misrecognition” of the sublime object often resulted in the experience of “romantic alienation,” I argue that the use of sublime language and natural imagery also acted as a sort of coping mechanism for their writers. Through the experience of the “urban” sublime is of course intrinsically linked to feelings of terror and isolation, the fact that these poets were describing particularly urban experiences in terms of something formerly associated with nature helped them to bridge the gap between the urban world and the natural one. This technique, therefore, served the dual purpose of expressing the unfamiliarity of this new landscape and familiarizing it, allowing these poets to discover, as Wordsworth put it, that the underlying “spirit of Nature” was still upon them, even in this “vast receptacle.” In Thomas Hood’s delightfully erratic Moral Reflections on the Cross of Saint Paul’s , we find a perfect example of the struggle many poets faced to familiarize the sublimely overwhelming urban environment. Hood’s speaker—who is presumably a tourist visiting London for the first time—is hilariously unable to produce any original or insightful “reflections” about the complex cityscape he sees spread out before him, and resorts instead to stringing together a bizarre collection of references and metaphors that don’t seem to fit together into a cohesive vision. The speaker’s numerous allusions to “classic” works of literature suggest that he feels a longing to express the “profound” nature of the landscape he is viewing, but even these references come off as disjointed and confused. In the poem’s first stanza, the speaker compares the ball of Saint Paul’s cathedral to Mount Olympus, the home of the gods in Greek mythology. He then immediately moves on to reference a figure from Roman mythology, when he proclaims that he is sitting “Among the gods, by Jupiter!” The speaker’s thoughts turn again towards the literary in the third stanza, when—looking down at the city crowds beneath him—the speaker feels the need to question the nature of man. “What is life?” He asks himself, and answers with an apparent reference to a now cliche line from William Shakespeare's As You Like it : “And what is life? And all its ages— / There’s seven stages!” Before he is able to offer any sort of “real” philosophical inquiry into what he means by this, however, the speaker distracts himself by naming off the seven neighborhoods of London, and never returns to the subject. While this random misfiring of halfbaked references helps develop the speaker’s delightfully zany personality, it also gestures at the bewilderment he feels upon taking in the sprawling landscape of London from above. Though the speaker cannot adequately express the profound emotional impact of this landscape in his own words—and it is clear that he does not have the educational background to substantiate even an insightful literary comparison—he still feels the urge to grasp for images and analogies that he associates with grandiosity and power. This attempt—and failure—to express the inexpressible is a common struggle in the literature of the sublime, and in Joanna Baillie’s poem London —which was written around the same time as Hood’s piece—we are introduced to yet another speaker who cannot quite find the right words to describe the overwhelming urban landscape. The difference here is that Baillie’s speaker is more familiar with the concept of the natural sublime, and she uses the language associated with it to explore the ways that the experience of urban sublime is both related to and separate from the experience of the sublime in nature. The poem’s initial description of the city—in which we find the city viewed again from above, from the hills of Hampstead “through the clear air”—presents the urban space as a rather innocuous, almost quaint vision. The London skyline seems to the speaker a “goodly sight,” and its structures are rendered in relation to familiar human figures. The spires of St. Paul’s cathedral flank the structure “in kindred grace, like twain of sisters dear,” the “ridgy roofs” of the city’s buildings sit amicably “side by side.” The entire vision is “softly tinted” by the distance of the viewer, _____. However, as the air begins to grow denser, and “moistened winds” prevail, the city’s landscape transfigures into something far more menacing. The “thin soft haze” of the poem’s first section becomes a “grand panoply of smoke arrayed,” and the dome of St. Paul’s Cathedral—which is now surrounded not by quaint spires, but by “heavy” clouds that sail around its imposing dome—seems “a curtain gloom / Connecting heaven and earth,—a threatening sign of doom.” The shifting weather strips the humanity from the city’s landscape, and the language of the speaker quickly shifts to the language that references the natural sublime. The combination of almost ethereal However, this use of sublime language also allows the speaker to articulate the differences between the urban world and the natural one. Though the speaker seems compelled to compare the structure to prodigious natural figures (she states that the cathedral “might some lofty alpine peak be deemed”) it becomes apparent that these metaphors are not quite sufficient to describe the sight she is witnessing. Because its form reveals “man’s artful structure,” (and by extension the “artful structure” of man’s society), the cathedral cannot be viewed as totally natural. Instead, it is referred to as “more than natural,” and seems to transcend the boundaries of both humanity and nature as it first “connects heaven and hearth” and then, a few lines later seems “far removed from Earth.” This somewhat confused description demonstrates the speaker’s complex feelings about the urban landscape. Though she knows one thing for certain about this cathedral—“She is sublime”—the speaker cannot quite find the language she needs to describe the sense of the particularly “urban” sublime she is experiencing. She knows the cathedral is a product of mankind, and that the power that it is imbued with is intrinsically linked with the oppressive church that it represents and the often corrupt society that it is a part of. Part of the reason that the church looks seems to her so terrifying is certainly the fact that entering the streets of the city means succumbing to the dominance of the church, the government, and society as a whole. Language has always failed to fully express the sublime experience, however, and the speaker’s attempts to conflate the urban sublime of the city with the natural sublime simply demonstrates a desire to give a recognizable form to the terror she is experiencing—in order to truly become what Lyotard calls an “expressive witness to the inexpressible,” the speaker must carry thought and rationality to their logical conclusions, and for a romantic poet the world can best be rationalized and understood in terms of the rural. In contrast to Hood’s speaker, whose manic metaphorhopping was a symptom of a mind unprepared to grapple with the urban landscape’s complexities, Baillie’s speaker logically considers the unfamiliar in terms of her own experience, and makes the urban feel, in a way, like an extension of nature. This blending of the natural and the urban is epitomized in the final portion of Baillie’s poem, when the viewpoint shifts to the perspective of a “distant traveller.” From afar, this traveller is able to view the London in its entirety, and finds himself awestruck by the stars in the “luminous canopy” above the city that seem to be “cast up from myriads of lamps that shine / Along her streets in many a starry line.” The “flood of human life in motion” creates a noise that sounds to the traveller like the “voice of a tempestuous ocean,” and he finds his soul filled with a “sad but pleasing awe” upon hearing it. These magnificent sights, which seem at once human and natural, express the rich suggest that the city is capable of igniting in the human soul the same complex emotions that a sublime natural splendor might. Wordsworth took this idea to its ultimate conclusion as he navigated the bacchanalian chaos that is St. Bartholomew’s fair at the conclusion of The Prelude, Book Seven. In Wordsworth’s poem, we are not viewing London from above, but from the very trenches of the city, and the sublimity he is experiencing comes not from the contemplation of the urban
**Also known as “Line Up's Disco 2” 25.02.1970* West Hampstead, London Line-Up (“The closure of Blues Club Klooks Kleek”) lost?