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Part 3F Bass Drums Part III Bass Drums 178q = 160 3 ã4 (The Crusade) 9 vibes, marimba 1 (4 mallets) the rest with 2 œœ P œ œ >œ >œ >œ ∑ Gary P.
Part 3F Snareline Part III Snareline (The Crusade) 7 178 q = 160 3 ã4 vibes, marimba 1 (4 mallets) the rest with 2 Œ œœœœœ 1/2way p F Gary P.
Gilroy/JOB JOB vibes, marimba 1 (4 mallets) the rest with 2 Ó œœœœ œ p F Œ Œ Œ œœœœœ ∑ !
131 plakat ly161201 GLOBAL PERCUSSION MUSIC PEDRO WEISS V A S I LY B Y S T R O V // cello E L V I R A N O V E L L O // gesang M A R T I N K A F F E N B E R G E R // bass S H I N I C H I M I N A M I // marimba P E T E R H E I D L E R // percussion S T E F F E N L I S C H K E // percussion C H R I S T I A N F R I T Z // percussion F R A N K T A B E R Y // percussion P E D R O W E I S S // percussion 24.
4 Hoquet Perpetuel for orchestra hoquet perpétuel for orchestra Alexander Kolassa (2012) The first impetus for this piece was a short passage of music I had written originally for the combination of piano and marimba.
One of these simple features is attractive Marimba remix deadpool for mobile devices.