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Afterall 28 Gronlund Wardill 100%

Emily Wardill, Game Keepers Without Game, 2009, video projection with 5.1 sound, 72min, production still.


MIRAJ 1.2 art Gronlund copy 76%

Administration of social reality Copyright Intellect 2012 Do not distribute Melissa Gronlund University of the Arts London abstract This article identifies a mode of observational film-making among female artists such as Megan Fraser, Beatrice Gibson, Anna Lucas, Rosalind Nashashibi, Elizabeth Price and Emily Wardill, and situates it both formally and historically, in relation to its mode of montaged construction and its relative downplaying of the importance of medium and installation.