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WitchesMaternalEssay 100%

 The most   interesting  aspect   of  this  movie  is  the  year  in  which  it  was  released:  abortion  was  illegal  at  the  time.  Resultingly,  it  is  quite  common  to  find  allusions  to  the  issue  of  abortion   throughout  the  film,  as  well  as  the  ongoing  theme  of  misogyny  and   matrophobia  in  cinematic  witchcraft.  This  film  seems  to  suggest  that  men  are  the  masters  of  a  woman’s  destiny,  and  once  a  woman   becomes  pregnant,  she  is  obligated  to  carry  it  to  term.  In  the  film,  Rosemary  is  manipulated  by  her  secretly­Satanist  husband   and  doctor  into  keeping  the  child  despite  the  adverse  effects  that  the  vampire­like  child  has  on  her.  Karyn  Valerius  writes  that,  “Her  pregnancy  involves  not  one  but  all  three  of  the  circumstances  in  which  the  American  Law   Institute’s   moral  penal  code  provided  for  legal  abortion;  not  only  was  she  raped,  but  pregnancy  compromises  her  physical  health,  while  potential birth defects is established through anachronism” (3). Despite the fact that  her  life  is  threatened  by  the  pregnancy,  she  cannot  legally  get  an  abortion,  which  begs  the  following question: how many women in history have been forced to have life­threatening  babies  against  their will due to abortion being illegal? Hundreds of thousands, possibly millions? This is  a  truly  horrifying  idea  to  grasp.  Furthermore,  abortion  is  a  concept  often  associated  with  scandalous  sexual activity of unmarried women. And once again, the ​ Malleus Maleficarum ​ quote  has  relevance  here:  “All  witchcraft  comes  from  carnal  lust  which  in  women  is  insatiable”.  This  further  perpetuates  the  idea  that  women  are  to  blame  when  they  get  “knocked  up”.  In  the  final  scene,  the  supposed  leader  of  the  coven manipulates her even further into potentially nursing the  child,  asking  her,  “Aren’t  you  his  mother?”  ​ Rosemary’s  Baby  ​ portrays  male  characters  dominating  a  female   protagonist   and  shaping  her  destiny  to  their  will,  perpetuating  ideas  of  misogyny and matrophobia in the audience.  There  is  a  clear  pattern  here,  a  pattern  that  no  one  can  deny,  and  that  is  a  pattern  of  female  suppression  by  males,  woman­blaming,  and  misogyny.  ​ The  Crucible  ​ and  ​ Rosemary’s  Baby  ​ are  clear  examples  of  a  misogynistic  male­dominated  society,  while  ​ The  Blair  Witch  Project  ​ poses  the  idea  that  women  are  to  blame  for  exploring  their  curiosity. Witches in cinema  are  portrayed  as  evil  ninety­nine  percent  of  the  time;  in  fact,  the  average  person  would  assume  you  are  referring  to  a  female  if  you  refer  to  a  “witch”.  What  people  don’t  realize   is  that  the 

https://www.pdf-archive.com/2015/11/30/witchesmaternalessay/

30/11/2015 www.pdf-archive.com

On Fine Art 88%

WORKING PEOPLE OF THE WHOLE WORLD, UNITE!

https://www.pdf-archive.com/2016/06/21/on-fine-art/

21/06/2016 www.pdf-archive.com

Project 14-2-1-839G1.22 81%

The study will explore the multi-mode optical system portrayed abstractly by the block diagram in, and more specifically, the realization of that system portrayed in Figure 0–21.

https://www.pdf-archive.com/2016/01/11/project-14-2-1-839g1-22/

11/01/2016 www.pdf-archive.com

Stigmaphrenia 77%

As the audience we encourage you to stay after the play finishes to have your say on the themes portrayed, its premise and the truth of the ‘neurologically diverse’ individual in the real world.

https://www.pdf-archive.com/2013/04/15/stigmaphrenia/

15/04/2013 www.pdf-archive.com

Women Double image 75%

ahmadgholi0098@gmail.com Autumn 2007 One of classic allegations of feminists against literature written by male writers is that they have portrayed their female characters either as the paragons of virtue or embodiment of evil.

https://www.pdf-archive.com/2017/11/19/women-double-image/

19/11/2017 www.pdf-archive.com

RoderickHeathFoF2016 72%

Fitzgerald, called Fogarty in Sarafian‘s film (played there by Percy Herbert, whilst Tom Hardy takes the role in Iñárritu‘s), is portrayed in both films as an antsy, truculent, paranoid exemplar of the white pioneer, with a side order of racism and a dose of fear-andtrembling religiosity in The Revenant.

https://www.pdf-archive.com/2017/08/27/roderickheathfof2016/

27/08/2017 www.pdf-archive.com

d9Hoare 71%

Flag on the Mountain:

https://www.pdf-archive.com/2013/05/12/d9hoare/

12/05/2013 www.pdf-archive.com

PBS Muir tune in flyer 70%

Premieres Monday, April 18 at 9 p.m.

https://www.pdf-archive.com/2011/04/13/pbs-muir-tune-in-flyer/

13/04/2011 www.pdf-archive.com

Earthship Vol.2 Systems and components 70%

THE ABOVE PARAGRAPH SOU NDS LIKE A T YP ICAL SPACE INVADERS MOVIE IN WH I CH WE HA VE PORTRAYED THE SPACE INVADERS THE AS THE RUTHLESS ENEMY .

https://www.pdf-archive.com/2015/03/11/earthship-vol-2-systems-and-components/

11/03/2015 www.pdf-archive.com

PHOTBOO 70%

https://www.pdf-archive.com/2016/09/24/photboo/

24/09/2016 www.pdf-archive.com

sq2 70%

https://www.pdf-archive.com/2017/01/17/sq2/

16/01/2017 www.pdf-archive.com

Survey - PDF 70%

Do you think that women in Superhero films are portrayed in a stereotypical way?

https://www.pdf-archive.com/2017/03/09/survey-pdf/

09/03/2017 www.pdf-archive.com

rainer 70%

The names, characters and incidents portrayed in it are the product of Rainer’s imagination.

https://www.pdf-archive.com/2017/10/28/rainer/

27/10/2017 www.pdf-archive.com