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August 2015 1-1 100%
Design By PULKIT MOHAN SINGLA, 2015 HALL OF POETS ISSUE 04, AUGUST 2015 NOT FOR SALE Copyright © 2015 by Hall Of Poets All rights reserved.
thesublimecity Towards an Urban Sublime: Expressing the Inexpressible in Urban Romantic Poetry As the industrial revolution brought about the rapid urbanization of cities throughout Europe, writers who were previously concerned with the aesthetics of nature and the countryside found themselves grappling with an entirely new set of poetic and philosophical concerns. The teeming crowds, towering structures and spectacular sights that they encountered in the novel environment of the city incited in them feelings of overwhelming terror and awe akin to those typically associated with the romantic “sublime.” However, as we look more closely at the cityfocused works of poets like Baillie, Wordsworth and Hood, we begin to see that there is a fundamental difference between the “natural” sublime of earlier romantic poetry and the “urban” sublime of the city poem. Whereas the poet’s sublime experience in nature is typically associated with some sort of catharsis or transcendence, forcing man to come to terms with the limitations of his own humanity, the urban sublime instead incites a feelings of wonder and disgust at the incredible potential of that humanity itself, or—as Anne Janowitz put it in her essay The Artifactual Sublime —it forces man to confront “the self as if it were not the self; to experience the madeness of the human world as if it were different stuff than the labour of persons.” While it is true that, as Janowitz notes, this “misrecognition” of the sublime object often resulted in the experience of “romantic alienation,” I argue that the use of sublime language and natural imagery also acted as a sort of coping mechanism for their writers. Through the experience of the “urban” sublime is of course intrinsically linked to feelings of terror and isolation, the fact that these poets were describing particularly urban experiences in terms of something formerly associated with nature helped them to bridge the gap between the urban world and the natural one. This technique, therefore, served the dual purpose of expressing the unfamiliarity of this new landscape and familiarizing it, allowing these poets to discover, as Wordsworth put it, that the underlying “spirit of Nature” was still upon them, even in this “vast receptacle.” In Thomas Hood’s delightfully erratic Moral Reflections on the Cross of Saint Paul’s , we find a perfect example of the struggle many poets faced to familiarize the sublimely
Slay on Words will take place on Saturday the 19th November at 7pm, where the poets will perform in two competitive rounds followed by a DJ set to round off the evening.
the age was suited for stimulating the imagination of the poets and this mainly because their patron who were noble men encouraged them to write poetry and masque for the court.
MAY 2015 1-2 78%
MAY 2015 1 2 © Photography By DAIPAYAN NAIR, 2015 © Design By PULKIT MOHAN SINGLA, 2015 HALL ISSUE 01(2) MAY 2015 OF POETS Not For Sale O Cinderella!
Work Experience 2011 - 2012 6 months 2014 -2016 SYKES MORAVIA Costumer service agent for AT&T HABITAT FOR HUMANITY COSTA RICA Ocasional design of printed and digital material 2014 VOZUCR Publication of a short story in the VozUCR magazine 2014 EDITORIAL EVA Publication of three short stories in the book titled “La Cazadora de Historias” 2014 INTERNATIONAL POETRY FESTIVAL 2014 Participation in the recital of young poets called “La Juventud tiene la palabra” 2016 PET MORAVIA Brand Book Design 2016 CASA DE POESÍA Participation in the recital of costarrican young poets in the International
IM - Artist 75%
7 FEBRUARY, 1991 | email@example.com | 0094766696489 | imaadmajeed.com curatorial artist residencies EDUCATION Kacha Kacha (August 2015 - present) Director, curator and organizer Curating poets, rappers and singer-songwriters in Sinhala, Tamil and English, through a socially conscious lens.
What the 1916 poets envisioned – a spiritual, cultural, linguistic and economic revival, an equal cherishing of all citizens – is not a vision which this anthologist has warmed to;
Shel Silverstein is ranked at 62 in the top 500 poets.
A number of other prominent poets and linguists recited their original compositions consisting of the intricate and beautiful language of Urdu.Mr.