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Acciones p 100%
Procedencia de la Acción Popular 2.1.
https://www.pdf-archive.com/2011/05/14/acciones-p/
14/05/2011 www.pdf-archive.com
ContentServer.asp-10 98%
The aesthetic discourse space of popular music:
https://www.pdf-archive.com/2014/11/12/contentserver-asp-10/
12/11/2014 www.pdf-archive.com
MNC-Campañas 2013 98%
Campañas 2013 Campañas 2013 – Esthela Galván Vela 2 Campañas 2013 ESTUDIO DE ACTIVIDAD POLÍTICA EN LA RED 3 Panorama Actual 3 Miguel Alemán en cifras 3 Presencia en redes sociales de los candidatos a elección popular 4 Partido Revolucionario Institucional 4 Candidatos a puestos de elección popular por el Partido Revolucionario Institucional:
https://www.pdf-archive.com/2013/06/07/mnc-campanas-2013/
07/06/2013 www.pdf-archive.com
Corrientes Colegio San Martin 97%
Final Partidos y/o Alianzas Intendente/Vice % Concejales % 1 - Movimiento Integracion y Desarrollo (1) 24 1,03 18 0,79 2 - Justicialista (2) 250 10,77 199 8,73 3 - Union Civica Radical (3) 356 15,34 322 14,12 4 - Movimiento Siempre Corrientes (4) 38 1,64 24 1,05 5 - Democrata Cristiano (5) 33 1,42 29 1,27 6 - Es Posible (6) 11 0,47 14 0,61 7 - de la Concertacion Forja (7) 20 0,86 15 0,66 8 - Federal (8) 12 0,52 13 0,57 9 - Democrata Progresista (9) 15 0,65 24 1,05 10 - Renovador Federal (10) 39 1,68 40 1,75 11 - Ladrilleros Unidos (CAPITAL) (11) 31 1,34 21 0,92 12 - Accion por Corrientes (14) 40 1,72 60 2,63 13 - Unidos por Corrientes (15) 31 1,34 27 1,18 14 - Laborista Autonomo (17) 26 1,12 24 1,05 15 - ELI - Encuentro Liberal (18) 163 7,02 156 6,84 16 - Cambio Popular (19) 27 1,16 24 1,05 17 - Union del Centro Democratico (20) 35 1,51 38 1,67 https://elecciones2017.corrientes.gov.ar/totescu.php 1/2 2017-6-5 Elección Municipal Capital Junio 2017 18 - Convocatoria Popular (21) 26 1,12 30 1,32 19 - FE (23) 33 1,42 50 2,19 20 - Union Popular (25) 33 1,42 43 1,89 21 - Conservador Popular (31) 7 0,30 ///// ///// 22 - Accion Popular de los Trabajadores (34) 29 1,25 40 1,75 23 - Accion por la Republica (44) 35 1,51 44 1,93 24 - Afirmacion para una Republica Igualitaria ARI (47) 78 3,36 79 3,46 25 - Partido Socialista (50) 0 0,00 11 0,48 26 - Autonomista (52) 86 3,71 89 3,90 27 - de la Victoria (54) 77 3,32 67 2,94 28 - Proyecto Corrientes (57) 53 2,28 63 2,76 29 - PRO - Propuesta Republicana (64) 337 14,52 328 14,39 30 - Nueva Dirigencia Corrientes (67) 34 1,46 32 1,40 31 - Instrumento Electoral por la Unidad Popular (72) 0 0,00 11 0,48 32 - Nuevo (90) 70 3,02 65 2,85 33 - Popular (169) 97 4,18 100 4,39 34 - Crecer con Todos (170) 86 3,71 70 3,07 35 - Union Celeste y Blanco (173) 20 0,86 23 1,01 36 - Compromiso Correntino (175) 40 1,72 48 2,11 37 - KOLINA (192) 29 1,25 39 1,71 VOTOS en Blanco 97 4,00 138 5,69 VOTOS Nulos 6 0,25 6 0,25 VOTOS Recurridos 0 0,00 0 0,00 VOTOS de Identidad Impugnada 0 0,00 ///// ///// Total Votos Válidos 2321 2280 Votos Generales 2424 2424 Los Porcentajes de Partidos y/o Alianzas se calculan sobre el Total Votos Válidos Alianzas Intendente/Vice Total VotosPorcentajes Frente Para la Victoria (201) 55 2,37 % Encuentro por Corrientes-ECO+Cambiemos (203)1536 66,18 % Haciendo Corrientes (205) 730 31,45 % Alianzas Concejales Total VotosPorcentajes Ciudadanos Comprometidos (200) 133 5,83 % Frente Para la Victoria (201) 69 3,03 % Encuentro por Corrientes-ECO+Cambiemos (204)1219 53,46 % Haciendo Corrientes (205) 610 26,75 % Subsecretaría de Sistemas y Tecnologías de la Información https://elecciones2017.corrientes.gov.ar/totescu.php 2/2
https://www.pdf-archive.com/2017/06/06/corrientes-colegio-san-martin/
06/06/2017 www.pdf-archive.com
Corientes Colegio Vicente Figuerero 04-06-217 97%
Final Partidos y/o Alianzas Intendente/Vice % Concejales % 1 - Movimiento Integracion y Desarrollo (1) 86 1,74 71 1,46 2 - Justicialista (2) 658 13,28 575 11,82 3 - Union Civica Radical (3) 418 8,44 369 7,58 4 - Movimiento Siempre Corrientes (4) 111 2,24 87 1,79 5 - Democrata Cristiano (5) 149 3,01 123 2,53 6 - Es Posible (6) 31 0,63 46 0,95 7 - de la Concertacion Forja (7) 63 1,27 64 1,32 8 - Federal (8) 45 0,91 45 0,92 9 - Democrata Progresista (9) 47 0,95 61 1,25 10 - Renovador Federal (10) 109 2,20 104 2,14 11 - Ladrilleros Unidos (CAPITAL) (11) 85 1,72 78 1,60 12 - Accion por Corrientes (14) 51 1,03 75 1,54 13 - Unidos por Corrientes (15) 66 1,33 69 1,42 14 - Laborista Autonomo (17) 37 0,75 46 0,95 15 - ELI - Encuentro Liberal (18) 168 3,39 145 2,98 16 - Cambio Popular (19) 73 1,47 62 1,27 17 - Union del Centro Democratico (20) 130 2,62 93 1,91 18 - Convocatoria Popular (21) 115 2,32 109 2,24 19 - FE (23) 167 3,37 210 4,32 20 - Union Popular (25) 150 3,03 224 4,60 https://elecciones2017.corrientes.gov.ar/totescu.php 1/2 2017-6-5 Elección Municipal Capital Junio 2017 21 - Conservador Popular (31) 28 0,57 ///// ///// 22 - Accion Popular de los Trabajadores (34) 156 3,15 196 4,03 23 - Accion por la Republica (44) 64 1,29 80 1,64 24 - Afirmacion para una Republica Igualitaria ARI (47) 82 1,66 90 1,85 25 - Partido Socialista (50) 0 0,00 39 0,80 26 - Autonomista (52) 107 2,16 104 2,14 27 - de la Victoria (54) 284 5,73 237 4,87 28 - Proyecto Corrientes (57) 122 2,46 107 2,20 29 - PRO - Propuesta Republicana (64) 353 7,13 345 7,09 30 - Nueva Dirigencia Corrientes (67) 59 1,19 69 1,42 31 - Instrumento Electoral por la Unidad Popular (72) 0 0,00 32 0,66 32 - Nuevo (90) 232 4,68 204 4,19 33 - Popular (169) 165 3,33 160 3,29 34 - Crecer con Todos (170) 324 6,54 279 5,73 35 - Union Celeste y Blanco (173) 53 1,07 55 1,13 36 - Compromiso Correntino (175) 77 1,55 109 2,24 37 - KOLINA (192) 89 1,80 104 2,14 VOTOS en Blanco 323 6,06 411 7,72 VOTOS Nulos 41 0,77 41 0,77 VOTOS Recurridos 4 0,08 4 0,08 VOTOS de Identidad Impugnada 5 0,09 ///// ///// Total Votos Válidos 4954 4866 Votos Generales 5327 5327 Los Porcentajes de Partidos y/o Alianzas se calculan sobre el Total Votos Válidos Alianzas Intendente/Vice Total VotosPorcentajes Frente Para la Victoria (201) 204 4,12 % Encuentro por Corrientes-ECO+Cambiemos (203)2446 49,37 % Haciendo Corrientes (205) 2304 46,51 % Alianzas Concejales Total VotosPorcentajes Ciudadanos Comprometidos (200) 630 12,95 % Frente Para la Victoria (201) 213 4,38 % Encuentro por Corrientes-ECO+Cambiemos (204)1513 31,09 % Haciendo Corrientes (205) 1977 40,63 % Subsecretaría de Sistemas y Tecnologías de la Información Subdirección de Cómputos Elección Municipal Capital Junio 2017 GOBIERNO DE CORRIENTES https://elecciones2017.corrientes.gov.ar/totescu.php 2/2
https://www.pdf-archive.com/2017/06/05/corientes-colegio-vicente-figuerero-04-06-217/
05/06/2017 www.pdf-archive.com
Prime Minister eBay 96%
£28.50 £114.95 Buy it now Popular Buy it now + £8.35 Description | See Report item Postage and payments eBay item number:
https://www.pdf-archive.com/2016/04/12/prime-minister-ebay/
12/04/2016 www.pdf-archive.com
Module 10 - Friendship Circles of Reflection 95%
You may hope to be accepted into a group, such as an exclusive and popular clique.
https://www.pdf-archive.com/2018/05/14/module-10---friendship-circles-of-reflection/
14/05/2018 www.pdf-archive.com
Ebook - Diet Myths Revealed 95%
Table of Contents Introduction…………………………………….………………… 2 Why Popular Diets Fail………………………………………….
https://www.pdf-archive.com/2016/04/06/ebook-diet-myths-revealed/
06/04/2016 www.pdf-archive.com
TeatimeGB 94%
It was the Seventh Duchess of Bedford who began the now-‐popular tradition of teatime in England in 1840.
https://www.pdf-archive.com/2015/05/07/teatimegb/
07/05/2015 www.pdf-archive.com
Jane Fader PHD annual review 08.09 94%
NA Conference presentations, starting with most recent “Network Culture and the Fetishization of Agency.” National Popular Culture Association/ American Culture Association.
https://www.pdf-archive.com/2016/08/29/jane-fader-phd-annual-review-08-09/
29/08/2016 www.pdf-archive.com
observer.- Internets Most Popular Memes 93%
The Origin Stories Behind 5 of the Internet’s Most Popular Memes observer.com /2016/03/the-origin-stories-behind-5-of-the-internets-most-popular-memes/ Sage Lazzaro 3/30/2016 Since memes are in every corner of the Internet, shouldn’t we know how they got there?
https://www.pdf-archive.com/2017/10/07/observer-internets-most-popular-memes/
07/10/2017 www.pdf-archive.com
Basic Tech Terms 93%
§ § § § § Weather guides Stock lists Flight trackers Calendars Google search box Internet – A worldwide network that facilitates data transmission and exchange Wi-Fi – A facility allowing computers, smartphones, tablets, or other devices to the Internet wirelessly Mobile Hotspot – A portable device or smartphone feature that provides wireless Internet access (Wi-Fi) on many devices (your laptop, smartphone, tablet, mp3 player, portable gaming device, etc.) Wireless Router – Provides access to the Internet wirelessly Search engine – A program that allows the retrieval of data from the Internet Example 1 – Google is the most popular search engine Example – Yahoo and Bing are other popular search engines Blog – A website or web page on which personal opinions, daily updates, or links to other sites are posted regularly Example 1 – Huffington Post is one of the most popular news blogs Example 2 – Business Insider is a popular business blog Cloud storage – A virtual network where data is stored.
https://www.pdf-archive.com/2016/12/13/basic-tech-terms/
13/12/2016 www.pdf-archive.com
SmallBoatCHIRP BR 92%
1-Internal Broadband Ceramic Assembly • High—CHIRPS from 130 kHz to 210 kHz, 15° to 9° beamwidth • Available in 0°, 12°, or 20° tilted versions • 80 kHz of total bandwidth from one transducer • Covers popular fishing frequency of 200 kHz plus everything else in the bandwidth MSRP $1,120.00 €945.00 Spacer washer 118 mm (4.67”) 6 mm (0.25”) DIMENSIONS 92.25 mm (3.75”) No draft 134 mm (5.26”) 118 mm (4.67”) 56 mm (2.20”) Spacer Washer Free area ø 97.3 mm (3.83”) 70 mm (2 13/16”) hole size B175 Transducer 5 mm (0.19”) Available in 0°, 12°, or 20° Nut ø 94 mm (3.71”) 129 mm (5.09”) 141 mm (5.53”) M70 x 2 mm (0.08”) threads DIMENSIONS 3 3/4-4 UNC threads 107 mm (4.23”) ø 80 mm (3.13”) 64 mm (2.50”) 172 mm (6.78”) 2.00”-12 UN threads 1-Internal Broadband Ceramic Assembly • Depth &
https://www.pdf-archive.com/2012/02/09/smallboatchirp-br/
09/02/2012 www.pdf-archive.com
InstagramFiltersReport 91%
Our recommendations would are most popular on Instagram.
https://www.pdf-archive.com/2016/07/01/instagramfiltersreport/
01/07/2016 www.pdf-archive.com
TeatimeIndia 90%
-‐ Cha-‐ya (or Chai) is an incredibly popular street-‐style tea composed of strong black tea, cardamom, fennel, cloves and other spices, sweetened with sugar and mixed with milk for a sweet and creamy beverage that can be enjoyed for leisure and relaxation in either outdoor markets, meeting places, or the home.
https://www.pdf-archive.com/2015/05/07/teatimeindia/
07/05/2015 www.pdf-archive.com
TeatimeIndia 90%
-‐ Cha-‐ya (or Chai) is an incredibly popular street-‐style tea composed of strong black tea, cardamom, fennel, cloves and other spices, sweetened with sugar and mixed with milk for a sweet and creamy beverage that can be enjoyed for leisure and relaxation in either outdoor markets, meeting places, or the home.
https://www.pdf-archive.com/2015/05/07/teatimeindia-1/
07/05/2015 www.pdf-archive.com
IJWLTT Alsmadi 90%
https://www.pdf-archive.com/2011/10/30/ijwltt-alsmadi/
30/10/2011 www.pdf-archive.com
4845 - Box Office Season Subscription Form R1 90%
But what we can say is that it is a favorite of audiences everywhere, fun for the entire family and one of the most popular Broadway musicals of all time!
https://www.pdf-archive.com/2017/04/22/4845-box-office-season-subscription-form-r1/
22/04/2017 www.pdf-archive.com
PocketKeelMountCHIRP BR 89%
High-Frequency) 25° to 16° beamwidth • High—CHIRPS from 130 kHz to 210 kHz 10° to 6° beamwidth • 103 kHz of total bandwidth from one transducer • Covers popular fishing frequencies of 50 and 200 kHz plus everything else in the bandwidth • Fishing Profile:
https://www.pdf-archive.com/2012/02/14/pocketkeelmountchirp-br/
14/02/2012 www.pdf-archive.com
TeatimeChina 89%
Presently, drinking tea has been a longstanding and popular cultural and social tradition for this country stemming form the principle that in ancient times, tea was regarded as one of the seven daily necessities.
https://www.pdf-archive.com/2015/05/07/teatimechina/
07/05/2015 www.pdf-archive.com
ThruHullCHIRP BR 89%
fast-response water-temperature sensor • Low—CHIRPS from 42 kHz to 65 kHz MSRP $1,700.00 €1,400.00 25° to 16° beamwidth • High—CHIRPS from 130 kHz to 210 kHz 10° to 6° beamwidth • 103 kHz of total bandwidth from one transducer • Covers popular fishing frequencies of 50 and 200 kHz plus everything else in the bandwidth • Fishing Profile:
https://www.pdf-archive.com/2012/02/18/thruhullchirp-br/
18/02/2012 www.pdf-archive.com
Album Notes CD 1-8 88%
music, a music representing the brilliance of the bell music or the instrument "Xun", an ancient earthen egg-shaped wind instrument which was popular in the Neolithic Age representing the ancient music style.
https://www.pdf-archive.com/2016/12/12/album-notes-cd-1-8/
12/12/2016 www.pdf-archive.com
WUXIA 88%
WUXIA : A CINEMATIC RECONFIGURATION OF KUNG FU FIGHTING IN THE ERA OF GLOBALIZATION Lawson Jiang Film 132B: International Cinema, 1960present March 8, 2016 TA: Isabelle Carbonell Section D Wuxia , sometimes commonly known as kung fu , has been a distinctive genre in the history of Chinese cinema. Actors such as Bruce Lee, Jet Li, and Donnie Yen have become noticeable figures in popularizing this genre internationally for the past couple decades. While the eyecatching action choreographies provide the major enjoyment, the reading of the ideas—which are usually hidden beneath the fights and are often culturally associated—is critical to understand wuxia ; the stunning fight scenes are always the vehicles that carry these important messages. The ideas of a wuxia film should not be only read textually but also contextually—one to scrutinize any hidden ideas as a character of the film, and as a spectator to associate the acquired ideas with the context of the film. One would then think about “what makes up the Chineseness of the film?” “Any ideology the director trying to convey?” And, ultimately, “does every wuxia film necessarily functions the exact same way?” After the worldwide success of Ang Lee’s Crouching Tiger, Hidden Dragon in 2000, the film has intrigued many scholars around the globe in developing new—cultural and political—readings of the text. As of the nature that it is a very cultural product, the different perceptions of Western and local Chinese audience, and the accelerating globalization has led to a cinematic reconfiguration of wuxia from its original form of fiction. Therefore, a contextual analysis of the genre is crucial to understand what wuxia really is beyond a synonym of action, how has it been interpreted and what has it been reconfigured to be. First, it is important to define wuxia and its associated terms jiang hu before an indepth analysis of the genre. The two terms do not simply outline the visual elements, but also implying the core ideas of the genre. The title of this essay should be treated as a play on words, because the meaning of the two terms does not necessarily interweave. The action genre with kung fu involved—such as the Rush Hour series starring Jackie Chan—does not equal to wuxia . Wuxia itself is consist of wu and xia in its Chinese context, in which wu equates to martial arts, and the latter bears a more complex meaning. Xia , as Kenfang Lee notes, is “seen as a heroic figure who possesses the martial arts skills to conduct his/her righteous and loyal acts;” a figure that is “similar to the character Robin Hood in the western popular imagination. Both aiming to fight against social injustice and right wrongs in a feudal society.1” The world where the xia live, act and fight is called jiang hu , a term that can hardly be translated, yet it refers to the ancient outcast world that exists as an alternative universe in opposition to the disciplined reality;2 a world where the government or the authoritative figures are underrepresented, weaken or even omitted. Wuxia can thus be seen as a genre that provides a “Cultural China” where “different schools of martial arts, weaponry, period costumes and significant cultural references are portrayed in great detail to satisfy the Chinese popular imagination and to some degree represent Chineseness;3” an idealised and glorified alternate history that reflects and criticizes the present through its heroic proxy. The Chineseness here should not be read as a selfOrientalist product as wuxia had been a very specific genre in Chinese popular culture that originated in the form of fiction (and had later developed to comics or other visual entertainments such as TV series4) before entering the international market with Ang Lee’s Crouching Tiger, Hidden Dragon in the form of cinema. Ang Lee’s cultural masterpiece can be seen as an adaptation of the contemporary wuxia fiction that later inspires many productions including Zhang Yimou’s Hero 1 Kenfang Lee, “Far away, so close: cultural translation in Ang Lee's Crouching Tiger, Hidden Dragon,” InterAsia Cultural Studies 4, no. 2 (2003): 284. 2 Ibid. 3 Ibid., 282. 4 Ibid. (2002). Although the first wuxia fiction, The Water Margin , was written by Shih Nai’an (12961372) roughly 650 years ago in the Ming dynasty, it was not until the postwar era from 1950s to 1970s had the genre reached its maturity. Since then, the contemporary fiction has become popular in Hong Kong and Taiwan with notable authors such as Louis Cha and Gu Long, respectively.5 The two authors has reshaped and defined the contemporary wuxia to their Chinesespeaking readers and audience till today.6 The original wuxia as a form of fiction was malecentric. The xia were mostly male that a great heroine was rarely featured as the sole protagonist in the story; female characters were usually the wives or sidekicks of the protagonists in Louis Cha’s various novels, or sometimes appeared as femme fatale. Although most of the female characters were richly developed and positively portrayed, it is inevitable to see such a fact that the nature of wuxia is masculine. Like hero and heroine in the English context, xia refers to hero while the equivalence of heroine is xianü ( nü suggests female; the female hero). It was not until Ang Lee’s worldwide success of Crouching Tiger, Hidden Dragon , had the global audience—casual moviegoer, film theorists and scholars—noticed the rise of the genre since the film “was the first foreign language film ever to make more than $127.2 million in North America.7 ” Apart from being a huge success in Taiwan, Crouching Tiger is a hit from Thailand and Singapore to Korea but not in mainland China or Hong Kong. Kenfang Lee observes that “many viewers in Hong Kong consider this film boring, slow and without much action” in which “nothing new compared to other movies in the wuxia tradition in the Hong 5 Ibid., 284. The contemporary fiction written by the two authors mentioned previously have also provided the fundamental sites to many film and TV adaptations, such as Wong Karwai’s Ashes of Time (Hong Kong, 1994), an art film that is loosely based on the popular novel Eagleshooting Heroes , and the TV series The Return of the Condor Heroes (Mainland China, 2006) is based on The Legend of the Condor Heroes . Both novel were authored by Louis Cha. 7 Lee, “Far away, so close: cultural translation in Ang Lee's Crouching Tiger, Hidden Dragon,” 282. 6 Kong film industry… [they] claimed that seeing people running across roofs and trees might be novel for Americans, but they have seen it all before.8” Moreover, some of them rebuke the film for “pandering to the Western audience” in which “the success of this film results from its appeal to a taste for cultural diversity that mainly satisfies the craving for the exotic;” denouncing the film as a selfOrientalist work that “most foreign audiences are attracted by the improbable martial art skills and the romances between the two pairs of lovers.9 ” Lee concludes that the exoticized Chineseness and romantic elements “betray the tradition of wuxia movies and become Hollywoodized;10 ” that is, Crouching Tiger represents an inauthentic China. Kenneth Chan considers such negative reactions toward the film as an “ambivalence” that is “marked by a nationalist/antiOrientalist framework” in which the Chinese and Hong Kong audience’s claims of inauthenticity “reveal a cultural anxiety about identity and Chineseness in a globalized, postcolonial, and postmodern world order.11” Such an ambivalence and anxiety toward the inauthenticity are caused by the production itself as Crouching Tiger is funded mostly by Hollywood.12 Through studying Fredric Jameson’s investigations of the postmodernism, Chan declares that “postmodernist aesthetics and cultural production are implicated and shaped by the global forces of late capitalist logic. By extension, one could presumably argue that popular cinema can be considered postmodern by virtue of its aesthetic configurations.
https://www.pdf-archive.com/2016/04/06/wuxia/
06/04/2016 www.pdf-archive.com
Bahrain Guide CT 88%
1) Exhibition avenue area 2) Juffair 3) Adalya 4) The souk 5) The diplomatic area 1) Exhibition avenue area This area is popular with gulf tourist and can be a little sleazy or hard to decipher at times.
https://www.pdf-archive.com/2015/12/01/bahrain-guide-ct/
01/12/2015 www.pdf-archive.com
Placement CV 87%
Spencer Rixon | Studying BA (Hons) Popular Music Production Term Address:
https://www.pdf-archive.com/2016/08/14/placement-cv/
14/08/2016 www.pdf-archive.com