Nez Interview 1979 Creem Page 1 .pdf

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nlKE tEsllltH
by Mike McDoweII
(The following interview with Mike Nesmith

was conducted by writer Mike McDowell

in Carmel, California on June 21 , 1978.
McDowell is the publisher/editor of Blitz
magazine, and this interview originally ap-

peared in the October '78 issue of that
publication. Strangely enough, the inter-

view hasn't dated that much over the
years, and it's one of the few places dur-

ing the last decade that Nesmith has
dlscussed his musical career and time
spent with the Monkees.-Ed.)
Meeting Michael Nesmith for the first
lime was the realization of a 12-year-long
dream. Nesmith's work has demonstrated the highest caliber of aesthetic enrichment and emotional fulfillment. Be it his
early singles for Omnibus, Edan and Col-

pix Records, his pioneering groundwork
as lead guitarist with the Monkees, or his
country-rock innovations with the First
National Band, the name Michael
Nesmith has always stood for first-rate
musicianship.

Today, Nesmith resides in Carmel,

California, where he presides over the

Pacific Arts Corporation,

an

up-and-

coming multi-media service.
Mike McDowell:. ln order to gain a more

accurate perspective on the musical
developments in your careet, l'd feel
it's more important to trace the various
stages through your earliest recorded
material. You had a single in 1963 on
the Omnibus label as part of a trio called Mike, John and Bill. The record was
considerably ahead of its time, display-

ing an almost lolk-rock sound that
would be popularized about two years
later by the Byrds and the Turtles.
Mike Nesmith: lt was a style that came
naturally to me. I had been playing the

club circuit at that time, and music in
more of a folk vein was at its peak of
popularity. The fusion of rock and folk
wasn't a conscious direction, it just happened as such. John and Bill on that
record were John London and Bill
Sleeper. John later played with me as a

member

of the First National Band.

Anyway, we were discovered playing in
a club by Frankie Laine's girlfriend, who

really liked the way we sounded. She
recommended us to Frankie, who was
starting his own label at the time. Consequently, our record was released on his
Omnibus label.

There are several conflicting reports

circulating as to your musical
whereabouts in the year immediately
62

following the Omnihus single. I've

heard that you lilled in as a member ot
the New Christy Minstrels for one tour
and that you played with the country
band Red Rhodes & The Detours on a
live album they released at the time.
Any truth to any ol this?
Nesmith: I have never played with the

New Christy Minstrels. I have no idea

where that rumor got started! And
although I had known Red Rhodes for
some time prior to his joining the First National Band, I did not appear on his live

album. I had been appearing both as a
solo act and with other performers during that time.

ln 1965, "Just A Little Love," the song
you composed for the B-side of the
Omnibus single re-surtaced under iust
your own name, coupled with a garage
band instrumental called "Curson Ter-

race," which was credited to Mike and
Tony. Who is Tony?
Nesmith: l'd like to know that one
myself! I have no idea who Tony is. I
never played with anyone named Tony.
I

was amazed when I found out that single

had been released. lt most definitely is
me on there, but I have no idea who is
behind the release of it.
Soon after, you released two singles
under the name of Michael Blessing on


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