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Please hand deliver to the National Art Gallery of The Bahamas or send completed entry form to firstname.lastname@example.org Judging Criteria Group Competitions Performance Fundamentals/ Musicianship 30pts Dynamics Proper technique Overall Ensemble Sound Creativity/ Showmanship ϯ0pts Teamwork 20pts Cohesiveness Sportsmanship Use of Space Show Concept/ Entertainment Value Continuity of show/Proper use of time Costume Total Ϯ0pts 100pts Appearance Uniformity Individual Competition Performance Fundamentals/ Musicianship 40pts Dynamics Proper technique Overall Ensemble Sound Creativity/ Showmanship 40pts Use of Space Show Concept/ Entertainment Value Continuity of show/Proper use of time Costume Total Ϯ0pts 100pts Appearance Uniformity NAME DATE OF BIRTH / AGE CONTACT NUMBER ADDRESS EMAIL TEAM NAME / STAGE NAME NAME OF TEAM LEADER NO.
(They could get that at home, listening to your record.) Give them something they’ll never forget—a bit of showmanship, a touch of the unexpected—and they’ll be back to see you again and again.
Master Lu Yi is a wise, jolly, and infectious man. From his rise among the Communist Party as an acrobatic leader to his time as a prisoner during China’s Cultural Revolution, Master Lu Yi’s triumph to freedom is nothing short of a miracle. His life story is an exceptional one, full of hardships and grief, but his love for circus arts keeps him young and motivated. Based at the Circus Center in the heart of San Francisco, Master Lu Yi has been an innovating force behind the growing international circus community for decades. Known among his students as “Johnny Appleseed,” he’s like a living circus encyclopedia with over 50 years of circus knowledge. But he would be nothing without the vast network of circus lovers that he’s amassed along the way and continues to grow to this day. With the help of advocates like Master Lu Yi, circus in the United States isn’t about animals or cheap thrills anymore, it’s about showmanship, athleticism, and pure magic. Just like a circus, Bizarre: A Circus Story aims to inspire and delight. It features breathtaking performances by members of the local circus community, from worldrenowned performers to youth artists, who have dedicated their lives to this special art form. These enchanting interludes portray circus artists in a totally new way and provide a rare glimpse at the raw strength, talent and poise it requires to be a true performer. However, it takes more than just talent and training to survive in the circus.
REPRESENTATION OF THEME – “Famous Women of the Past” Showmanship and Set DesignQuality (Lip-Sync, Live Vocal, and/or Other Entertainment) Value of Presentation as Entertainment &
It‘s the sort of absurdist set-piece I‘m sure that has occurred to just about anyone who‘s ever been stuck in such a traffic jam, and it retains a certain spiritual connection to the early dream sequence in that eternal touchstone of artistic self-appraisal in cinema, 8½ (1963), and even to the music video for REM‘s ―Everybody Hurts.‖ Damien Chazelle ultimately follows those models arcs towards melancholy reckonings with the gap between private passion and the dismay of modern living, but for the moment goes for big, raucous this-is-going-to-be-a-ride showmanship.