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EUROWEEK 2014 100%

Molloy College - USA Brandenburg University of Applied Sciences - L a t v i a BA School of Business and Finance - Germany What can Social Enterprises offer to cities for solving urban problems and foster creativity?

https://www.pdf-archive.com/2015/04/27/euroweek-2014/

27/04/2015 www.pdf-archive.com

RAVB WB Engels 97%

Rotterdam Academy of Architecture and Urban Design Master’s programmes in Architecture and Urban Design The Rotterdam Academy of Architecture and Urban Design offers four-year Master’s programmes in Architecture and Urban Design.

https://www.pdf-archive.com/2015/03/30/ravb-wb-engels/

30/03/2015 www.pdf-archive.com

portfolio printing 97%

https://www.pdf-archive.com/2012/09/08/portfolio-printing/

08/09/2012 www.pdf-archive.com

Petra2014 doble página 97%

elementos urbanos elements urbans urban items éléments urbains elementi urbani Stadtmöbel [petra] new collection MAGO URBAN 2014 elementos a medida elements a mida custom-made elements éléments sur mesure elementi su misura Maßgefertigte Elemente [petra] new collection 2014 2 12 [petra] elements 114 características técnicas característiques tècniques technical characteristic caractéristiques techniques caratteristiche tecniche Technische Daten 152 custom-made elements + You FABRICAMOS SUS DISEÑOS NOUS RÉALISONS VOS PROJETS Mago Urban pone a su disposición todo el conocimiento, experiencia e infraestructura industrial para fabricar cualquier elemento de mobiliario urbano o arquitectónico.

https://www.pdf-archive.com/2014/04/09/petra2014-doble-p-gina/

09/04/2014 www.pdf-archive.com

afrika-süd Linksammlung Stadtentwicklung 1-2015 97%

Urban Forum, 24, 2013, S.11-31.

https://www.pdf-archive.com/2015/03/03/afrika-s-d-linksammlung-stadtentwicklung-1-2015/

03/03/2015 www.pdf-archive.com

Wellglade fleet list PDF version 96%

Registration 613 FJ03VWB 614 FJ03VWC 615 FJ03VWD 616 FJ03VWE 617 FJ03VWF 618 FJ03VWG 619 FJ03VWH 620 FJ03VWK 621 FJ03VWL 622 FJ03VWR 623 FJ03VWN 624 FJ03VWP 625 FJ03VWM 626 FJ03VWS 627 FJ03VWT 628 FJ03VWU 629 FJ03VWV 630 FJ03VWW 631 FJ03VWY 632 FJ03VWX 633 FJ03VXA 634 FJ03VXB 635 FJ03VXC 636 FD53WWH 637 FD53WWJ 638 FD53WWK 639 FD53WWL 649 FN04HTV 650 FN04HSY 651 FN04HSU 652 FN04HSD 653 FN04HSZ 654 FN04HTA 655 FN04HSE 656 FN04HSF 657 FN04HSG 658 FN54AEV 659 FN54AEW 660 FN54AEX 661 FN54AEY 662 FN54AEZ 663 FN54AEB 664 FN54AEC 665 FH54VRX 666 FH54VRY 667 FH54VRZ 668 FH05TKJ 669 FH05TKK 670 FJ55AAE 671 FJ55AAF 672 FJ55AAK 673 FJ55AAN 674 FJ55AAO 675 FJ55AAU 676 FJ55AAV 677 FJ55AAX 678 FJ55AAY 679 FJ55AAZ 680 FJ55ABF 681 FJ55ABK 682 FJ55ABN 683 FJ55ABO 684 FJ55ABV 685 FJ55BZM 686 FJ55BZN 687 FJ55BZO 688 FJ55BZP 689 FJ55BZR 690 FJ55BZS 691 FJ55BZT 692 FJ55BZU 701 FJ58KJK 702 FJ58KJN 703 FJ58KJO 704 FJ58KJU 705 FJ58KJV 706 FJ58KJX 707 FJ58KJY 708 FJ58KJZ Chassis Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Scania L94UB Volvo B7RLE Volvo B7RLE Volvo B7RLE Volvo B7RLE Volvo B7RLE Volvo B7RLE Volvo B7RLE Volvo B7RLE Bodywork Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Solar Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Wright Eclipse Urban Seating B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B41F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B41F B44F B44F B44F B41F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B41F B41F B44F B41F B41F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B44F B45F B45F B45F B45F B45F B45F B45F B45F Operator Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Kinchbus Trentbarton Trentbarton Trentbarton Trentbarton Kinchbus Kinchbus Trentbarton Trentbarton Trentbarton Trentbarton Kinchbus Kinchbus Trentbarton Trentbarton Trentbarton TM Travel Trentbarton TM Travel Trentbarton Kinchbus TM Travel Kinchbus Kinchbus Kinchbus Kinchbus TM Travel TM Travel Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton 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Langley Mill Sutton-in-Ashfield Sutton-in-Ashfield Langley Mill Langley Mill Derby Nottingham Sutton-in-Ashfield Nottingham Derby Nottingham Sutton-in-Ashfield Nottingham Derby Derby Derby Derby Derby Derby Derby Derby Derby Derby Nottingham Nottingham Nottingham Nottingham Nottingham Nottingham Nottingham Nottingham Livery i4 Trentbarton Trentbarton Villager i4 Kinchbus i4 Cotgrave Connection Cotgrave Connection Cotgrave Connection Kinchbus 9 Kinchbus SkyLink Calverton Connection Calverton Connection Calverton Connection Calverton Connection Calverton Connection SkyLink Ilkeston Flyer Ilkeston Flyer Peak Line 218 Ilkeston Flyer Peak Line 218 SkyLink Kinchbus 9 Kinchbus 9 SkyLink SkyLink SkyLink Kinchbus 9 TM Travel TM Travel Trentbarton Trentbarton Villager Villager Villager Villager Villager SkyLink SkyLink Villager SkyLink SkyLink i4 SkyLink SkyLink Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Trentbarton Zig Zag advert Trentbarton Trentbarton Trentbarton The Sixes The Sixes The Sixes The Sixes The Sixes The Sixes The Sixes The Sixes The Sixes The Sixes Indigo Indigo Indigo Indigo Indigo Indigo Indigo Indigo Notes unallocated unallocated unallocated unallocated unallocated unallocated withdrawn, for spares withdrawn Main series No.

https://www.pdf-archive.com/2017/10/07/wellglade-fleet-list-pdf-version/

07/10/2017 www.pdf-archive.com

UW Portfolio Emma Colburn 96%

Emma Colburn Painting and Drawing MFA Candidate University of Washington Portfolio  Image List Michael is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Calvin is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Ms Josephine is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Jimmie is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Maxine is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Adrian is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Marie is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Ms V is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR Minnie is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR James Lawrence III is a Vibrant Heirloom, 2011, Watercolor and gouache, 18”x24,” Urban League of Portland, Portland OR !

https://www.pdf-archive.com/2015/01/16/uw-portfolio-emma-colburn/

16/01/2015 www.pdf-archive.com

thesublimecity 95%

Towards an Urban Sublime: Expressing the Inexpressible in Urban Romantic Poetry As the industrial revolution brought about the rapid urbanization of cities throughout Europe, writers who were previously concerned with the aesthetics of nature and the countryside found themselves grappling with an entirely new set of poetic and philosophical concerns. The teeming crowds, towering structures and spectacular sights that they encountered in the novel environment of the city incited in them feelings of overwhelming terror and awe akin to those typically associated with the romantic “sublime.” However, as we look more closely at the cityfocused works of poets like Baillie, Wordsworth and Hood, we begin to see that there is a fundamental difference between the “natural” sublime of earlier romantic poetry and the “urban” sublime of the city poem. Whereas the poet’s sublime experience in nature is typically associated with some sort of catharsis or transcendence, forcing man to come to terms with the limitations of his own humanity, the urban sublime instead incites a feelings of wonder and disgust at the incredible potential of that humanity itself, or—as Anne Janowitz put it in her essay The Artifactual Sublime —it forces man to confront “the self as if it were not the self; to experience the madeness of the human world as if it were different stuff than the labour of persons.” While it is true that, as Janowitz notes, this “misrecognition” of the sublime object often resulted in the experience of “romantic alienation,” I argue that the use of sublime language and natural imagery also acted as a sort of coping mechanism for their writers. Through the experience of the “urban” sublime is of course intrinsically linked to feelings of terror and isolation, the fact that these poets were describing particularly urban experiences in terms of something formerly associated with nature helped them to bridge the gap between the urban world and the natural one. This technique, therefore, served the dual purpose of expressing the unfamiliarity of this new landscape and familiarizing it, allowing these poets to discover, as Wordsworth put it, that the underlying “spirit of Nature” was still upon them, even in this “vast receptacle.” In Thomas Hood’s delightfully erratic Moral Reflections on the Cross of Saint Paul’s , we find a perfect example of the struggle many poets faced to familiarize the sublimely overwhelming urban environment. Hood’s speaker—who is presumably a tourist visiting London for the first time—is hilariously unable to produce any original or insightful “reflections” about the complex cityscape he sees spread out before him, and resorts instead to stringing together a bizarre collection of references and metaphors that don’t seem to fit together into a cohesive vision. The speaker’s numerous allusions to “classic” works of literature suggest that he feels a longing to express the “profound” nature of the landscape he is viewing, but even these references come off as disjointed and confused. In the poem’s first stanza, the speaker compares the ball of Saint Paul’s cathedral to Mount Olympus, the home of the gods in Greek mythology. He then immediately moves on to reference a figure from Roman mythology, when he proclaims that he is sitting “Among the gods, by Jupiter!” The speaker’s thoughts turn again towards the literary in the third stanza, when—looking down at the city crowds beneath him—the speaker feels the need to question the nature of man. “What is life?” He asks himself, and answers with an apparent reference to a now cliche line from William Shakespeare's As You Like it : “And what is life? And all its ages— / There’s seven stages!” Before he is able to offer any sort of “real” philosophical inquiry into what he means by this, however, the speaker distracts himself by naming off the seven neighborhoods of London, and never returns to the subject. While this random misfiring of halfbaked references helps develop the speaker’s delightfully zany personality, it also gestures at the bewilderment he feels upon taking in the sprawling landscape of London from above. Though the speaker cannot adequately express the profound emotional impact of this landscape in his own words—and it is clear that he does not have the educational background to substantiate even an insightful literary comparison—he still feels the urge to grasp for images and analogies that he associates with grandiosity and power. This attempt—and failure—to express the inexpressible is a common struggle in the literature of the sublime, and in Joanna Baillie’s poem London —which was written around the same time as Hood’s piece—we are introduced to yet another speaker who cannot quite find the right words to describe the overwhelming urban landscape. The difference here is that Baillie’s speaker is more familiar with the concept of the natural sublime, and she uses the language associated with it to explore the ways that the experience of urban sublime is both related to and separate from the experience of the sublime in nature. The poem’s initial description of the city—in which we find the city viewed again from above, from the hills of Hampstead “through the clear air”—presents the urban space as a rather innocuous, almost quaint vision. The London skyline seems to the speaker a “goodly sight,” and its structures are rendered in relation to familiar human figures. The spires of St. Paul’s cathedral flank the structure “in kindred grace, like twain of sisters dear,” the “ridgy roofs” of the city’s buildings sit amicably “side by side.” The entire vision is “softly tinted” by the distance of the viewer, _____. However, as the air begins to grow denser, and “moistened winds” prevail, the city’s landscape transfigures into something far more menacing. The “thin soft haze” of the poem’s first section becomes a “grand panoply of smoke arrayed,” and the dome of St. Paul’s Cathedral—which is now surrounded not by quaint spires, but by “heavy” clouds that sail around its imposing dome—seems “a curtain gloom / Connecting heaven and earth,—a threatening sign of doom.” The shifting weather strips the humanity from the city’s landscape, and the language of the speaker quickly shifts to the language that references the natural sublime. The combination of almost ethereal However, this use of sublime language also allows the speaker to articulate the differences between the urban world and the natural one. Though the speaker seems compelled to compare the structure to prodigious natural figures (she states that the cathedral “might some lofty alpine peak be deemed”) it becomes apparent that these metaphors are not quite sufficient to describe the sight she is witnessing. Because its form reveals “man’s artful structure,” (and by extension the “artful structure” of man’s society), the cathedral cannot be viewed as totally natural. Instead, it is referred to as “more than natural,” and seems to transcend the boundaries of both humanity and nature as it first “connects heaven and hearth” and then, a few lines later seems “far removed from Earth.” This somewhat confused description demonstrates the speaker’s complex feelings about the urban landscape. Though she knows one thing for certain about this cathedral—“She is sublime”—the speaker cannot quite find the language she needs to describe the sense of the particularly “urban” sublime she is experiencing. She knows the cathedral is a product of mankind, and that the power that it is imbued with is intrinsically linked with the oppressive church that it represents and the often corrupt society that it is a part of. Part of the reason that the church looks seems to her so terrifying is certainly the fact that entering the streets of the city means succumbing to the dominance of the church, the government, and society as a whole. Language has always failed to fully express the sublime experience, however, and the speaker’s attempts to conflate the urban sublime of the city with the natural sublime simply demonstrates a desire to give a recognizable form to the terror she is experiencing—in order to truly become what Lyotard calls an “expressive witness to the inexpressible,” the speaker must carry thought and rationality to their logical conclusions, and for a romantic poet the world can best be rationalized and understood in terms of the rural. In contrast to Hood’s speaker, whose manic metaphorhopping was a symptom of a mind unprepared to grapple with the urban landscape’s complexities, Baillie’s speaker logically considers the unfamiliar in terms of her own experience, and makes the urban feel, in a way, like an extension of nature. This blending of the natural and the urban is epitomized in the final portion of Baillie’s poem, when the viewpoint shifts to the perspective of a “distant traveller.” From afar, this traveller is able to view the London in its entirety, and finds himself awestruck by the stars in the “luminous canopy” above the city that seem to be “cast up from myriads of lamps that shine / Along her streets in many a starry line.” The “flood of human life in motion” creates a noise that sounds to the traveller like the “voice of a tempestuous ocean,” and he finds his soul filled with a “sad but pleasing awe” upon hearing it. These magnificent sights, which seem at once human and natural, express the rich suggest that the city is capable of igniting in the human soul the same complex emotions that a sublime natural splendor might. Wordsworth took this idea to its ultimate conclusion as he navigated the bacchanalian chaos that is St. Bartholomew’s fair at the conclusion of The Prelude, Book Seven. In Wordsworth’s poem, we are not viewing London from above, but from the very trenches of the city, and the sublimity he is experiencing comes not from the contemplation of the urban

https://www.pdf-archive.com/2016/04/20/thesublimecity/

20/04/2016 www.pdf-archive.com

2018 UrbNext Conf Workshops 95%

Dylan Glosecki, Co Chair AIA Seattle, Urban Design Forum, Senior Architect, VIA Architecture and Planning;

https://www.pdf-archive.com/2018/01/05/2018-urbnext-conf-workshops/

05/01/2018 www.pdf-archive.com

property-listing-presentation 94%

Your Trusted Partner In Real Estate DELREYURBAN.COM @DelReyUrban info@DelReyUrban.com 310.435.6602 GET TO KNOW DEL REY URBAN Del Rey Urban Capital, LLC (“DRU”) is a full-service real estate investment bank with acquisitions, private equity and advisory services divisions.

https://www.pdf-archive.com/2018/01/18/property-listing-presentation/

18/01/2018 www.pdf-archive.com

VCU Urban Agriculture SRL 94%

Urban Agriculture 101:

https://www.pdf-archive.com/2012/11/29/vcu-urban-agriculture-srl/

29/11/2012 www.pdf-archive.com

The Garden is Always Greener-2 93%

Through a literature review of recent urban planning policy and development in Miami and relevant discourse on the neoliberalization of food, food politics, food justice activism, and gentrification, I situate Miami’s gardens within a complex, multi-scalar web of ideas and processes.

https://www.pdf-archive.com/2012/01/10/the-garden-is-always-greener-2/

10/01/2012 www.pdf-archive.com

170710-urban-a4-folded-web 93%

tomato salsa on sourdough 14.5 URBAN 35 BREAKFAST Eggs crispy bacon, homemade potato rosti, mushroom, spinach, grilled tomato on sourdough 18.5 1.0 Sautéed herbed mushrooms, oven baked tomatoes, homemade potato rosti 3.0 Smashed avocado with salsa, maple bacon, corn fritter 4.0 Smoked Norwegian salmon 5.0 U R B A N S FAV O U R I T E S SALT &

https://www.pdf-archive.com/2017/07/10/170710-urban-a4-folded-web/

10/07/2017 www.pdf-archive.com

Yaos Document 92%

DC SARE Urban Food Producers Spring Orientation and Workshop Center for Urban Agriculture and Gardening Education Produced by:

https://www.pdf-archive.com/2015/04/24/yaos-document/

24/04/2015 www.pdf-archive.com

Programma USWA 92%

Urban Sports Week Amsterdam Events 17:00 Decathlon Urban Kids Sport Zone ArenA Boulevard BMX Championships Park Marnixbowl BMX BMX Championships Street Museumplein BMX Championships Dirt Roest BMX Championships Flatland Westerunie - Westergasfabriek NK Boulder - Qualifications Boulderen Zuiveringshal - Westergasfabriek NK Boulder - Final Zuiveringshal itUrban Battle Westerunie - Westergasfabriek Breakdancing Dutch Freerunning Championships Finals Beursplein Dutch Freerunning Championships Qualifications Beursplein Freerunning Gravity XL Community Freerun Jam Station Amstel Eye Vrog Wibautstraat 4x4 KNVB Straatvoetbal Balboaplein Street Football Inline Skating High Air Contest Thorbeckeplein NK Spine Ramp Museumplein Get Out The Way Museumplein Skate Action Olympiaplein Olympia Games Olympiaplein EK Panna Knock Out Iepenplein EK Panna Knock Out Balboaplein Urban Crossfit Wakeboarding EK Panna Knock Out Surinameplein Westerunie Tourist Run Museumplein Tourist Run Museumplein Tourist Run Museumplein Amsterdamn Open - Practice session Museumplein Amsterdamn Open - Qualifications Museumplein Tourist Run Museumplein Amsterdamn Open - Finals Museumplein City Slack Amsterdam Museumplein Slacklining SUP Mind the Gap Westergasfabriek Urban Scene Party Party Street Diving Westergasfabriek Longboard Jam Session Vondelpark Openluchttheater Panna &

https://www.pdf-archive.com/2016/04/28/programma-uswa/

28/04/2016 www.pdf-archive.com

Portfolio-HE Jian 92%

PHOTOGRAPHY PORTFOLIO He Jian TABLE OF CONTENT HE JIAN I’m He Jian, it has been years since I Urban &

https://www.pdf-archive.com/2019/01/30/portfolio-he-jian/

30/01/2019 www.pdf-archive.com

Sample Portfolio Théophile Ray 91%

Lack of mixity Poor quality of Green Low density URBAN CAMPUS Spoletorp Paradiset Sölvegatan LTH Campus The development of the LTH Campus as an urban area is based on an analysis of different city shapes in the city of Lund :

https://www.pdf-archive.com/2017/03/16/sample-portfolio-the-ophile-ray/

16/03/2017 www.pdf-archive.com

UW Media Kit 2016 V1 90%

URBAN WALKABOUT MEDIA KIT 2016 WHO WE ARE EMAIL DATABASE 27,000 SUBSCRIBERS Urban Walkabout is a publisher and a marketing services company with over 10 years experience promoting outstanding independent businesses across Australia and the UK.

https://www.pdf-archive.com/2016/04/11/uw-media-kit-2016-v1/

11/04/2016 www.pdf-archive.com

Work Programme HUF Conference (tbc) 90%

Information The outcomes of research from the family history of the worlds biggest urban furniture company Decaux to the understanding of public space designs in India - are presented in an Investigation Corner with visual material and statements from the researchers.

https://www.pdf-archive.com/2017/03/24/work-programme-huf-conference-tbc/

24/03/2017 www.pdf-archive.com

gmljuly2016 11-20 90%

RID 3870 GML July 2016 11 PRESIDENTS-ELECT TRAINING SEMINAR Mallberry Suites, Cagayan de Oro April 22, 2016 Hosted by RC CDO East Urban By RTN.

https://www.pdf-archive.com/2016/09/30/gmljuly2016-11-20/

30/09/2016 www.pdf-archive.com

Untitleddocument 90%

We connect corner stores in low-income communities with fresh, local produce and are looking for an innovative professional to help create and implement a communications and fund development campaign to garner increased awareness and investment in the Urban Food Project.

https://www.pdf-archive.com/2014/05/12/untitleddocument/

12/05/2014 www.pdf-archive.com

PO2 Reports Final PostCorrection 89%

POTENTIAL COLLABORATIVE THESIS TOPICS · Financial business models · Internet of Things (IoT) Business models_2017 · Retail Analytics And Data Visualization · Scouting and analysis of data-enabled services in B2C · Service framework and blueprint of digital lighting companies · Service KPIs · Smart office ecosystem · SmartCities Conceptualize and Visualize · SmartCities Dashboard CEES DONKERS INTRODUCTION Cees Donkers is a senior city planner for City of Eindhoven, Netherlands whose some of the focused are designing for urban space, urban furniture, urban guiding system.

https://www.pdf-archive.com/2017/02/27/po2-reports-final-postcorrection/

27/02/2017 www.pdf-archive.com

Coates Media Release 89%

MEDIA RELEASE: IMMEDIATE Ottawa, May 22, 2017 The Daniel Coates, MS, PhD, FWAAS, Initiated and managed the first national urban study in Canada as Top Advisor (1968‐1973) to the late Hon. Robert Andras, Minister for Housing, Minister of State for Urban Affairs (1969‐1971) and other senior Portfolios, in the Government of the Right Hon. Pierre E. Trudeau. Coates also served as Former Deputy Minister level top senior policy advisor to Prime Minister John N. Turner, also served Prime Minister Brian Mulroney and Prime Minister Campbell’s senior Minister, the Hon. Bernard Valcourt, and managed the Hon. Jim Flaherty’s Payments Task Force stakeholder engagement process, 2010‐2011 with his colleagues who led the engagement process (see: Pat Meredith, et al, CATALYTIC GOVERNANCE, ... U of Toronto Press, 2016). COPY OF LETTER TO THE MAYOR AND COUNCIL, CITY OF VANCOUVER Dear Mayor Robertson and Members of Council, City of Vancouver, Chinatown, a City of Vancouver treasure, in fact a national treasure of major importance for all Canadians, is today again under grave threat, as it was in 1969 when Bob Andras and I stopped the devastation that was planned with the imminent local launch of the urban renewal program in Strathcona. In this plea to you and your colleagues on Council, I today speak without hesitation for the late Bob Andras, late of the City of Vancouver, and for myself. (Over five and a half years, as both our fonds at Library & Archives Canada confirms, Bob and I acted as one voice, he was a true leader and I his devoted key advisor.) For it was Bob Andras and I who heard from hundreds of residents in Vancouver in 1969 their cry to protect and preserve North America’s most precious Chinatown in Vancouver, to stop in its tracks the planned urban renewal program which would demolish homes throughout the community and allow the City and Province to build a freeway through Chinatown and the demolished community. When as Minister, Bob, and I toured Vancouver by car and helicopter on the first visit as Minister to the City in 1969, with the then President of CMHC and the federal housing’s Regional Director, I recall too well Herb Hignett, CMHC President’s comments to us that day in making the case for urban renewal in Strathcona. He stated his view why the bulldozers were essential and the planned highway through the demolished area an urgent priority. Herb had not heard the voice of SPOTA, its leadership and the voice of so many in the community pleading for their community and its protection. Herb noted that many of the homes were shoddy, falling apart, and without any basements, sitting on earth, not deserving of improvements or preservation. This was the mind set of CMHC at the time. Until Bob Andras, changed the culture of the Corporation, with the appointment of a socially progressive actor, Walter Rudnicki, as Vice President of Policy at CMHC. Over the next few days in 1969 on that first visit we heard other voices and a very different message. The names I most remember are those of Shirley Chan, the most authentic and powerful voice we heard, that of her mother, Mary, other leaders of SPOTA, and most especially our meetings with a young architect Joe Wai, whose passion for the community and its unique character and his eloquence, was far more persuasive to us than CMHC officials. I am saddened that Joe Wai passed away recently and cannot continue his fight for Chinatown and stop high rise development, which is totally out of character with the homes and traditional shops in the community. Thankfully, in the early years, the Hon. Paul Hellyer with his top advisor Lloyd Axworthy, had temporarily frozen the urban renewal program in the course of their Task Force study. After Hellyer resigned from Pierre Trudeau’s Cabinet in 1969 in a dispute with the Prime Minister, as did Lloyd; successor Bob Andras, and I, his sole non CMHC advisor, decided that the urban renewal program in Vancouver was not to be approved. Ultimately, with Cabinet’s support, most of the program across the country was permanently stopped. The threat today is from another high rise development in a most sensitive and precious part of the community. For this community, it is a totally inappropriate development. I join with many others, including the late Joe Wai, Dr. Shirley Chan, MP Jenny Kwan and other voices, in the same spirit that guided Bob Andras’ decision in 1969 to reject pressure from CMHC, Province and City, in opposing the rezoning proposal for the tower at 105 Keefer Street. In every respect, Shirley Chan’s comments on the issue and those of Member of Parliament Jenny Kwan, in her statement of May 21, 2017, most thoroughly and comprehensively make the case on why this development should not proceed. And need no repetition here, but my full support. Having managed the only national urban study in Canada to date, a seminal study over‐seen by Harvard trained economist, Dr. Harvey Lithwick, with expert authorities from across Canada and abroad, we know density is essential if cities are not to continue to sprawl over vast areas of the countryside. Cities must grow upwards. Densification is the general rule. But not at the expense of the most precious cultural communities in our cities such as Chinatown. If we abandon them, we lose our anchor with our heritage and help to destroy what is most precious, cultural diversity and shared memories of our rich past. Chinatown can be preserved while maintaining its historic scale and character, as Joe Wai so eloquently made the case. Chinatown, unlike most of the City, cannot grow upwards. Please pause and consider most carefully the case put forward so well on why high rise development in Chinatown threatens its survival, as cited here. Please recall the courage of Bob Andras, and earlier leadership of Paul Hellyer and Lloyd Axworthy, who resisted the demands of developers and traditional planners and the Robert Moses’ of the day, and hear also the voice of Jane Jacobs, and do the right thing for Chinatown, for Vancouver, for Canada. ‐‐ 30 ‐‐ FURTHER: Dan Coates, 613 233 8411 coates@sympatico.ca

https://www.pdf-archive.com/2017/05/30/coates-media-release/

30/05/2017 www.pdf-archive.com

APSA 2015 89%

Assessing the Urban and Rural Stage Bus Services Disparities in Peninsula Malaysia By:

https://www.pdf-archive.com/2016/07/02/apsa-2015/

02/07/2016 www.pdf-archive.com

2014.04.25 Response to Staff Report for Pear Street-2 89%

The subject property was inadvertently omitted from the October 2008 version of the Richmond Downtown Plan, but was subsequently included in the Urban Center Area of the Downtown Character Map as part of the July 2009 amendment to the Richmond Downtown Plan.

https://www.pdf-archive.com/2014/05/07/2014-04-25-response-to-staff-report-for-pear-street-2/

07/05/2014 www.pdf-archive.com

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