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Program Ad Book 100%

downingtown InDoor Percussion EnsembLe And MiD AtLantic Percussion Society Present 2012 Indoor Percussion Home Show The Downingtown Indoor Percussion Ensemble and the Downingtown Music Parents Association will be hosting the annual M.A.P.S.

https://www.pdf-archive.com/2012/01/16/program-ad-book/

16/01/2012 www.pdf-archive.com

Downingtown Indoor Handbook2012 99%

downingtown InDoor Percussion EnsembLe Parent/Member Handbook 2011-2011 Mr.

https://www.pdf-archive.com/2012/01/13/downingtown-indoor-handbook2012/

13/01/2012 www.pdf-archive.com

131-plakat-ly161201 98%

GLOBAL PERCUSSION MUSIC PEDRO WEISS V A S I LY B Y S T R O V // cello E L V I R A N O V E L L O // gesang M A R T I N K A F F E N B E R G E R // bass S H I N I C H I M I N A M I // marimba P E T E R H E I D L E R // percussion S T E F F E N L I S C H K E // percussion C H R I S T I A N F R I T Z // percussion F R A N K T A B E R Y // percussion P E D R O W E I S S // percussion 24.

https://www.pdf-archive.com/2016/12/07/131-plakat-ly161201/

07/12/2016 www.pdf-archive.com

DAT Form 96%

DRUM-A-THON To:_______________________________________________ From:_____________________________________________ Message:____________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ The Downingtown Indoor Percussion Ensemble will be conducting a DRUM-A-THON on Sunday, September 18th, 2011!

https://www.pdf-archive.com/2011/09/14/dat-form/

14/09/2011 www.pdf-archive.com

RachelGibson CV 96%

321 East Grand Avenue, Tower City, PA 17980 | 717-979-7538 | rgibson@oberlin.edu • Oberlin Conservatory of Music, Expected 2020 Bachelor of Music in Percussion Performance and Technology in Music and Related Arts (TIMARA) Current GPA:

https://www.pdf-archive.com/2018/05/14/rachelgibsoncv/

14/05/2018 www.pdf-archive.com

SUIS HQ Production Brochure 2018 95%

On behalf of the student performers and the teachers who have worked on this production please sit back and enjoy as the students tell you a story from another age… Sincerely, Paul Giblin Main Cast 4a 4a Nikki Parton Warren Su Abraham Lord Capulet 4b 4c Mia Wang Daniel Song Mercutio Benvolio 4d 4d Binbin Liao Abigail Cai Friar Laurence Benvolio 2 4f 4f Aoife Walshe Harvey Sun Paris Montague 4f 5a Rennee Lou Amelie Li Apothecary Juliet 5a 5a Breanna Neufield George Sun Gregory Narrator 5a 5c Avril Huang Scott Li Balthasar Prince Escalus 5d 5e Minnie Zhu Jessica Tao Tybalt Romeo 5e 5f Laureen Leong Anne Nie Fish seller Benvolio 2 5f 5f Lola Hamilton Peijin Zhou Lady Capulet Mercutio 5f Vivian Wang Lady Montague -2- Supporting 
 Cast The 
 Musicians 4b 4d 4f 5a Mickey Yang Yifan Hu Dora Du Cherry Yan 5b 5b Angela Yeh Qiqi Shi 5b 5c Zoe Kovacs Alice Xu 5c 5d Laura Yang Gaby Leon 4a Amelia Seah Percussion 4b 4c Leana Li Minnie Han Percussion Violin 4c 4d Hanna Chang AndeeWong Percussion Percussion 5a 5a Annabel Yang Jennifer Ma Recorder Drums 5b 5c Sunny Jian Yolanda Jin Flute Accordion 5c Julie Palumbo Dora Yu Ukelele 5e 5f Jeanette Pan -3- Vocals &

https://www.pdf-archive.com/2018/06/12/production-brochure-2018---final-for-web/

12/06/2018 www.pdf-archive.com

Production Brochure 2018 - Final for web 95%

On behalf of the student performers and the teachers who have worked on this production please sit back and enjoy as the students tell you a story from another age… Sincerely, Paul Giblin Main Cast 4a 4a Nikki Parton Warren Su Abraham Lord Capulet 4b 4c Mia Wang Daniel Song Mercutio Benvolio 4d 4d Binbin Liao Abigail Cai Friar Laurence Benvolio 2 4f 4f Aoife Walshe Harvey Sun Paris Montague 4f 5a Rennee Lou Amelie Li Apothecary Juliet 5a 5a Breanna Neufield George Sun Gregory Narrator 5a 5c Avril Huang Scott Li Balthasar Prince Escalus 5d 5e Minnie Zhu Jessica Tao Tybalt Romeo 5e 5f Laureen Leong Anne Nie Fish seller Benvolio 2 5f 5f Lola Hamilton Peijin Zhou Lady Capulet Mercutio 5f Vivian Wang Lady Montague -2- Supporting 
 Cast The 
 Musicians 4b 4d 4f 5a Mickey Yang Yifan Hu Dora Du Cherry Yan 5b 5b Angela Yeh Qiqi Shi 5b 5c Zoe Kovacs Alice Xu 5c 5d Laura Yang Gaby Leon 4a Amelia Seah Percussion 4b 4c Leana Li Minnie Han Percussion Violin 4c 4d Hanna Chang AndeeWong Percussion Percussion 5a 5a Annabel Yang Jennifer Ma Recorder Drums 5b 5c Sunny Jian Yolanda Jin Flute Accordion 5c Julie Palumbo Dora Yu Ukelele 5e 5f Jeanette Pan -3- Vocals &

https://www.pdf-archive.com/2018/06/13/production-brochure-2018---final-for-web/

13/06/2018 www.pdf-archive.com

nature22065 95%

Several of these fragments also preserve evidence of percussion.

https://www.pdf-archive.com/2017/06/27/nature22065/

27/06/2017 www.pdf-archive.com

EPIC Plug-In-1-Electrify-lo(English) 94%

Electrify Your Drumming Develop Your Drumming Skills Further Faster With Electronic Percussion.

https://www.pdf-archive.com/2016/06/14/epic-plug-in-1-electrify-lo-english/

14/06/2016 www.pdf-archive.com

JULIAN DAY - comp+sound+art CV - 2015 2pp - A2 93%

State Library Queensland Human Landscape, Bildhauen, Dominik Mersch Gallery, Sydney 2013 Dissonance, Sydney College of the Arts Graduate Gallery Turbulent Geometry, Canberra Museum and Art Gallery Bloom Space, Australian Experimental Art Foundation, Adelaide CUSP, Object Gallery/Casula Powerhouse, Sydney 2012 AURA, Blacktown Arts Centre, Sydney (with Luke Jaaniste) Jagged Heart, Islington Mill, Manchester, UK (with Luke Jaaniste) SafARI, The Rocks Pop-Up, Sydney Transmission, Campbelltown Arts Centre, Sydney Near Earth Art, Wollongong City Gallery 2010 Ceremony, Firstdraft, Sydney 2009 Ceremony, Canberra Contemporary Art Space PERFORMANCES 2015 Quartz, 3A Ensemble, Bang On A Can Marathon, New York, USA (string quartet, el) Hammer Action, Royal Academy of Music, London, UK (twelve historic pianos) Dark Twin, Zubin Kanga, Metropolis Festival, Sydney Conservatorium, Art Gallery of WA (piano, el) Social Systems, Ensemble Offspring, VIVID Sydney (chamber quartet) 2014 MPavillion, Melbourne (20 percussion) An Infinity Room (AIR), National Portrait Gallery, London;

https://www.pdf-archive.com/2016/02/02/julian-day-comp-sound-art-cv-2015-2pp-a2/

02/02/2016 www.pdf-archive.com

N.Y.C. 2016 Stage Plot & Input List 93%

Input List Drum Riser Bass Amp Gtr Amp Percussion / Sax / Acoustic Guitar = Wedges Ryan Vocal *DI Ke R S rds oa yb t Ke pe m Tru Brianna Vocal Cody Vocal *DI 1 - Kick Drum - Short Boom 2 - Snare Drum - Short Boom 3 - Hat - Short Boom 4 - Rack Tom - Clip 5 - Rack Tom - Clip 6 - Floor Tom - Clip/Short Boom 7 - OH L - Tall Boom 8 - OH R - Tall Boom yb oa rd Ja sS me L sV oc al *DI 9 - Percussion OH L - Tall Boom 10 - Percussion OH R - Tall Boom 11 - Saxophone - Wireless Mic (Provided) 12 - Acoustic Guitar - DI Percussion Riser 13 - Bass DI 14 - Bass Mic - Short Boom 15 - Electric Guitar - Short Boom 16 - Keyboard SR DI Left 17 - Keyboard SR DI Right 18 - Trumpet - SM57 - Tall Boom 19 - Keyboard SL DI Left 20 - Keyboard SL DI Right 21 - Brianna Lead Vocal - SM58 Straight Stand 22 - Cody Lead Vocal - SM58 Straight Stand 23 - Ryan Vocal - SM58 Tall Boom Stand 24 - James Vocal - SM58 Tall Boom Stand

https://www.pdf-archive.com/2016/10/31/n-y-c-2016-stage-plot-input-list/

31/10/2016 www.pdf-archive.com

EPIC Plug-In-1-Electrify-lo(French) 92%

Ces caractéristiques donnent aux batteurs la possibilité de se familiariser avec une variété de sons de batterie et de percussion sans les frais d’achat ou la location d’un entrepôt plein d’instruments, tout en fournissant une occasion pour eux de découvrir une large gamme de genres musicals— tout ça au début de leur apprentissage.

https://www.pdf-archive.com/2016/06/14/epic-plug-in-1-electrify-lo-french/

14/06/2016 www.pdf-archive.com

YM3812 V2 Manual 3 92%

Six voices plus 5 percussion sounds are available for simultaneous audio generation.

https://www.pdf-archive.com/2017/07/28/ym3812-v2-manual-3/

28/07/2017 www.pdf-archive.com

DTown Pit Packet2012 90%

Guitar .................................................12 Drum Set .................................................12 Percussion Rack ..........................................12 Musical Standards ..........................................13 The Mental Approach ..........................................14 Care For Equipment The Truck .................................................15 .....................................................................15 Conclusion .....................................................................15 Exercise Packet ..............................................................16 Legatos .....................................................................16 8 on a Hand .............................................................17 16th Note Timing ......................................................17 Accent Tap ...............................................................17 Accented 16ths .........................................................18 Triplet Exercise ......................................................19       2   PROGRAM OVERVIEW Thank you for your interest in the 2012 Downingtown Indoor Percussion Ensemble!

https://www.pdf-archive.com/2011/11/30/dtown-pit-packet2012/

30/11/2011 www.pdf-archive.com

D2 theme - TRANSPOSED SCORE 88%

Timpani ¢ Percussion 1 ° / 6 8 ∑ ∑ ∑ ∑ ˙ f ˙ 8 œ™ œ œ œ œ œ œ œ œ™ œ œ œ œ œ™ œ™ œ œ œ œ œ™ œ™ œ™ œ™ œ™ œ™ œ™ ˙™ ˙™ f ˙ f ˙ f 6q.

https://www.pdf-archive.com/2017/05/17/d2-theme-transposed-score/

17/05/2017 www.pdf-archive.com

digitalDrummer Feb 2020 87%

In preparing this edition, I have looked over many of the 40 editions we have produced in our first decade and it’s not hard to recognise how much electronic percussion has changed – and how much it has stayed the same.

https://www.pdf-archive.com/2020/02/29/digitaldrummer-feb-2020/

29/02/2020 www.pdf-archive.com

digitalDrummer November 2016 86%

digitalDRUMMER, November 2016 THIS IS THE last edition of what has been a huge year for electronic percussion.

https://www.pdf-archive.com/2016/10/24/digitaldrummer-november-2016/

24/10/2016 www.pdf-archive.com

El nino Score 85%

Meditative sections alternate with the energy that is usually generated by the percussion instruments.

https://www.pdf-archive.com/2016/01/23/el-nino-score/

23/01/2016 www.pdf-archive.com

Resume (1) 84%

benjaminpjohnstone@gmail.co m I am a bilingual high school student in the specialized Arts Program (Music Percussion) at Canterbury High School.

https://www.pdf-archive.com/2017/05/06/resume-1/

06/05/2017 www.pdf-archive.com

digitalDrmmer August 2017 82%

US Patent No 5920026 was filed on July 1, 1997 for “Electronic percussion instrument with a net-like material to minimise noise”.

https://www.pdf-archive.com/2017/07/28/digitaldrmmer-august-2017/

28/07/2017 www.pdf-archive.com

digitalDrummer August 2016 81%

Readers will also see a mention in this edition of EPIC (Electronic Percussion Industry Council).

https://www.pdf-archive.com/2016/07/31/digitaldrummer-august-2016/

31/07/2016 www.pdf-archive.com

GuideToMixing 81%

Certainly the advice in here is applicable to mixing electro house or hip-hop, but it is equally applicable to mixing ambient or IDM.1 On the other hand, dance music does pose special mixing challenges, such as the tuning of percussion tracks and the achievement of loudness, and these challenges are given adequate time, since they are relevant to many readers.

https://www.pdf-archive.com/2011/02/23/guidetomixing/

23/02/2011 www.pdf-archive.com

Moxf8 Synth Parameters 80%

Drum Voice Drum Voices are mainly percussion/drum sounds.

https://www.pdf-archive.com/2016/03/22/moxf8-synth-parameters/

22/03/2016 www.pdf-archive.com